Kullervo (Sibelius)
Kullervo, Op. 7, is an early symphonic poem for soloists, chorus and orchestra, written by the Finnish composer Jean Sibelius.
The work, based on the character of Kullervo from the epic poem Kalevala, premiered to great critical acclaim on 28 April 1892[1]. The soloists were Emmy Achté and Abraham Ojanperä, with the composer conducting the Orchestra of the Helsinki Orchestra Society, founded in that year. Kullervo had only four more performances in Sibelius's lifetime, the last one taking place on 12 March 1893. Sibelius repeatedly refused to publish it; only at the very end of his life (1957) did he gave permission for it to be published posthumously[2], having re-orchestrated the final section (Kullervo's Lament) of its third movement.
There was much controversy arising from the première, some having to do with Sibelius' idiosyncratic style, and some a result of language politics: Finland was divided between Swedish nationalists, the Svecomans, and promoters of Finnish (Suomi) language and culture, the Fennomans. The lyrics to Kullervo, taken from the relatively recently published Kalevala (1849), were in Finnish, which led the "Svecomans" to regard Sibelius, whose mother tongue was Swedish, as a defector[1].
There were performances of isolated movements before Sibelius's death (the fourth movement two days after the premiere and again in 1905 and in 1955; the third movement for a centenary celebration of the "Kalevala" in 1935). It was next performed in 1958, a year after Sibelius's death, with Jussi Jalas, Sibelius's son-in-law, conducting the work. A limited edition release of the 1958 Jalas live performance became available in the early 1970s. The first studio recording was made by Paavo Berglund and Bournemouth Symphony Orchestra in 1971. The first performance in the United States was given in Milwaukee with the Milwaukee Symphony Orchestra under Kenneth Schermerhorn. Schermerhorn took his orchestra on tour and performed it in Washington, D.C. and at Carnegie Hall in New York. Since then many orchestras have performed and recorded the work.
The music
The work is in five movements, each chronicling a different part of Kullervo's life, based on the Kullervo cycle from the Kalevala. The third and fifth movements contain passages of dialogue from the epic, sung by a baritone (Kullervo), a soprano (the three successive women Kullervo tries to seduce), and a male chorus (the narrative verses). Movements one, two and four are purely instrumental.
1. Introduction
This movement sets up the work. It evokes the heroic sweep of the legendary Finnish setting, as well as the character Kullervo, who is a complex, tragic figure.
2. Kullervo's Youth
This movement reflects the contents of Runos 31 through 33 of the Kalevala, with a somber tone; Kullervo is marked for tragedy from birth onwards, and he spends his youth largely in slavery.
3. Kullervo and his Sister
Scored for male chorus as well as male and female soloists, this movement (which Sibelius allowed to be performed as a separate work) chronicles how Kullervo encounters three women; he attempts, unsuccessfully, to seduce them. After failing three times, he ravishes the third woman, only to realize too late that it is his long lost sister, who commits suicide when she learns the truth; she leaps into a stream and drowns herself. The movement ends with Kullervo's lament at his sister's death, and his own crime.
4. Kullervo Goes to Battle
Kullervo attempts to atone for his crime by seeking death on the battle field.
5. Kullervo's Death
A haunting male chorus tells of Kullervo's death; he inadvertently comes to the site of his sister's ravishment, marked by dead grass and bare earth, where nature has refused to renew itself. He addresses his magic sword, asking if it will slay him; the sword answers, and he commits suicide.
The work runs something over an hour. The duration depends very much upon the conductor. Seven recent recordings range from 70 to 80 minutes in length.
Selected discography
- Kullervo with Paavo Berglund conducting the Bournemouth Symphony Orchestra, in a symphonic survey of Sibelius. (EMI Classics 74485)
- Kullervo with Robert Spano conducting the Atlanta Symphony Orchestra. (Telarc 80665)
- Kullervo with Sir Colin Davis conducting the London Symphony Orchestra. (LSO 0074)
- Kullervo with Jukka-Pekka Saraste conducting the Finnish Radio Symphony Orchestra with The Polytech Choir and soloists Jorma Hynninen and Monica Groop. (FINLANDIA 0630-14906-2. 1996)
- Kullervo with Jorma Panula conducting the Turku Philharmonic Orchestra. (Naxos 8.553756)
- Kullervo with Osmo Vänskä conducting the Lahti Symphony Orchestra with the Helsinki University Chorus and soloists Lilli Paasikivi and Raimo Laukka. (BIS 1215)
- Kullervo with Ari Rasilainen conducting Staatsphilharmonie Rheinland-Pfalz with The Helsinki Academic Male Choir KYL and soloists Juha Uusitalo and Satu Vihavainen (2005).
- Kullervo Op. 7 with Neeme Järvi conducting the Gothenburg Symphony Orchestra. (BIS 313) (1985).
- Kullervo Op. 7 with Paavo Järvi conducting the Royal Stockholm Philharmonic and soloists Randi Stene and Peter Mattei. (Virgin - EMI Music Distribution / EMI 286522). (1997)
- Kullervo Op. 7 with Leif Segerstam conducting the Helsinki Philharmonic Orchestra. (CD/SACD hybrid Ondine ODE 1122-5) (2008).
- Kullervo with Esa-Pekka Salonen conducting the Los Angeles Philharmonic and Helsinki University Chorus. (1993: Sony SK52563)
References
- ^ a b Sirén, Vesa (principal editor); et al. (2005-07-03). "Jean Sibelius, The Music - Kullervo;". The Sibelius Project. Retrieved 2012-10-16.
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(help) - ^ Jean Sibelius: Kullervo, Op. 7, 1st edition, 1961: Breitkopf & Härtel, Wiesbaden. Facsimile printing of copyist's MS; Citations refer to the Editor's Preface.