An adaptation of "The Wizard of Oz" that tries to capture the essence of the African-American experience.An adaptation of "The Wizard of Oz" that tries to capture the essence of the African-American experience.An adaptation of "The Wizard of Oz" that tries to capture the essence of the African-American experience.
- Nominated for 4 Oscars
- 2 wins & 11 nominations total
Toney Brealond
- Gold Footman
- (as Tony Brealond)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIn his book "Making Movies," Sidney Lumet admits that filming the Emerald City sequence on the plaza at the World Trade Center had to be cut short because of wind and scheduling. The red sequence had to be shortened due to a lighting error, and there was no time to re-shoot. The Port Authority would not allow more time to fix mistakes.
- GoofsAunt Em comments that Dorothy has never been south of 125th Street in the Manhattan neighborhood of Harlem. However, Dorothy later gives her address as being on Prospect Place, which is in Brooklyn, miles southeast of Harlem.
- Crazy creditsFitzstephens, Jack ... Music Editor & Guru
- Alternate versionsWhen this movie debuted on CBS, the network trimmed several scenes to fit in a 3 hour block with commercials. Several omitted scenes includes:
- The arrival of the baby and its family at Aunt Emme's party.
- Some of the dancing and the Poms sequence with the Munchkins (it cut from them going down the stairs to some of them doing acrobatics).
- Portions of "Mean Ole Lion".
- The chase sequence in the subway platform omits how the Scarecrow and the Tin Man are rescued by the Lion.
- The Poppy Girls close-up shot.
- Dance portions in the Emerald City during the Green and Red clothing.
- The entire Emerald City Motel sequence
- Dorothy asking the guards of the gate how to get to Evilynn's. (It cut from RIchard Pryor peeking out to the time clock at the sweat shop).
- ConnectionsEdited into The Arrivals (2008)
- SoundtracksYou Can't Win, You Can't Break Even
Written by Charlie Smalls
Performed by Michael Jackson (uncredited) and The Four Crows (uncredited)
Featured review
I just watched this for the first time, I've was expecting a true spectacle of "bad" cinema. I was surprised to find there is a decent movie here.
Some people have remarked Diana Ross was too old to play Dorothy, OK, well, so was Judy Garland. True. There's really nothing wrong with this musical--The songs are excellent, performed by some great talents. The production design is spectacular (maybe a little dated, but still something to look at). The sets are a little nightmarish looking, true, but I liked that. I reminded me of "Return of Oz", a favorite of mine too. The real problem with this movie is the damn direction and cinematography.
What were they thinking? The Munchkin scene is not only lit horribly (too dark!), but all the musical numbers seem like they're just comprised of master shots. Very few close ups of dancers, other singers, and even main characters. During the "Ease on Down the Road" number Lumet has us staring at Diana Ross and Michael Jackson's back from far away in the distance for two minutes. It felt like I was watching this movie from the cheap seats. Thus, I always felt distanced from the characters and situations, and just couldn't get into the movie.
I read Sidney Lumet's book "Making Movies" and I remember him writing in detail about shooting to get proper coverage. What happened here?
Some people have remarked Diana Ross was too old to play Dorothy, OK, well, so was Judy Garland. True. There's really nothing wrong with this musical--The songs are excellent, performed by some great talents. The production design is spectacular (maybe a little dated, but still something to look at). The sets are a little nightmarish looking, true, but I liked that. I reminded me of "Return of Oz", a favorite of mine too. The real problem with this movie is the damn direction and cinematography.
What were they thinking? The Munchkin scene is not only lit horribly (too dark!), but all the musical numbers seem like they're just comprised of master shots. Very few close ups of dancers, other singers, and even main characters. During the "Ease on Down the Road" number Lumet has us staring at Diana Ross and Michael Jackson's back from far away in the distance for two minutes. It felt like I was watching this movie from the cheap seats. Thus, I always felt distanced from the characters and situations, and just couldn't get into the movie.
I read Sidney Lumet's book "Making Movies" and I remember him writing in detail about shooting to get proper coverage. What happened here?
- IconsofFright
- Aug 27, 2004
- Permalink
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Details
Box office
- Budget
- $24,000,000 (estimated)
- Gross US & Canada
- $21,049,053
- Gross worldwide
- $21,049,647
- Runtime2 hours 14 minutes
- Color
- Aspect ratio
- 1.85 : 1
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