Directed by
| Sam Pillsbury | ||
Writing Credits
| Grant Hindin-Miller | ... | (screenplay) |
| Grant Hindin-Miller | ... | (novel) |
Cast (in credits order) complete, awaiting verification
Produced by
| Finola Dwyer | ... | producer |
| Larry Parr | ... | producer |
Music by
| Andrew Hagen | ||
| Morton Wilson | ||
Cinematography by
| Warrick Attewell | ||
Editing by
| Michael Horton | ||
Production Design by
| Mike Becroft | ||
Art Direction by
| Roger Guise | ||
Costume Design by
| Barbara Darragh | ||
Makeup Department
| Vivien Mepham | ... | makeup artist (as Viv Mepham) |
Production Management
| Hammond Peek | ... | production manager |
Second Unit Director or Assistant Director
| Chris Graves | ... | first assistant director |
| Victoria Hardy | ... | second assistant director |
Sound Department
| Gethin Creagh | ... | re-recording mixer |
| John McKay | ... | supervising sound editor |
| Mike Westgate | ... | sound mixer |
Stunts
| Timothy Lee | ... | stunt coordinator / stunt double: Patrick |
| Adrienne Wynyard | ... | stunt double: Kate |
Camera and Electrical Department
| Ian Beale | ... | best boy |
| Alistair Broughton | ... | lighting trainee |
| James Cowley | ... | focus puller |
| Steve Latty | ... | gaffer (as Stephen Latty) |
| Cameron McLean | ... | clapper loader |
| Andy Reid | ... | key grip |
| Terry Williams | ... | camera grip |
Casting Department
| Annette Loader | ... | casting consultant |
Script and Continuity Department
| Sally Tagg | ... | continuity |
Additional Crew
| Brian Mahony | ... | insurance broker |
| Margaret Meyer | ... | production secretary |
| Melanie Read | ... | on-set trainee |
| Alison Routledge | ... | chaperone |
Thanks
| Sydney Levine | ... | acknowledgment |
