The Damned

The Damned: The winter of 1862, a volunteer unit of Union soldiers has been sent to defend mountain territory, we're not told where it is, we don't even find out the names of the soldiers. After the regular troops head off, they are under the command of a John Brown style patriarch with a flowing beard, his teen sons have also enlisted. The troops are a mixed lot, some middle aged, even old, most in their thirties. All lacking in military experience, They share knowledge and skills are transferred. We witness mobile sentries, potshots at distant riders. A buffalo is shot and butchered, The bleak landscape, hills, mountain meadows, the drifting snow, the cold rations running low all add to a developing sense of existential despair. A battle takes place, we don't see the enemy, we do see the unit's casualties. War is hell, especially when you don't know why you're there anymore. Very much a Ken Loach style film with no set dialogue from day to day and many ordinary people acting, amateur like the soldiers. This improvisation leads to philosophical, religious and political discussions around campfires. Some of which outstay their welcome. But it's a minor distraction from this raw portrayal of men at war. Written and directed by Roberto Minervini, 8/10.