Manus x machina

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"This dress shows the process of construction not deconstruction. What sets couture apart from ready-to-wear is the ateliers, the workmanship, and the amazing attention to detail—nothing is impossible, and imagination becomes even more beautiful." —John Galliano on this ensemble on view in "Manus x Machina: Fashion in an Age of Technology. Manus X Machina, House Of Dior, Christian Dior Haute Couture, Costume Institute, Couture Details, John Galliano, Formal Style, Metropolitan Museum Of Art, Couture Dresses

"This dress shows the process of construction not deconstruction. What sets couture apart from ready-to-wear is the ateliers, the workmanship, and the amazing attention to detail—nothing is impossible, and imagination becomes even more beautiful." —John Galliano on this ensemble on view in "Manus x Machina: Fashion in an Age of Technology.

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Iris van Herpen DRESS, Autumn 2012, haute couture 3-D-printed (stereolithography) dark orange epoxy by Materialise, hand-sanded and hand-sprayed with a technical transparent resin Van Herpen Dress, Manus X Machina Fashion, Iris Van Herpen Couture, Manus X Machina, 3d Printed Dress, Boston Interior Design, Sculptural Fashion, Iris Van Herpen, Transparent Resin

Last week, Gary and I had the opportunity to visit the "Manus x Machina" exhibit at the Metropolitan Museum of Art in New York. Launched earlier this month with the much celebrated Met Gala, the exhibition explores how fashion designers are reconciling the handmade and t

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Skeleton Dress, A Level Textiles, Iris Van Herpen, Body Adornment, Costume Institute, 3d Printing Technology, Metropolitan Museum Of Art, Metropolitan Museum, Comme Des Garcons

Bass Museum of Art. "Vanitas," March 13, 2014–July 20, 2014.The Metropolitan Museum of Art. "manus x machina: fashion in an age of technology," May 5–September 4, 2016.New York. The Metropolitan Museum of Art. "Making The Met, 1870–2020," August 29, 2020–January 3, 2021.

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