Mayilpeeli Thookkam: Difference between revisions
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{{Use Indian English|date=December 2019}} |
{{Use Indian English|date=December 2019}} |
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[[File:Arjunanritham.JPG|thumb|Arjuna Nritham dancers]] |
[[File:Arjunanritham.JPG|thumb|Arjuna Nritham dancers]] |
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'''Mayilpeeli Thookkam''' also called '''Arjuna Nritham''' ({{Translation|the dance of [[Arjuna]]}}) is a ritual art of [[Kerala]] primarily performed by men of the [[Ezhava]] community,<ref name = "outlook">{{cite web |title=Book On A Kerala Folk Art Beams Light On Retrieved Heritage |url=https://www.outlookindia.com/art-entertainment/book-on-a-kerala-folk-art-beams-light-on-retrieved-heritage-news-299574 |website=Outlook India |language=en |date=16 July 2017}}</ref> and is prevalent in the [[Bhagavathy]] temples of south [[Kerala]]. |
'''Mayilpeeli Thookkam''' also called '''Arjuna Nritham''' ({{Translation|the dance of [[Arjuna]]}}) is a ritual art of [[Kerala]] primarily performed by men of the [[Ezhava]] community,<ref name = "outlook">{{cite web |title=Book On A Kerala Folk Art Beams Light On Retrieved Heritage |url=https://www.outlookindia.com/art-entertainment/book-on-a-kerala-folk-art-beams-light-on-retrieved-heritage-news-299574 |website=Outlook India |language=en |date=16 July 2017}}</ref> and is prevalent in the [[Bhagavathy]] temples of south [[Kerala]]. |
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The name Arjuna Nritham is a reference to the ''[[Mahabharatha]]'', in which [[Arjuna]], one of the [[Pandava]] brothers and a renowned singer and dancer, is said to have propitiated goddess [[Bhadrakali]] by a devotional presentation. The costume and cosmetics worn by Arjuna Nritham dancers is meant to mimic the appearance of Arjuna.<ref name = "outlook"/><ref name="express"/> |
The name Arjuna Nritham is a reference to the ''[[Mahabharatha]]'', in which [[Arjuna]], one of the [[Pandava]] brothers and a renowned singer and dancer, is said to have propitiated goddess [[Bhadrakali]] by a devotional presentation. The costume and cosmetics worn by Arjuna Nritham dancers is meant to mimic the appearance of Arjuna.<ref name = "outlook"/><ref name="express"/> |
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The dance in Mayilpeeli Thookkam is known as ''Pyattu''. The movements are similar to [[Kalarippayattu]] techniques.<ref name="express">{{cite web |last1=Jacob |first1=Mahima Anna |title=A life dedicated to art |url=https://www.newindianexpress.com/cities/kochi/2021/Apr/13/a-lifededicated-to-art-2289220.html |website=The New Indian Express |language=en |date=13 April 2021}}</ref> The all-night performance of the dance form is usually performed solo or in pairs. |
The dance in Mayilpeeli Thookkam is known as ''Pyattu''. The movements are similar to [[Kalarippayattu]] techniques.<ref name="express">{{cite web |last1=Jacob |first1=Mahima Anna |title=A life dedicated to art |url=https://www.newindianexpress.com/cities/kochi/2021/Apr/13/a-lifededicated-to-art-2289220.html |website=The New Indian Express |language=en |date=13 April 2021}}</ref> The all-night performance of the dance form is usually performed solo or in pairs. |
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The strictly rhythm-based songs called "Kavithangal" depict stories from the Hindu [[Purana]]s. Each "Kavitham" is composed to suit a specific rhythm. Before each song, the dancers explain the intricacies of the particular rhythm to be performed and how this rhythm will be translated into dance movements. The musical accompaniment is comprised by percussion instruments like the [[chenda]] |
The strictly rhythm-based songs called "Kavithangal" depict stories from the Hindu [[Purana]]s. Each "Kavitham" is composed to suit a specific rhythm. Before each song, the dancers explain the intricacies of the particular rhythm to be performed and how this rhythm will be translated into dance movements. The musical accompaniment is comprised by percussion instruments like the [[chenda]]<ref name = "outlook"/> talachenda, and [[ilathalam]] (cymbals).<ref name = "ezh22">Ronald M. Bernier, Temple Arts of Kerala: A South Indian Tradition (Asia Book Corporation of America, 1982, {{ISBN|0-940500-79-5}})</ref> |
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The dance is practiced by men of the Ezhava community as well as the Ashari and Kollan communities.<ref name = "outlook"/> It is performed mainly in the [[Kottayam]] and [[Alappuzha]] districts.<ref>{{cite book |title=District Handbooks of Kerala Kottayam}}</ref> |
The dance is practiced by men of the Ezhava community as well as the Ashari and Kollan communities.<ref name = "outlook"/> It is performed mainly in the [[Kottayam]] and [[Alappuzha]] districts.<ref>{{cite book |title=District Handbooks of Kerala Kottayam}}</ref> |
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==See also== |
==See also== |
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* [[Classical Indian dance]] |
* [[Classical Indian dance]] |
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* [[Arts of Kerala]] |
* [[Arts of Kerala]] |
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[[Category:Theatre of India]] |
[[Category:Theatre of India]] |
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[[Category:Dances of Kerala]] |
[[Category:Dances of Kerala]] |
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[[Category:Classical dance genres of India]] |
[[Category:Classical dance genres of India]] |
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Latest revision as of 07:34, 17 December 2024
Mayilpeeli Thookkam also called Arjuna Nritham (transl. the dance of Arjuna) is a ritual art of Kerala primarily performed by men of the Ezhava community,[1] and is prevalent in the Bhagavathy temples of south Kerala.
The name Arjuna Nritham is a reference to the Mahabharatha, in which Arjuna, one of the Pandava brothers and a renowned singer and dancer, is said to have propitiated goddess Bhadrakali by a devotional presentation. The costume and cosmetics worn by Arjuna Nritham dancers is meant to mimic the appearance of Arjuna.[1][2]
The costume for Mayilpeeli Thookkam includes a characteristic garment made of mayilppeeli (peacock feathers). This garment is worn around the waist in a similar fashion as the "uduthukettu" of Kathakali. The performers have their faces painted green[2] and wear distinctive headgear (Nettipattom).[citation needed]
The dance in Mayilpeeli Thookkam is known as Pyattu. The movements are similar to Kalarippayattu techniques.[2] The all-night performance of the dance form is usually performed solo or in pairs.
The strictly rhythm-based songs called "Kavithangal" depict stories from the Hindu Puranas. Each "Kavitham" is composed to suit a specific rhythm. Before each song, the dancers explain the intricacies of the particular rhythm to be performed and how this rhythm will be translated into dance movements. The musical accompaniment is comprised by percussion instruments like the chenda[1] talachenda, and ilathalam (cymbals).[3]
The dance is practiced by men of the Ezhava community as well as the Ashari and Kollan communities.[1] It is performed mainly in the Kottayam and Alappuzha districts.[4]
See also
[edit]
References
[edit]- ^ a b c d "Book On A Kerala Folk Art Beams Light On Retrieved Heritage". Outlook India. 16 July 2017.
- ^ a b c Jacob, Mahima Anna (13 April 2021). "A life dedicated to art". The New Indian Express.
- ^ Ronald M. Bernier, Temple Arts of Kerala: A South Indian Tradition (Asia Book Corporation of America, 1982, ISBN 0-940500-79-5)
- ^ District Handbooks of Kerala Kottayam.
External links
[edit]- Documentary series on Mayilpeeli Thookkam by Kerala Agricultural University