CALIFICACIÓN DE IMDb
7.8/10
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TU CALIFICACIÓN
El grupo terrorista palestino Septiembre Negro mantiene como rehenes a los atletas israelíes en los Juegos Olímpicos de Verano de 1972 en Munich.El grupo terrorista palestino Septiembre Negro mantiene como rehenes a los atletas israelíes en los Juegos Olímpicos de Verano de 1972 en Munich.El grupo terrorista palestino Septiembre Negro mantiene como rehenes a los atletas israelíes en los Juegos Olímpicos de Verano de 1972 en Munich.
- Ganó 1 premio Óscar
- 5 premios ganados y 7 nominaciones en total
Dan Shilon
- Self
- (as Dan Shillon)
Esther Roth-Shahamorov
- Self
- (as Esther Roth)
Hans-Jochen Vogel
- Self
- (as Hans Jochen Vogel)
Argumento
¿Sabías que…?
- TriviaDirector Kevin MacDonald finally managed to persuade the surviving terrorist Jamal Al Gashey to talk on camera after eight months of fitful negotiation and numerous aborted meetings in secret locations. Al Gashey specified certain conditions prior to their actual meeting in an Arab country insisting MacDonald was to travel alone, not to inform anybody where he was going and provide a wig and moustache for Al Gashey to disguise himself when in front of the camera. The interview piece used in the documentary was filmed by somebody Al Gashey trusted.
- Citas
Jim McKay: When I was a kid my father used to say our greatest hopes and our worst fears are seldom realized. Our worst fears have been realized tonight. They have now said there were eleven hostages; two were killed in their rooms yesterday morning, nine were killed at the airport tonight. They're all gone.
- Versiones alternativasIsraeli version narrated by Rafi Ginat, and includes updated information regarding the claims of the families against the German authorities in the subtitles at the end of the film.
- ConexionesFeatured in The 50 Greatest Documentaries (2005)
- Bandas sonorasImmigrant Song
Performed by Led Zeppelin
Written by Jimmy Page and Robert Plant
Copyright Flames of Albion Music Inc.
Used by kind permission of Warner/Chappell Music Ltd.
Courtesy of Atlantic Records
by arrangement with Warner Special Products/Warner Music UK Ltd.
Opinión destacada
"One Day in September" is a phenomenal documentary. Its focus is on the hostage situation during the 1972 Munich Olympics when Palestinian terrorists took Israeli athletes prisoner. The film does something which I think any great documentary should when it covers or explores historical events. It frames the entire hostage crisis in a larger context. Yes, the film covers 21 hours of September 5th on which the hostage situation commenced and (one could say) resolved itself. However, in order to understand the reactions of the German government, the Israeli government, the media and the Olympic Games' fans and participants, the film discusses the German desire to create the atmosphere of peace to erase the stigma of the 1936 Olympics, then full of Fascist propaganda. It touches on the ongoing Israel-Arab conflict. It touches on the meaning of the Olympics.
"One Day in September" never strays from its focus, however, which is to document the hostage crisis and what it meant. What makes the film great, aside from its intelligent approach to the subject, is how well the atmosphere of the hostage situation is carried across. By the end of the film you do feel like you've watched the news for a day, glued to the TV screen hoping that the people will make it out alive. Watching it, you are reminded of how ill-prepared states are for terrorist attacks (still rings true even recently) because of the ulterior motives of statesmen. A lot of what happens at the state, political level, happens because it has to look good. The Germans were unprepared for the terrorists because they thought that extreme police security would welcome images of pre-War Olympics in Germany. They wanted to appear a certain way. The same went for how they handled the crisis.
The film, like many terrorist crises, ends with a tragedy. What remains with the viewer is not only the deep sadness at how one of the most peaceful world events turns into one of the most hateful, but also how incredibly contemporary those events from over thirty years ago still seem.
"One Day in September" never strays from its focus, however, which is to document the hostage crisis and what it meant. What makes the film great, aside from its intelligent approach to the subject, is how well the atmosphere of the hostage situation is carried across. By the end of the film you do feel like you've watched the news for a day, glued to the TV screen hoping that the people will make it out alive. Watching it, you are reminded of how ill-prepared states are for terrorist attacks (still rings true even recently) because of the ulterior motives of statesmen. A lot of what happens at the state, political level, happens because it has to look good. The Germans were unprepared for the terrorists because they thought that extreme police security would welcome images of pre-War Olympics in Germany. They wanted to appear a certain way. The same went for how they handled the crisis.
The film, like many terrorist crises, ends with a tragedy. What remains with the viewer is not only the deep sadness at how one of the most peaceful world events turns into one of the most hateful, but also how incredibly contemporary those events from over thirty years ago still seem.
- canadude
- 21 may 2004
- Enlace permanente
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- How long is One Day in September?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- También se conoce como
- One Day in September
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 156,818
- Fin de semana de estreno en EE. UU. y Canadá
- USD 15,149
- 19 nov 2000
- Total a nivel mundial
- USD 156,818
- Tiempo de ejecución1 hora 34 minutos
- Color
- Mezcla de sonido
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Principales brechas de datos
What is the German language plot outline for Un día de septiembre (1999)?
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