Dans l'Espagne phalangiste de 1944, la jeune belle-fille d'un officier de l'armée sadique s'échappe dans un monde fantastique et captivant.Dans l'Espagne phalangiste de 1944, la jeune belle-fille d'un officier de l'armée sadique s'échappe dans un monde fantastique et captivant.Dans l'Espagne phalangiste de 1944, la jeune belle-fille d'un officier de l'armée sadique s'échappe dans un monde fantastique et captivant.
- Récompensé par 3 Oscars
- 109 victoires et 115 nominations au total
Francisco Vidal
- Sacerdote
- (as Paco Vidal)
Histoire
Le saviez-vous
- AnecdotesGuillermo del Toro is famous for compiling books full of notes and drawings about his ideas before turning them into films, something he regards as essential to the process. He left years worth of notes for this film in the back of a cab, and when he discovered them missing, he thought it was the end of the project. However, the cab driver found them and, realizing their importance, tracked him down and returned them at great personal difficulty and expense. Del Toro was convinced that this was a blessing and it made him ever more determined to complete the film.
- GaffesWhen Ofelia goes down the stairs in the labyrinth and is talking to the Faun, his shadow still shows Doug Jones' legs while they are in the stilts. The special effects crew took out his physical legs, but the shadow still exists.
- Citations
Capitán Vidal: Tell my son the time that his father died. Tell him...
Mercedes: No. He won't even know your name.
- Crédits fousThe two "Stick Insects" are credited as Cheech and Chong, after which it says "MAY THEY REST IN PEACE".
- Versions alternativesThere are three different versions. Runtimes are: "1h 58m (118 min), 2h (120 min) (Finland)" and "1h 52m (112 min) (Toronto International) (Canada).
- ConnexionsFeatured in Siskel & Ebert & the Movies: The Best Films of 2006 (2006)
- Bandes originalesLong, Long Time Ago/Hace mucho, mucho tiempo
Written by Javier Navarrete
Produced by Emmanuel Chamboredon Ian P. Hierons
Courtesy of Milan Entertainment
Commentaire à la une
This is a movie with a simple and straightforward plot which contains layers and layers of intelligent writing, metaphors and message.
To speak further about the script will end up in spoilers and that would be pointless since my very purpose writing this review is to encourage people to see it.
This is no small feat, interpreting fantasy as something of a product of a real world, cross-referencing how the child acts to her real surroundings and the "other world", metaphors that describe the accelerated state of growing up some of us are put through... Incredible. Simple, straightforward yet there is so much to be appreciated.
Those who are saying how it's predictable and thus not enjoyable, I ask of you, which movie nowadays aren't predictable? Hell, even 21 grams was predictable but so damned good. It's not about how it ends, you can always predict how a movie would end if you've ever taken a half-decent script writing class or have some common sense. It's always about how well you tell a story.
I'm grateful there are still directors who aren't tied down to this new epidemic of including a plot twist simply because they need a plot twist.
Pan's Labyrinth features some of the best storytelling and attention to detail without being affected by the now ever-popular opinion of cameras having to be put through several technical difficulties to make the shots eligible to be called a brilliant shot.
I am also grateful for them not dubbing it. Watching it in its' original language is much, much more rewarding even if I had to rely on the subtitles for most of the time.
This is a brilliant movie. Watch it.
To speak further about the script will end up in spoilers and that would be pointless since my very purpose writing this review is to encourage people to see it.
This is no small feat, interpreting fantasy as something of a product of a real world, cross-referencing how the child acts to her real surroundings and the "other world", metaphors that describe the accelerated state of growing up some of us are put through... Incredible. Simple, straightforward yet there is so much to be appreciated.
Those who are saying how it's predictable and thus not enjoyable, I ask of you, which movie nowadays aren't predictable? Hell, even 21 grams was predictable but so damned good. It's not about how it ends, you can always predict how a movie would end if you've ever taken a half-decent script writing class or have some common sense. It's always about how well you tell a story.
I'm grateful there are still directors who aren't tied down to this new epidemic of including a plot twist simply because they need a plot twist.
Pan's Labyrinth features some of the best storytelling and attention to detail without being affected by the now ever-popular opinion of cameras having to be put through several technical difficulties to make the shots eligible to be called a brilliant shot.
I am also grateful for them not dubbing it. Watching it in its' original language is much, much more rewarding even if I had to rely on the subtitles for most of the time.
This is a brilliant movie. Watch it.
- dontslityourwrist_yet
- 13 déc. 2006
- Permalien
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- El laberinto del fauno
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 19 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 37 646 380 $US
- Week-end de sortie aux États-Unis et au Canada
- 568 641 $US
- 31 déc. 2006
- Montant brut mondial
- 83 863 565 $US
- Durée1 heure 58 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
What is the streaming release date of Le Labyrinthe de Pan (2006) in Australia?
Répondre