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Legendary actor Christopher Plummer, perhaps Canada's greatest thespian, delivered outstanding performances as Sherlock Holmes in Murder by Decree (1979), the chilling villain in The Silent Partner (1978), the iconoclastic Mike Wallace in The Insider (1999), the empathetic psychiatrist in A Beautiful Mind (2001), the kindly and clever mystery writer in Knives Out (2019), and as Leo Tolstoy in The Last Station (2009). It was this last role that finally brought him recognition from the Academy of Motion Picture Arts & Sciences, when he was nominated as Best Actor in a Supporting Role, one of three Academy Award nominations he received in the 2010s, along with All the Money in the World (2017) (as J. Paul Getty) and Beginners (2010); he won for the latter role. He will also likely always be remembered as Captain Von Trapp in the atomic bomb-strength blockbuster The Sound of Music (1965), a film he publicly despised until softening his stance in his autobiography "In Spite of Me" (2008).

Christopher Plummer was born Arthur Christopher Orme Plummer on December 13, 1929 in Toronto, Ontario. He was the only child of Isabella Mary (Abbott), a secretary to the Dean of Sciences at McGill University, and John Orme Plummer, who sold securities and stocks. Christopher was a great-grandson of John Abbott, who was Canada's third Prime Minister (from 1891 to 1892), and a great-great-great-grandson of Presbyterian clergyman John Bethune. He had Scottish, English, Anglo-Irish, and Cornish ancestry. Plummer was raised in Senneville, Quebec, near Montreal, at his maternal grandparents' home.

Aside from the youngest member of the Barrymore siblings (which counted Oscar-winners Ethel Barrymore and Lionel Barrymore in their number), Plummer was the premier Shakespearean actor to come out of North America in the 20th century. He was particularly memorable as Hamlet, Iago and Lear, though his Macbeth opposite Glenda Jackson was -- and this was no surprise to him due to the famous curse attached to the "Scottish Play" -- a failure.

Like another great stage actor, Richard Burton, early in his career Plummer failed to connect with the screen in a way that would make him a star. Dynamic on stage, he didn't succeed as a younger leading man in films. Perhaps if he had been born earlier, and acted in the studio system of Hollywood's golden age, he could have been carefully groomed for stardom. As it was, he shared the English stage actors' disdain -- and he was equally at home in London as he was on the boards of Broadway or on-stage in his native Canada -- for the movies, which did not help him in that medium, as he has confessed. As he aged, Plummer excelled at character roles. He was always a good villain, this man who garnered kudos playing Lucifer on Broadway in Archibald Macleish's Pulitzer Prize-winning "J.B.".

Plummer won two Emmy Awards out of seven nominations stretching 46 years from 1959 and 2011, and one Genie Award in six nominations from 1980 to 2009. For his stage work, Plummer has racked up two Tony Awards on six nominations, the first in 1974 as Best Actor (Musical) for the title role in "Cyrano" and the second in 1997, as Best Actor (Play), in "Barrymore". Surprisingly, he did not win (though he was nominated) for his masterful 2004 performance of "King Lear", which he originated at the Stratford Festival in Ontario and brought down to Broadway for a sold-out run. His other Tony nominations show the wide range of his talent, from a 1959 nod for the Elia Kazan-directed production of Macleish's "J.B." to recognition in 1994 for Harold Pinter's "No Man's Land", with a 1982 Best Actor (Play) nomination for his "Iago" in William Shakespeare's "Othello".

Until the 2009 Academy Awards were announced, it could be said about Plummer that he was the finest actor of the post-World War II period to fail to get an Academy Award. In that, he was following in the footsteps of the late great John Barrymore, whom Plummer so memorably portrayed on Broadway in a one-man show that brought him his second Tony Award. In 2010, Plummer finally got an Oscar nod for his portrayal of another legend, Lev Tolstoy in The Last Station (2009). Two years later, the first paragraph of his obituary was written when the 82-year-old Plummer became the oldest person in Academy history to win an Oscar. He won for playing a senior citizen who comes out as gay after the death of his wife in the movie Beginners (2010). As he clutched his statuette, the debonaire thespian addressed it thus: "You're only two years older than me darling, where have you been all of my life?"

Plummer then told the audience that at birth, "I was already rehearsing my Academy acceptance speech, but it was so long ago mercifully for you I've forgotten it." The Academy Award was a long time in coming and richly deserved.

Plummer gave many other fine portrayals on film, particularly as he grew older and settled down into a comfortable marriage with his third wife Elaine. He continued to be an in-demand character actor in prestigious motion pictures. If he were English rather than Canadian, he would have been knighted. (In 1968, he was appointed Companion of the Order of Canada, the country's highest civilian honor and one which required the approval of the sovereign, Queen Elizabeth II.) If he lived in the company town of Los Angeles rather than in Connecticut, he likely would have several more Oscar nominations before winning his first for "The Last Station".

As it is, as attested to in his witty and well-written autobiography, Plummer was amply rewarded in life. In 1970, Plummer - then a self-confessed 43-year-old "bottle baby" - married his third wife Elaine Taylor, a dancer, who helped wean him off his dependency on alcohol. They lived happily with their dogs on a 30-acre estate in Weston, Connecticut. He thanked her from the stage during the 2012 Oscar telecast, quipping that she "deserves the Nobel Peace Prize for coming to my rescue every day of my life." Although he spent the majority of his time in the United States, he remained a Canadian citizen. He died in his Weston, Connecticut home on February 5, 2021 at age 91.

His daughter, with actress Tammy Grimes, is actress Amanda Plummer.

The second daughter of manufacturing executive Oscar Blum and his wife Dorothy, Tanya Roberts was born 1949 in Manhattan and grew up in the elite Westchester County suburbs Scarsdale and Greenburgh. Tanya reportedly dropped out of high school, got married and hitchhiked around the country until her mother-in-law had the marriage annulled. She met psychology student Barry Roberts while waiting in line to see a movie. A few months later, she proposed to him in a subway station, and they were married. She studied acting under Lee Strasberg and Uta Hagen. In her early years in New York, she supported herself as an Arthur Murray dance instructor and by modeling. She appeared in off-Broadway productions of "Picnic" and "Antigone", and in television commercials for Ultra Brite, Clairol and Cool Ray sunglasses.

In 1977, Tanya and her husband -- by then a scriptwriter -- moved to Hollywood. She began appearing in made-for-TV films including Pleasure Cove (1979), Zuma Beach (1978), and Waikiki (1980). Her film debut was in The Last Victim (1976). After appearing in several minor films, her first big break came when she was selected as the last Angel on the final season of Charlie's Angels (1976), and was featured on the cover of People magazine (02/09/1981). The attention she garnered helped secure her most significant film roles: The Beastmaster (1982) (and posed for the cover and an inside spread in Playboy magazine to promote the film), the title role in Sheena (1984) and as a Bond girl in A View to a Kill (1985). She continued to appear in films, though mainly direct-to-video and direct-to-cable features. She was featured in the CD computer game The Pandora Directive (1996) and had a recurring lead role in the television series That '70s Show (1998). Widowed in 2006, Tanya Roberts died of sepsis from a urinary tract infection in 2021.

Edward Asner was born of Russian Jewish parentage in Kansas City, to Morris David Asner (founder and owner of the Kansas City-based Asner Iron & Metal Company) and his wife Elizabeth "Lizzie" (Seliger). After attending college, Ed worked various jobs, including in a steel mill, as a door-to-door salesman and on an assembly line for General Motors. Between 1947 and 1949, he attended the University of Chicago. The onset of the Korean War saw him drafted into the U.S. Army Signals Corps and posted to France where he was primarily assigned clerical tasks. Upon demobilization, Asner joined the Playwrights Theatre Company in Chicago but soon progressed to New York. In 1955, he appeared off-Broadway in the leading role of the beggar king Jonathan Peachum in Brecht's Threepenny Opera. Five years later, he made his debut on the Great White Way in the courtroom drama Face of a Hero, co-starring alongside Jack Lemmon. He also began regular TV work in anthology drama.

From the early '60s, Asner, now based in California, earned his living as a busy supporting actor. His many noted guest appearances included turns in Route 66 (1960), The Untouchables (1959), The Fugitive (1963), Voyage to the Bottom of the Sea (1964) (sinister dictator-in-exile Brynov), The Invaders (1967) (twice -- as aliens) and How the Ghosts Stole Christmas (1998) (one of a couple of ghostly residents in a haunted mansion). Heavy-set and distinctively gravelly-voiced, Asner established his reputation as tough, robust and uncompromising (though, on occasion, good-hearted) authority figures. Excellent at conveying menace, he was memorably cast as the brutish patriarch Axel Jordache in Rich Man, Poor Man (1976) and as the slave ship's morally conflicted master, Captain Thomas Davies, in Roots (1977), which earned him a Primetime Emmy Award in 1977. The immensely prolific Asner (417 IMDB screen credits!) would receive seven Emmys in total (from 21 nominations), all Primetime, and become the only actor to win in both the comedy and drama category for the same role. That was also the part which made Asner a household name: the gruff, snarky newspaper editor Lou Grant (1977). Grant began as a mainstay on The Mary Tyler Moore Show (1970), a 30-minute sitcom.

When the character was promoted to West Coast editor of The Los Angeles Tribune, Asner went on to star in his own much acclaimed drama series. Despite consistently high ratings, the show was axed after five seasons amid rumours of disharmony between the star and producers, possibly due to the former's outspoken political views. Indeed, Asner has been a controversial figure as an activist and campaigner, engaged in a variety of humanitarian and political issues. A self-proclaimed liberal Democrat, he published a book in 2017, amusingly titled "The Grouchy Historian: An Old-Time Lefty Defends Our Constitution Against Right-Wing Hypocrites and Nutjobs."

Between 1981 and 1985, Asner served twice as President of the Screen Actors Guild, during which time he was critical of former SAG President Ronald Reagan -- then the president of a greater concern -- for his Central American policy. In 1996, he was inducted into the Television Hall of Fame and in 2002 received the Screen Actors Guild's Life Achievement Award. In addition to appearing on screen and stage, he performed extensive work for radio, video games and animated TV series. He voiced the lead character Carl Fredricksen in Pixar's Oscar-winning production of Up (2009), starred as Santa in Elf (2003), and played Nicholas Drago in The Games Maker (2014). Ed passed away in Los Angeles at the age of 91 on August 29, 2021.

He was married to Peggy - real name Margaret - and they divorced when their son Anthony was young. Blackie has two children - Anthony who was born in 1962, and James, who was born in 1991. He lived in Los Angeles for many years and whilst living there, he changed his name from John Kiedis to Blackie Dammett. He raised wolves and wolf hybrids in Michigan in the 1990s. In 2007, he moved to Portland, Oregon.

Scrappy, plucky-looking Kentucky-born Tommy Kirk, who was born on December 10, 1941, became synonymous with everything clean and fun that Disney Entertainment prescribed to in the late 1950s and very early 1960s. One of four sons born to a mechanic, Louie, and legal secretary, Lucy, the Kirk family, in search of better job prospects, moved from Louisville to Downey, California while Tommy was still an infant. The boy's interest in acting was ignited at the age of 13 years when he (instead of older brother Joe) was cast in a minor role in a production of Will Rogers Jr. and Bobby Driscoll in a production of Eugene O'Neill's "Ah, Wilderness!" at the Pasadena Playhouse. Discovered by a Hollywood agent who saw him and signed him up, Tommy went on to appear in two other Pasadena theatre plays, Portrait in Black" and "Barefoot in Athens" and on TV ("Lux Video Theatre, "Frontier," "Big Town," "Gunsmoke" and "The Loretta Young Show") and film (Down Liberty Road (1956) and The Peacemaker (1956)). It was an episode of "Matinee Theatre" that brought the freshly-scrubbed All-American kid to the attention of mogul Walt Disney who quickly signed him to a long-term contract.

In 1955, the lad became a member of the The Mickey Mouse Club (1955) TV series and won a legion of young fans as the brush-cut haired, irrepressibly inquisitive young sleuth Joe Hardy in two "Hardy Boys" serials ("The Mystery of the Applegate Treasure," "The Mystery of the Ghost Farm") with Tim Considine, another young promising Disney staple, playing older brother Frank. With time Tommy became a prime juvenile Disney hero and ideal mischief maker for many of the studio's full-length comedy and drama classics, earning nationwide teen idol status for his exuberant work in Old Yeller (1957), The Shaggy Dog (1959), Swiss Family Robinson (1960), The Absent Minded Professor (1961), Babes in Toyland (1961), Bon Voyage! (1962), Moon Pilot (1962), Son of Flubber (1962) and The Misadventures of Merlin Jones (1964).

In 1963 the bubble completely burst when the Disney factory found out 21-year-old Tommy was in a relationship with an underage boy. He was also arrested on Christmas Eve in 1964 when a party he was attending was raided and busted for marijuana use. Although charges were dropped, it was too late. Fired from his role in the John Wayne western The Sons of Katie Elder (1965) as a result, the Disney studio, out of protection, was forced to release him from his contract, but not after rehiring him one more time to complete a "Merlin Jones" movie sequel entitled The Monkey's Uncle (1965)).

Tommy found very mild restitution after signing with AIP (American International Pictures) and appearing in such popular teen-oriented flicks as Pajama Party (1964), co-starring fellow Disney cohort Annette Funicello, and The Ghost in the Invisible Bikini (1966). He also began appearing on the musical stage as Harold Hill in "The Music Man," Riff in "West Side Story" and as the lead in "Tovarich." He also was lent out to do a lead in the mediocre cult sci-fi Embassy Picture Village of the Giants (1965). After leaving AIP, things got progressively worse for Tommy with a lead role in Trans American Film's It's a Bikini World (1967) -- by this time, beach party films were no longer trendy. Bargain basement fare such as Unkissed Bride (1966), UA's Track of Thunder (1967), Catalina Caper (1967) Mars Needs Women (1968), in which he played a Martian, and Blood of Ghastly Horror (1967) (aka Psycho a Go-Go) pretty much spelled as a leading man. Practically blacklisted by an industry that deemed "outed" gay actors "box office poison," he returned to the musical theatre in his home state of Kentucky with such shows as "Anything Goes" (as Moonface Martin), "Hello, Dolly!" (as Horace Vandergelder), "A Funny Thing Happened on the Way to the Forum" (as Marcus Lycus) and "Little Mary Sunshine" (as General Fairfax).

Following roles in the low budget 70s films Ride the Hot Wind (1973) and the unreleased My Name Is Legend (1975) as well as an isolated TV part on a 1972 episode of "The Streets of San Francisco," Tommy disappeared from the limelight. His life went into a seemingly irreversible tailspin. Depressed and angry, he sought solace in drugs and nearly died from an acute overdose at one point. For health reasons he felt the need to completely abandon his career and slowly moved himself forward as a recovering addict. On a very positive note, he was able to build a very successful carpet and upholstery cleaning company for himself ("Tommy Kirk's Carpet and Upholstery) in Southern California's San Fernando Valley. It stayed open for business for well over two decades.

After some time away, Tommy showed up again in Hollywood, glimpsed in a few dismissible low-budgeters here and there, including Streets of Death (1988), Attack of the 60 Foot Centerfolds (1995), Little Miss Magic (1998), Billy Frankenstein (1998), Club Dead (2000) and, his last to date, The Education of a Vampire (2001). He appeared in several documentary interviews for the DVD releases of some of his best known films and TV shows, and occasionally at film festivals and nostalgia convention/memorabilia fests. He lived in Las Vegas.

Award-winning actress Helen Elizabeth McCrory was born in London, England, to Welsh-born Anne (Morgans) and Scottish-born Iain McCrory, a diplomat from Glasgow. After training at the Drama Centre London, Helen began her career on stage in the UK and won the Manchester Evening News' Best Actress Award for her performance in the National Theatre's "Blood Wedding" and the Ian Charleson award for classical acting for playing "Rose Trelawney" in "Trelawney of the Wells." Helen's theatre work continued to win her critical praise and a large fan base through such work as the Royal Shakespeare Company's "Les Enfant du Paradis" opposite Joseph Fiennes, Rupert Graves and James Purefoy. At the Almeida Theatre, her productions included "The Triumph of Love" opposite Chiwetel Ejiofor and the radical verse production, "Five Gold Rings," opposite Damian Lewis.

Helen also worked extensively at the Donmar Warehouse playing lead roles in "How I Learnt to Drive," "Old Times" directed by Roger Michel, and in Sam Mendes' farewell double bill of "Twelfth Night" and "Uncle Vanya" (a triumph in both London and New York). For her performance in "Twelfth Night," Helen was nominated for the Evening Standard Best Actress Award, and the New York Drama Desk Awards. She also founded the production company "The Public" with Michael Sheen, producing new work at the Liverpool Everyman, The Ambassadors and the Donmar (in which she also starred).

With over twenty productions under her belt, Mike Coveney recently wrote "We celebrate the careers of great actors Olivier, Ashcroft, Richardson, Gielgud, Dench, the Redgraves, Gambon, Walter, Sher, Russell Beale and McCrory."

On the small screen, Helen's first television film, Karl Francis' Streetlife (1995) with Rhys Ifans, won her the Welsh BAFTA, Monte Carlo Best Actress Award and the Royal Television Society's Best Actress Award, for her extraordinary performance as "Jo." The Edinburgh Film Festival wrote "simply the best performance this year." She went on to win Critics Circle Best Actress Award for her role as the barrister "Rose Fitzgerald" in the Channel 4 series North Square (2000), having been previously nominated for her performance in The Fragile Heart (1996). Helen showed diversity as an actress, appearing in comedies such as Lucky Jim (2003) with Stephen Tompkinson or Dead Gorgeous (2002) with Fay Ripley, as well as dramas such as Joe Wright's The Last King (2003) (for which she was nominated for the LA Television Awards) and Anna Karenina (2000).

Helen McCrory died on 16 April, 2021, in London, of cancer. She was 52, and was survived by her husband Damian Lewis and their two children.

Markie Post grew up in Walnut Creek, California and started her career on films and TV shows, such as Card Sharks (1978) and "The New Card Sharks" (1986) and went on to even produce such projects as Double Dare (1976) and has made appearances on such television projects as 1st to Die (2003), E! True Hollywood Story (1996) and Electra Woman and Dyna Girl (2001). Perhaps her biggest TV role was as "Christine Sullivan" on Night Court (1984). She appeared in 156 episodes of this comedy, from 1984 to 1992.

Macdonald was born Norman Gene Macdonald in Quebec City, Quebec. He began his career in stand-up comedy. Macdonald's first job was writing for The Dennis Miller Show (1992) and then Roseanne (1988). While writing for Roseanne (1988), he was noticed by Lorne Michaels, who liked Norm's stand up, and gave him his job on Saturday Night Live (1975).

Macdonald became widely popular when he became the Weekend Update anchor with his trademark line, "And now the fake news". He lasted from September 24, 1994 until December 13, 1997, when he was fired by Don Ohlmeyer, president of NBC on the west coast. His last weekend update was December 13, 1997 and he officially left the show in March 1998. His movie, Dirty Work (1998), which he began working on in the summer of 1997, came out 2 months later. In March 1999, his show, called Norm (1999), came out on ABC and had a 3-season run. During that time, he also starred in the movie Screwed (2000), opposite Dave Chappelle.

Born on August 21, 1939, the son of a displaced musician, Harlem-born actor Clarence Williams III was raised by his musical grandparents, the legendary jazz and boogie-woogie composer/pianist Clarence Williams, who wrote such classics as "T'Aint Nobody's Business If I Do" and "Baby, Won't You Please Come Home," and blues singer Eva Taylor. While attending a local YMCA as a teen, Williams became interested in dramatics.

After a two-year hitch with the U.S. Air Force, he started his acting career, making a minor New York stage debut with "The Long Dream" in 1960. He continued impressively with roles in "Walk in Darkness" (1963), "Sarah and the Sax" (1964) and "Doubletalk" (1964), and capped his early career with a Theatre World Award and Tony-nomination for the three-person play "Slow Dance on the Killing Ground" (1964). Continuing on with powerful work in "Does a Tiger Wear a Necktie?" (1966) and "King John," Vietnam-era Hollywood finally began to take notice of his "angry young man" charisma.

His casting as former delinquent-turned-undercover cop Linc Hayes on the highly popular TV cop series Mod Squad (1968) along with fellow white partners Michael Cole and Peggy Lipton was a huge break for all three relative unknowns. Sporting a huge Afro, paisley shirts, dark shades and spouting catchprase language like "dig it" and "solid," the gap-toothed Linc (and his mod partners) showed the requisite anti-establishment defiance and coolness to attract the hip generation--while still playing good guys.

Following the series' demise in 1973, he purposely avoided the "blaxploitation" Hollywood scene and returned to the stage, notably on Broadway opposite Maggie Smith in Tom Stoppard's play "Night and Day" (1979). In the 80s he launched an enviable character career in films, often playing a cool, streetwise character or threatening menace. Among his better-known on-screen assignments is the role of Prince's abusive father in Purple Rain (1984), a burnt-out political activist in the spoof I'm Gonna Git You Sucka (1988), the recurring part of Roger Hardy in the twisted cult TV series Twin Peaks (1990), a good-guy cop in Deep Cover (1992), an rioter in the Attica-themed mini-series Against the Wall (1994) and Wesley Snipes heroin-addicted dad in Sugar Hill (1993), among others. Powerful roles on such shows as "Law & Order," "Profiler" and "Judging Amy" has kept him strongly in the limelight.

Millennium acting work included solid performances in the films Reindeer Games (2000), Ritual (2000), Blue Hill Avenue (2001), The Extreme Team (2003), Constellation (2005), The Blue Hour (2007),The Way of War (2009), A Day in the Life (2009), The Butler (2013) and American Nightmares (2018), as well as his interesting role as mysterious book store manager Philby in the lengthy Mystery Woman (2003) series of TV movies (2003-2007). Clarence also made guest appearances on TV programs, "Cold Case," "Memphis Beat," "Justified" and "Empire," to name a few.

Wed to wife Kelly until his death, Clarence was first married to actress Gloria Foster (1967-1984). The two appeared together in the movie The Cool World (1963). Following their divorce, they remained friendly and, upon her death in 2001, it was he who made the formal announcement.

The legendary actress set a record when at age 82, she appeared on Dancing with the Stars (2005). Cloris Leachman was born on April 30, 1926 in Des Moines, Iowa to Berkeley Claiborne "Buck" Leachman and the former Cloris Wallace. Her father's family owned a lumber company, Leachman Lumber Co. She was of Czech (from her maternal grandmother) and English descent. After graduating from high school, Leachman attended Illinois State University and Northwestern University, where she majored in drama. After winning the title of Miss Chicago 1946 (as part of the Miss America pageant), she acted with the Des Moines Playhouse before moving to New York.

Leachman made her credited debut in 1948 in an episode of The Ford Theatre Hour (1948) and appeared in many television anthologies and series before becoming a regular on The Bob & Ray Show (1951) in 1952. Her movie debut was memorable, playing the doomed blonde femme fatale Christina Bailey in Robert Aldrich's classic noir Kiss Me Deadly (1955). Other than a role in Rod Serling's movie The Rack (1956) in support of Paul Newman, Leachman remained a television actress throughout the 1950s and the 1960s, appearing in only two movies during the latter decade, The Chapman Report (1962) and Butch Cassidy and the Sundance Kid (1969). Though she would win an Oscar for Peter Bogdanovich's adaptation of Larry McMurtry's The Last Picture Show (1971) and appear in three Mel Brooks movies, it was in television that her career remained and her fame was assured in the 1970s and into the second decade of the new millennium.

Leachman was nominated five times for an Emmy Award playing Phyllis Lindstrom, Mary Tyler Moore's landlady and self-described best friend on The Mary Tyler Moore Show (1970) and on the spin-off series Phyllis (1975). She won twice as Best Supporting Actress in a comedy for her "Mary Tyler Moore" gig and won a Golden Globe Award as a leading performer in comedy for "Phyllis", but her first Emmy Award came in the category Outstanding Single Performance by an Actress in a Leading Role in 1973 for the television movie A Brand New Life (1973). She also won two Emmy Awards as a supporting player for Malcolm in the Middle (2000).

She was married to director-producer George Englund from 1953 to 1979. They had five children together. Cloris Leachman died of natural causes on January 27, 2021 in Encinitas, California.

Betty White was born in Oak Park, Illinois, to Christine Tess (Cachikis), a homemaker, and Horace Logan White, a lighting company executive for the Crouse-Hinds Electric Company. She was of Danish, Greek, English, and Welsh descent.

Although she was best known as the devious Sue Ann Nivens on the classic sitcom The Mary Tyler Moore Show (1970) and the ditzy Rose Nylund on The Golden Girls (1985), Betty White had been in television for a long, long time before those two shows, having had her own series, Life with Elizabeth (1952) in 1952.

She was married three times, lastly for eighteen years, until widowed, to TV game-show host Allen Ludden.

She was inducted into the Television Hall of Fame and she was known for her tireless efforts on behalf of animals.

Betty White died on 31 December 2021, at the age of 99.

John Dixon Paragon was born in Alaska, but grew up and attended schools in Fort Collins, Colorado. He got his start in the Los Angeles-based improvisation group The Groundlings alongside Paul Reubens and Phil Hartman. John is best known for his work on children's show Pee-wee's Playhouse where he played Jambi the Genie and voiced Pterri the Pterodactyl. In addition to writing many of the regular season episodes of Pee-wee's Playhouse (1986), John also co-wrote with Paul Reubens the acclaimed "Pee-wee's Playhouse Christmas Special" in 1988, for which they were nominated an Emmy Award for Best Writing in a Children's Special. He has also collaborated with fellow Groundling Cassandra Peterson on numerous projects, including the recurring role of The Breather, an annoying caller, for her first television series Movie Macabre on KHJ-TV-Los Angeles and was co-writer on her 1988 feature film, Elvira Mistress of the Dark. Some of his other memorable roles include Cedric, one half of the homosexual couple Bob and Cedric on the television series Seinfeld; the title character in the children's movie The Frog Prince; the sex shop salesman in the cult favorite Eating Raoul; and the owner of a Strip-o-gram business in the 1986 film Echo Park. In recent years, John has worked with Walt Disney Imagineering on ways to incorporate improvisational performance into attractions at Disney parks. He returned to his performance as Jambi the Genie in the Broadway outing of the new "Pee-wee Herman" stage show that began performances October 26, 2010 at the Stephen Sondheim Theater.

Rarely at a loss for work, Willie Garson appeared in more than 300 episodes of television and more than 70 films. Best known for his long runs on television as Mozzie on White Collar (2009), Stanford Blatch on Sex and the City (1998), and Henry Coffield on NYPD Blue (1993), he also appeared as the grifter with a heart of gold, Gerard Hirsch, on Hawaii Five-0 (2010).

Born in New Jersey, he started training at the Actors Institute In New York, before majoring in psychology and theater at Wesleyan University in Middletown, Connecticut. After graduation, he quickly started landing guest roles on such shows as Cheers (1982), Family Ties (1982), Thirtysomething (1987), L.A. Law (1986), as well as continually recurring in a wide array of shows including The X-Files (1993), Twin Peaks (1990), Two and a Half Men (2003), Stargate SG-1 (1997), Pushing Daisies (2007), The Practice (1997), Ally McBeal (1997), etc., etc., etc. His favorite long-form role on TV was Dr. Kreutz for Steven Spielberg in the acclaimed miniseries Taken (2002). Garson also appeared in many episodes of Boy Meets World (1993) and Girl Meets World (2014).

On the big screen, other than reprising his Sex and the City (1998) role for two features (Sex and the City (2008) and Sex and the City 2 (2010)), he collaborated with the Farrelly brothers on three films, There's Something About Mary (1998), Kingpin (1996), and Fever Pitch (2005), as well as appearing in Soapdish (1991), Groundhog Day (1993), Mars Attacks! (1996), The Rock (1996), Being John Malkovich (1999), and many others. He was often used by such varied directors as Spike Jonze, Michael Bay, the late great Mike Nichols, and Ron Shelton. Next up is Feed (2017), touching on a subject Garson was very proud to be a part of. Upcoming films include 7 Days to Vegas (2019), and Magic Camp (2020).

As a director, Garson directed episodes of White Collar (2009) and Girl Meets World (2014), and, with Warner Brothers, had TV shows in development as producer/creator.

Garson continued to perform with various bicoastal theater companies such as Naked Angles, Manhattan Theater Club, the Roundabout Theater, and the Geffen. He was also very involved with many charities, including AMFAR, Camp Joslin for Diabetes, Doctors Without Borders, Habitat for Humanity, and especially the Alliance for Children's Rights, which facilitates adoptions in LA County. This had a special place in the Garson family, as Willie adopted his son Nathan in Los Angeles in 2010, and twice served as national spokesman for National Adoption Day.

Aside from acting, Garson was known as a world-class poker player, nicknamed Evil Willie on the first episode of Celebrity Poker Showdown (2003), and continued to play in tournaments all over the world, both for charity and through the World Poker Tour.

Richard Donner was born on 24 April 1930 in The Bronx, New York City, New York, USA. He was a director and producer, known for Superman (1978), Ladyhawke (1985) and Superman II: The Richard Donner Cut (2006). He was married to Lauren Shuler Donner. He died on 5 July 2021 in Los Angeles, California, USA.

A leading actress of theatre, film and TV in the former Yugoslavia, Mira Furlan emigrated to the U.S. with her husband, Goran Gajic, in November 1991, due to the intolerable political circumstances in her homeland. Ms. Furlan starred in the Warner Brothers TV series Babylon 5 (1993) as "Ambassador Delenn" (Sci-Fi Universe Award for Best Supporting Actress in a Genre TV-series 1996 and 1997).

Her other American credits included the TV movie My Antonia (1995) directed by Joseph Sargent, the title roles in "Sophocles Antigone" at the Hudson Guild Theatre in Los Angeles (Dramalogue Theatre Award for Outstanding Performance in 1995) and Lorca's "Yerma" at The Indiana Repertory Theatre. She also appeared in Brecht's "Baal" at The Second Stage in Los Angeles and Shaw's "Don Juan In Hell" in which she co-starred with Edward Asner and Rene Auberjonois. Ms. Furlan was a member of The Actor's Studio.

Ms. Furlan's film credits include leading roles in over 25 films. She co-starred in Emir Kusturica's Cannes award-winning and Oscar-nominated film When Father Was Away On Business (2000). Films include: Three For Happiness, (Grand Prix, Valencia Film Festival), Beauty Of Vice, In The Jaws Of Life, The Loves Of Blanka Kolak, and Dear Video. In addition, Ms Furlan has appeared regularly on Yugoslav television, playing leading roles in numerous series and TV films. She received all the highest awards in her former country, both for her stage and film work, including two Golden Arenas (Yugoslav Oscars) for Best Actress.

In the former Yugoslavia, Furlan was a member of the Croatian National Theatre and a frequent guest star at major theatres in the whole country. Her favorite roles include: 'Natalya' in "A Month In The Country", 'Mrs. Elliot' in "Alpha-Beta", 'Celimene' in "The Misanthrope", 'Judith' in "The Devil's Disciple", 'Annabella' in "Tis Pity She's A Whore", the title role in Euripides' "Helen", 'Lea' in "Dybbuk", 'Isabelle' in Corneille's "L'Illusion Comique", 'Yvette' in "Mother Courage", 'Natasha' in "Three Sisters" and 'Ophelia' in Jiri Menzel's production of "Hamlet".

Scolari was born in New Rochelle, New York, to Arthur and Barbara Scolari, and was raised in Scarsdale along with an older sister and two younger brothers. His father was of Italian descent and played semi-professional baseball before becoming a lawyer. His mother was a singer prior to meeting Scolari's father and later worked with the Alcohol Rehabilitation arm of the Tidewater Psychiatric Institute in Virginia Beach, Virginia.

At the age of 13 Scolari did some animation voice acting work and performed in plays while attending Edgemont High School in Scarsdale. At 16 years of age he starred as Finch in a high school production of How to Succeed in Business Without Really Trying and came to the realization that he wanted to be an actor professionally.

In 1972, he enrolled at Occidental College in Los Angeles as a theater arts major, but left a year later and returned to New York after his father died. He joined the Colonnades Theater Lab, a repertory theater in Manhattan, working with actors such as Danny DeVito, Rhea Perlman, Jeff Goldblum and Michael O'Keefe. He appeared in multiple off-Broadway plays and met Finnish actor Paavo Tammim, who taught him to juggle. He also studied mime and learned to ride a unicycle. He performed in a 1974 production of "Reflections" receiving a rave review from The New York Times. In 1979 he returned to Los Angeles.

His big break came when he was cast with Tom Hanks in the 1980 sitcom, Bosom Buddies. Scolari happened to be playing a guest role on an adjacent sound stage and was auditioned for the role. The show's pilot was shot a few days later. Bosom Buddies started out with good ratings, but was canceled after two seasons.

After Bosom Buddies cancellation he picked up a spot played recurring character Michael Harris on the CBS sitcom Newhart's (1984-1990) second season whose popularity garnered him a regular cast member position starting in the show's third season, which earned him three consecutive nominations for Prime-time Emmy Awards for Outstanding Supporting Actor in a Comedy Series from 1987 to 1989.

Scolari had roles as Wayne Szalinski in the Disney sitcom Honey, I Shrunk the Kids: The TV Show (1997-2000) and as Tad Horvath in the HBO series Girls (2012-2017) which earned him the Primetime Emmy Award for Outstanding Guest Actor in a Comedy Series. He had recurring roles in Gotham (2015) Evil (2019-2021).

He performed in the films The Rosebud Beach Hotel (1984), Corporate Affairs (1990), That Thing You Do! (1996), and The Polar Express (2004).

On stage, he played Yogi Berra in the play Bronx Bombers (2014) and acted in Sly Fox (2004), Magic/Bird (2012), and Lucky Girl (2013). He also acted in replacement roles in the musicals Hairspray in 2003 and Wicked in 2016.

Scolari died from leukemia in Manhattan on October 22, 2021, at the age of 66. He had been diagnosed with the disease two years earlier.

Acclaimed actress Jessica Walter was born on January 31, 1941 in Brooklyn, New York, the daughter of Esther (Groisser), a teacher, and David Walter (his original surname was Warshawsky), a musician who was a member of the NBC Symphony Orchestra and the NYC Ballet Orchestra. She was of Russian Jewish descent, the sister of screenwriter and Chairman of the UCLA Screenwriting program Richard Walter. Their uncle was stage and screen actor Jerry Jarrett. Raised in Queens, Walter was a graduate of New York's High School of the Performing Arts and the Neighborhood Playhouse School of the Theatre. She first acted in summer stock and her extensive subsequent career on the stage included productions both on- and off-Broadway.

On Broadway, Walter appeared in Peter Ustinov's "Photo Finish" (which earned her the Clarence Derwent Award as Most Promising Newcomer), "A Severed Head", "Advise and Consent", "Night Life" and Neil Simon's "Rumors". Off-Broadway, she acted in a 1986 Los Angeles Theater Center production of "Tartuffe" opposite Ron Leibman (to whom she was married from 1983 until his death in 2019).

After guesting on several TV series in the early and mid-1960s, Walter made her move to feature films where she attracted attention for her role as the brash Libby in Sidney Lumet's The Group (1966). This seemed to set the tone for her next screen personae as bitchy, difficult or dangerously vindictive women, the most memorable of which was Evelyn in Clint Eastwood's directorial debut film, Play Misty for Me (1971). This earned Walter a richly deserved Golden Globe nomination. Another stand-out role was Pat, the bored ex-glamour model wife of one racing driver (Brian Bedford) and troublesome girlfriend of another (James Garner) in Grand Prix (1966). Walter's numerous TV roles included the enchantress Morgan LeFay in the rarely seen telemovie Dr. Strange (1978). Of her many screen villainesses she later said: "those are the fun roles. They're juicy, much better than playing the vanilla ingénues".

By the 1980s, Walter had turned increasingly towards comedy, both on the big screen (The Flamingo Kid (1984)) and the small (Three's a Crowd (1984)). However, she never shied away from other genres, whether playing an EarthGov senator on the cult sci-fi series Babylon 5 (1993) or providing the voice for the leading female character in the animated sitcom Dinosaurs (1991). Walter received an Emmy Award for Best Dramatic Actress in the Ironside (1967) spin-off Amy Prentiss (1974) and was nominated for guest-starring roles in episodes of Trapper John, M.D. (1979) and The Streets of San Francisco (1972). She found a new audience among younger viewers as the devious matriarch Lucille Bluth in Arrested Development (2003).

Jessica Walter died in her sleep on March 24, 2021 from undisclosed causes at the age of 80. Riverside Memorial Chapel and Funeral Home in New York City completed her final arrangements. She was cremated and her ashes are with her daughter.

Emmy-nominated actor and producer Michael Kenneth Williams was one of his generation's most respected and acclaimed talents. By bringing complicated and charismatic characters to life--often with surprising tenderness--Williams established himself as a gifted and versatile performer with a unique ability to mesmerize audiences with his stunning character portrayals.

Born in 1966 in Brooklyn, Williams was best known for his remarkable work on The Wire (2002). The wit and humor that Williams brought to Omar, the whistle-happy, profanity-averse, openly gay drug dealer-robbing stickup man, earned him high praise, and made Omar one of television's most memorable characters. Williams also co-starred in HBO's critically acclaimed series Boardwalk Empire (2010), in which he played Chalky White, a 1920s bootlegger and the impeccably suited, veritable mayor of Atlantic City's African American community. In 2012, "Boardwalk Empire" won a Screen Actors Guild Award for Outstanding Performance by an Ensemble in a Drama Series. He received his first Emmy nomination for Outstanding Supporting Actor in a Limited Series or a Movie for HBO's Bessie (2015) and subsequently received his second nomination for Outstanding Supporting Actor in a Limited Series for his portrayal of Freddy in HBO's The Night Of (2016).

In 2018, Vice (2013) returned for its sixth season with an extended special season premiere produced by and featuring Williams as he embarked on a personal journey to expose the root of the American mass incarceration crisis: the juvenile justice system. The episode "Raised in the System" offered a frank and unflinching look at those caught up the system, exploring why the country's mass incarceration problem cannot be fixed without first addressing the juvenile justice problem. Williams investigated the solutions that local communities were employing that resulted in drastic drops in both crime and incarceration. Michael garnered his first Emmy nomination as a producer for this incredible documentary and continues to host screenings across the country as a way to educate and raise awareness.

Giving back to the community played an important role in Williams' off-camera life. He launched Making Kids Win, a charitable organization, the primary objective of which is to build community centers in urban neighborhoods that are in need of safe spaces for children to learn and play. Williams served as the ACLU's Ambassador of Smart Justice.

Williams began his career as a performer by dancing professionally at age 22. After numerous appearances in music videos and as a background dancer on concert tours for Madonna and George Michael, Williams decided to pursue acting seriously. He participated in several productions of the La MaMA Experimental Theater, the prestigious National Black Theater Company. and the Theater for a New Generation, directed by Mel Williams.

Michael K. Williams was born, raised, and resided in Brooklyn, New York, until his death on September 6, 2021.

Dean Robert Stockwell grew up in North Hollywood, the son of Broadway performers Harry Stockwell and Elizabeth "Betty" Stockwell (née Veronica). His vaudevillian father was a replacement Curly in the original production of "Oklahoma!". He was also a decent tenor whose voice was used for the part of Prince Charming in Disney's Snow White and the Seven Dwarfs (1937). Dean's mother was a one-time Broadway chorine who used the stage moniker "Betty Veronica." His older brother was the actor Guy Stockwell.

At the age of seven, Dean made his stage debut in a Theater Guild production of Paul Osborn's The Innocent Voyage, in which his brother was also cast. The play ran for nine month. Dean was eventually spotted by a talent scout, and, on the strength of his performance, was signed by MGM in 1945. Under contract until 1947 (and again from 1949 to 1950), Stockwell became a highly sought-after child star in films like Anchors Aweigh (1945), with Gene Kelly and Frank Sinatra, The Green Years (1946) and Song of the Thin Man (1947). His impish, dimpled looks and tousled brown hair combined with genuine acting talent kept him on the box office front line for more than a decade. Having won a Golden Globe Award as Best Juvenile Actor for Gentleman's Agreement (1947) (on loan-out to 20th Century Fox), Stockwell went on to play the title role in an adaptation of Rudyard Kipling's Kim (1950). He came to admire his co-star Errol Flynn as a sort of role model. Thereafter, Stockwell segued into television for several years until resurfacing as a mature actor in Richard Fleischer's Compulsion (1959), (based on the infamous Leopold & Loeb murder case), co-starring with Bradford Dillman as one of the two young killers, and Orson Welles. He had already played the part on Broadway in 1957, on this occasion partnering Roddy McDowall. His last film role of note in the early 60s was as Edmund Tyrone in Eugene O'Neill's Long Day's Journey Into Night (1962). Despite developing a drinking problem on the set (for which he was chastised by Katharine Hepburn), Stockwell gave a solid performance which he later described as a career highlight.

Stockwell dropped out of show biz for some time in the 60s to join the hippie scene at which time he befriended Neil Young and Dennis Hopper. Later in the decade, he made a gleeful comeback in low budget psychedelic counterculture (Psych-Out (1968)) biker films (The Loners (1972)) and horror comedies (The Werewolf of Washington (1973)). Keeping a considerably lower profile during the 70s, he became a frequent TV guest star in popular crime dramas like Mannix (1967), Columbo (1971) The Streets of San Francisco (1972) and Police Story (1973). By the early 80s, work opportunities had become scarcer and Stockwell was compelled to briefly sideline as a real estate broker. He nonetheless managed to make a comeback with a co-starring role in the Wim Wenders road movie Paris, Texas (1984). New York Times reviewer Vincent Canby wrote of his performance "Mr. Stockwell, the former child star, has aged very well, becoming an exceptionally interesting, mature actor." Stockwell subsequently enjoyed high billing in David Lynch's noirish psycho-thriller Blue Velvet (1986) and received an Oscar nomination for his Mafia don Tony "The Tiger" Russo in Married to the Mob (1988). His television career also flourished, as cigar-smoking, womanizing rear admiral Al Calavicci in the popular science fiction series Quantum Leap (1989). The role won him a Golden Globe Award in 1990 and a new generation of fans. When the show ended after five seasons, Stockwell remained gainfully employed for another decade, still frequently seen as political or military authority figures (Navy Secretary Edward Sheffield in JAG (1995), Defence Secretary Walter Dean in Air Force One (1997)) or evil alien antagonists (Colonel Grat in Star Trek: Enterprise (2001), humanoid Cylon John Cavil in Battlestar Galactica (2004)).

Outside of acting, Stockwell embraced environmental issues and exhibited works of art, notably collages and sculptures. In 2015, he was forced to retire from acting after suffering a stroke. Stockwell died on November 7, 2021 due to natural causes at the age of 85.

William Smith was probably best known for his portrayal as "Falconetti" in Rich Man, Poor Man (1976). He first came to the screen as a child actor in films such as Going My Way (1944) and The Song of Bernadette (1943), before entering the service during the Korean War, where his fluency in foreign languages landed him in the N.S.A. Security Squadron 6907.

While working towards his doctorate, he landed a contract with MGM and never looked back. Over the next thirty years, Smith became one of the kings of B-movie and television villainy.

Smith died in Woodland Hills, Los Angeles in 2021, aged 88.

Deadpan comedian Charles Sidney Grodin was born in Pittsburgh, Pennsylvania of Russian/Polish ancestry and raised in a Jewish orthodox home. He attended the University of Miami but dropped out, opting instead for the life of a struggling actor. The movie A Place in the Sun (1951) was said to have steered him towards his chosen profession. In his own words: "It was two things. One is I think I developed an overwhelming crush on Elizabeth Taylor. And two, Montgomery Clift made acting look like 'Gee, well that looks pretty easy - just a guy talking.'".

After a spell with Uta Hagen (1956-59), he attended Lee Strasberg's Actors Studio before making his stage debut on Broadway in 1962. Though he appeared on screen from as early as 1954, Grodin did not make a great deal of headway in this medium until he attracted critical notice playing the small but crucial role of obstetrician Dr. C.C. Hill in Rosemary's Baby (1968). More substantial roles soon followed. His first major starring turn was in The Heartbreak Kid (1972), a black comedy written by Neil Simon and directed by Elaine May. Grodin managed to inject charm and humanity in what was essentially an egotistical central character. Film reviewer Roger Ebert praised his performance, describing the actor as a "kind of Dustin Hoffman-as-overachiever", an opinion which was echoed by Vincent Canby of the New York Times. Ironically, Grodin had earlier turned down the pivotal role in The Graduate (1967) which propelled Hoffman to stardom (he also -- probably unwisely -- spurned the role of oceanographer Matt Hooper in Jaws (1975) which instead went to Richard Dreyfuss).

Grodin's ultimate breakthrough came on the Broadway stage in "Same Time Next Year" (1975) (opposite Ellen Burstyn), a hugely successful romantic comedy about two people, each married to someone else, who conduct an extramarital affair for a single day over the course of 24 years in the same room of a northern Californian inn. Though the two leads left the show after seven months, Grodin was now much sought-after in Hollywood as a droll comic actor and cast in a string of hit comedies: Heaven Can Wait (1978), Seems Like Old Times (1980), The Lonely Guy (1984) and Midnight Run (1988). He also appeared to sterling effect in the underrated farce The Couch Trip (1988), in which he co-starred with Walter Matthau and Dan Aykroyd as the brittle psychiatrist and radio host Dr. George Maitlin. Arguably his most popular box office success was opposite the titular Saint Bernard canine in the family-oriented comedy Beethoven (1992). Despite less than enthusiastic critical reviews, the film was a hit with audiences, grossed $147.2 million worldwide and spawned a sequel.

In the mid-1990s, Grodin reinvented himself as a television host (The Charles Grodin Show (1995)) and political commentator. He made frequent guest appearances on talk shows with Carson or Letterman, typically adopting the persona of a belligerent tongue-in-cheek character to facilitate "comically uncomfortable situations on the set". Grodin was also a prolific author, both of fiction and non-fiction. An autobiography was entitled "It Would Be So Nice If You Weren't Here: My Journey Through Show Business" (1989). Charles Grodin died at age 86 of bone marrow cancer on May 18, 2021 at his home in Wilton, Connecticut.

Johnny Crawford was born on 26 March 1946 in Los Angeles, California, USA. He was an actor and producer, known for The Rifleman (1958), Hellboy (2004) and The Thirteenth Floor (1999). He was married to Charlotte Samco. He died on 29 April 2021 in Los Angeles, California, USA.

Stocky, genial-looking supporting actor Ned Beatty was once hailed by Daily Variety as the "busiest actor in Hollywood."

Ned Thomas Beatty was born in Louisville, Kentucky, to Margaret (Fortney) and Charles William Beatty. He grew up fishing and working on farms. His hometown of St. Matthews, Kentucky, is hardly the environment to encourage a career in the entertainment industry, though, so when asked, "How did you get into show business?" Beatty responded, "By hanging out with the wrong crowd." That "crowd" includes some of the industry's most prominent names, such as John Huston, Steven Spielberg, Robert Altman, Paul Newman, Richard Burton, Charlton Heston, Marlon Brando and Robert Redford.

Beatty garnered praise from both critics and peers as a dedicated actor's actor. He started as a professional performer at age ten, when he earned pocket money singing in gospel quartets and a barber shop. The big city and bright lights did not come easy, though. The first ten years of Beatty's career were spent at the Barter Theater in Abingdon, Virginia. He then moved on to the Erie Playhouse in Pennsylvania, the Playhouse Theater in Houston, Texas, and the prestigious Arena Stage Company in Washington, D.C. He was also a member of Shakespeare in Central Park, Louisville, Kentucky. Later, he appeared in the Broadway production of "The Great White Hope". At the Mark Taper Forum in Los Angeles, he won rave reviews when he starred in "The Accidental Death of an Anarchist."

In 1971, Beatty was chosen by director John Boorman for the role of Bobby Trippe in the hit film/backwoods nightmare Deliverance (1972). Co-star Burt Reynolds and Beatty struck up a friendship, and Ned was then cast by Burt in several other films together, including White Lightning (1973), W.W. and the Dixie Dancekings (1975), and the abysmal Stroker Ace (1983). Ned's talents were also noticed by others in Hollywood and he was cast in many key productions of the 1970s turning in stellar performance, including an Academy Award nomination of Best Supporting Actor for his role in Network (1976). Beatty was also marvelous in Nashville (1975), under fire from a crazed sniper in The Deadly Tower (1975), an undercover FBI man in the action comedy Silver Streak (1976), as Lex Luthor's bumbling assistant, Otis, in the blockbuster Superman (1978) ... and he returned again with Gene Hackman to play Otis and Lex Luthor again in Superman II (1980).

Beatty continued to remain busy throughout the 1980s with appearances in several big budget television productions including The Last Days of Pompeii (1984). However, the overall caliber of the productions in general did not match up to those he had appeared in during the 1970s. Nonetheless, Beatty still shone in films including The Big Easy (1986) and The Fourth Protocol (1987). Into the 1990s, Beatty's work output swung between a mixture of roles in family orientated productions (Gulliver's Travels (1996), Back to Hannibal: The Return of Tom Sawyer and Huckleberry Finn (1990), etc.) taking advantage of his "fatherly" type looks, but he could still accentuate a hard edge, and additionally was cast in Radioland Murders (1994) and Just Cause (1995). His many other films include The Toy (1982), All the President's Men (1976), Wise Blood (1979), Rudy (1993), Spring Forward (1999), Hear My Song (1991) -- for which he earned a Golden Globe nomination for Best Supporting Actor -- Prelude to a Kiss (1992), He Got Game (1998) and Cookie's Fortune (1999). Beatty's numerous television credits include three years on the NBC series Homicide: Life on the Street (1993), Streets of Laredo (1995) and The Boys (1993).

Beatty received an Emmy Award nomination for Best Actor for his performance in Friendly Fire (1979) opposite Carol Burnett, and a Best Supporting Actor nomination for Family Channel's Magic Hour: Tom Alone (1989). Other notable credits include The Wool Cap (2004), The Execution of Private Slovik (1974), A Woman Called Golda (1982), Pray TV (1982), the miniseries Robert Kennedy and His Times (1985), Lockerbie: A Night Remembered (1998) and T Bone N Weasel (1992). He also had a recurring role on Roseanne (1988) and performed musically on television specials for Dolly Parton and The Smothers Brothers.

In 2001, Beatty returned to his theatrical roots starring in London's West End revival production of Tennessee Williams' "Cat on a Hot Tin Roof" with Brendan Fraser. He also appeared in the production on Broadway in 2003/2004 with Jason Patric and Ashley Judd. In 2006, Beatty completed three features to be released next year: The Walker (2007); Paul Schrader's film also starring Woody Harrelson, Kristin Scott Thomas and Lily Tomlin; Paramount Pictures' Shooter (2007) starring Mark Wahlberg; and Charlie Wilson's War (2007), Mike Nichols's film with Tom Hanks, Philip Seymour Hoffman and Julia Roberts. Also in the 21st century, Beatty turned out a terrific performance in the popular Where the Red Fern Grows (2003). Blessed with eight children, Ned Beatty enjoyed golf and playing the bass guitar. He gave himself until the age of 70 to become proficient at both. He died at age 83 of natural causes on June 13, 2021 in Los Angeles, California.

Physically imposing, intense Yaphet Kotto was one of the few actors of his generation to succeed in breaking racial stereotypes in Hollywood. He was born in Harlem, New York, the son of Gladys, a nurse and army officer, and Abraham Kotto, a businessman-turned-construction worker. His father was a Cameroonian immigrant, of royal ancestry (his great-grandfather had been a king in pre-colonial days), and his mother's family was from Antigua and Panama. Yaphet, whose first name means "beautiful" in Hebrew, was raised in the Jewish faith. After his parents divorced, he was brought up by his grandparents in the tough Bronx district of New York. He also had an aunt in showbiz who ran a dance academy. Among her alumni were Marlon Brando and James Dean. In fact, it was Brando's performance in On the Waterfront (1954) which inspired Kotto to go into acting.

He began acting on stage in 1958 with little theatrical experience, making his debut in the title role of Othello, a role he eventually reprised on screen in 1980. He also appeared on Broadway as understudy to James Earl Jones in The Great White Hope. After joining the Actor's Studio, Kotto commenced his screen career and soon gathered critical recognition with several edgy performances across diverse genres. From playing a barkeeper in 5 Card Stud (1968) and a thief in The Thomas Crown Affair (1968), he moved on to juicier supporting roles as the evil Kananga/Mr. Big in the James Bond thriller Live and Let Die (1973), Ugandan dictator Idi Amin in the telemovie Raid on Entebbe (1976) and the ill-fated Nostromo engineer Parker in Alien (1979). Kotto also starred as a street-smart Detroit car worker in Blue Collar (1978) and had a recurring role as a senior detective on television's long-running crime series Homicide: Life on the Street (1993) (in addition to penning several scripts for the show). He was even on a Paramount shortlist for the coveted role of Jean Luc Picard in Star Trek: The Next Generation (1987), alongside Mitchell Ryan and Roy Thinnes). He apparently spurned the role for fear of being typecast, but came to rueing that decision in later years. For the same reason Kotto had also turned down the part of Lando Calrissian in the Star Wars franchise (which went to Billy Dee Williams).

Kotto died on March 15 2021 in Manila, Phillipines at the age of 81.

Sally Ann Howes grew up in a show business family led by her father, famous English comedian/actor Bobby Howes, her mother Patricia Malone and grandfather, Broadway director Capt. J.A.E. Malone. She had her first screen test offer on her 12th birthday and went on to star in several films before she turned 20, including Anna Karenina (1948) with Vivien Leigh.

At 20, she received her first starring stage role in Glasgow in the Sandy Wilson musical Caprice. This led to other musicals including an 18-month run of Paint Your Wagon opposite her father Bobby Howes at Her Majesty's Theatre, Haymarket in 1953. This was followed by the plays Romance by Candlelight, A Hatful of Rain (non-musical) and 148 performances of the musical Summer Song. She continued to make the occasional film during the 1950's but the stage was her main focus. In 1958 she accepted the role of Eliza Doolittle in Broadway's My Fair Lady, taking over from Julie Andrews. The role had been offered to her three times previously, but film and stage commitments kept her from assuming the part that would skyrocket her fame in America.

Just before taking on My Fair Lady, she married composer Richard Adler, and he wrote the musical Gift of the Magi for her. It aired on CBS TV in December of 1958. Adler later wrote Kwamina for her, which she performed after her run in My Fair Lady. It was a short-lived run of the musical, and she went on to perform on Broadway in "Brigadoon", which earned her a Tony nomination in 1963. Afterwards she starred in the critically acclaimed musical, "What Makes Sammy Run" opposite Steven Lawrence. Soon after she landed the TV version of Brigadoon (1966) co-starring Robert Goulet and Peter Falk which went on to win seven Emmy Awards.

After she and Adler divorced in 1966, she began filming the movie that would become a mega-hit, Chitty Chitty Bang Bang (1968). Despite her large volume of work before and after the movie, she will always be most fondly remembered and loved around the world for her portrayal as the very lovely Truly Scrumptious. Producer Albert R. Broccoli wrote of her: "We wanted a typical English beauty. And to me, Sally Ann represents that ideal. She is also one of the finest musical comedy stars today, a rare combination of the right kind of beauty and the right kind of talent." Dick Van Dyke said of her in his documentary "Remembering Chitty Chitty Bang Bang": "They couldn't have picked a better Truly Scrumptious than Sally. They came up with Sally Ann and I heard her voice, and it was the richest contralto. She auditioned with the Lovely Lonely Man, and I thought, my God, this girl is great and then she was stunningly beautiful. She loved those kids and they loved her, which I think comes across on the screen. They just thought a great deal of her, and she spent a lot of time with them, you know, between shots... telling stories and playing games during all those long waiting periods."

Filming took place in England, France and Bavaria over 14 months. Critics were mixed about the film, but children were fanatical about it. The movie spawned a mass marketing phenomenon with everything from Truly Scrumptious Barbie dolls, to Jemima dress patterns, lunch-boxes, countless toys, and many other things all of which still enjoy a thriving collectible life on the secondary market. The Truly Scrumptious costumes in the film even sparked a mini-revival in Edwardian fashions, especially reflected by designer Laura Ashley.

Unfortunately, the movie came out at a time when musicals were beginning to be box office dead weight, including Julie Andrews ' Star! (1968) and Darling Lili (1970), which nearly sank Paramount. This nailed the lid shut on filmed musicals for a long time, leaving no filmed musical outlet for performers like Howes. Her film roles became very sporadic after Chitty Chitty Bang Bang (1968). She was a frequent and popular guest panelist on many game shows throughout the 1960s, and even up until the early 1980s, and she made several guest appearances on television series during the early 1970s. However, the theatre called her back, and with the exception of a few films, she has devoted her career almost entirely to the musical stage. Her last appearance was in 1992. She remains very active in musical theatre even today and is considered one of the grand dames of the American and British musical stage.

Other musicals and plays she has starred in Camelot; Blossom Time; The Sound of Music; King and I; Robert and Elizabeth; Man and Superman; I Do, I Do; Hans Anderson; A Little Night Music; Cinderella; Where's Charley?; James Joyce's The Dead.

She has sung at the White House for three US Presidents - Dwight D. Eisenhower, John F. Kennedy and Lyndon B. Johnson.

She is a naturalized U.S. citizen and resides in New York. She has been married for over 30 years to Douglas Rae.