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Four Christmases (2008)
Four Christmases is a unique and well-crafted Christmas comedy that's worth your time.
I recently rewatched Four Christmases (2008) on MAX. The story follows a city couple who are perfectly content with their relationship as it is. Planning to spend the holiday on vacation, their plans go awry when they are caught on the news, exposing their lie about why they can't visit their families for Christmas. Feeling guilty, they decide to visit each of their parents' homes-leading to unexpected challenges that may push their relationship to its breaking point.
Directed by Seth Gordon (Horrible Bosses), the film boasts an impressive cast, including Reese Witherspoon (Walk the Line), Vince Vaughn (Wedding Crashers), Robert Duvall (The Godfather), Jon Voight (Anaconda), Tim McGraw (The Blind Side), and Sissy Spacek (Carrie).
The cast is brilliantly assembled, with standout performances at every turn. Each household features jaw-dropping character portrayals, and Jon Favreau (Iron Man) steals the show as Vince Vaughn's hilariously aggressive brother who constantly puts him in wrestling moves. The family dynamics are well-established and relatable, capturing the anxiety and chaos of holiday gatherings. The storyline is well-written, with clever full-circle moments that tie everything together nicely.
In conclusion, Four Christmases is a unique and well-crafted Christmas comedy that's worth your time. I'd give it a 7/10 and recommend watching it at least once.
The Family Stone (2005)
The Family Stone is an imperfect but enjoyable holiday film with a fulfilling storyline
My wife and I recently watched The Family Stone (2005) on Prime. The storyline follows a conservative woman visiting her boyfriend's family home for the holidays. She struggles to connect with their more free-spirited approach to life, leading to tension between her, the family, and her boyfriend. In an effort to ease the situation, she invites her sister to join her for the holidays, which only triggers a new series of mishaps.
This film is written and directed by Thomas Bezucha (Let Him Go) and stars Sarah Jessica Parker (Sex and the City), Dermot Mulroney (My Best Friend's Wedding), Claire Danes (Romeo + Juliet), Rachel McAdams (The Notebook), Luke Wilson (Old School), and Diane Keaton (Something's Gotta Give).
The movie excels in its exploration of family dynamics, with plenty of entertaining and heartfelt moments. While some subplots work better than others-such as the sister's arrival feeling unnecessary and the bar sequence with her high school boyfriend coming off as a bit over-the-top-the overall story remains engaging. Diane Keaton and Rachel McAdams deliver standout performances, while Sarah Jessica Parker's portrayal is solid but not her best. Luke Wilson's character feels a bit hard to take seriously at times, but his charm still adds to the film's appeal.
Ultimately, The Family Stone is an imperfect but enjoyable holiday film with a fulfilling ending. I'd rate it a 7.5-8/10 and strongly recommend it as a heartfelt family holiday movie.
The Tooth Fairy (2006)
The Tooth Fairy struggles to craft or execute a compelling storyline.
I recently watched The Tooth Fairy (2019) on Tubi. The storyline follows a doctor who buys a house to write a book. His girlfriend and her daughter visit to see his new home, but both parents repeatedly clash with the locals. Meanwhile, an old barn behind the house is rumored to be the former residence of a witch who collects teeth to steal souls, and the young girl may be her next target. Will the locals' interference distract the parents long enough for the witch to succeed?
This film is directed by Chuck Bowman (Spring Fling) and stars Lochlyn Munro (Scary Movie), Chandra West (White Noise), Steve Bacic (X2: X-Men United), and Nicole Muñoz (Fantastic Four).
The writing for this movie is poorly done and lacks cohesion, leading to a muddled and frustrating story. The dialogue and acting are inconsistent, with some moments feeling inauthentic and others outright clumsy. While the horror elements had some potential, including decent atmosphere in certain scenes and a passable witch design, the execution falls short. The horror sequences lack intensity and fail to deliver anything memorable.
The film's conclusion is predictable, and by the time it arrives, you'll likely just be relieved it's over.
In conclusion, The Tooth Fairy struggles to craft or execute a compelling storyline. I'd score this a 2/10 and recommend skipping it.
Red Dawn (1984)
Red Dawn boasts a fantastic cast and a well-executed storyline that feels authentic and emotionally impactful.
Red Dawn (1984) is a film I recently rewatched on Tubi. The storyline follows a small Midwestern American town that becomes the target of a communist invasion, specifically by Russian and Cuban forces. A group of high school students escapes into the wilderness and organizes a guerrilla warfare campaign to fight back and defend their homeland.
Directed by John Milius (Conan the Barbarian), the film features an impressive ensemble cast, including Patrick Swayze (Road House), C. Thomas Howell (The Outsiders), Charlie Sheen (Major League), Lea Thompson (Back to the Future), Jennifer Grey (Dirty Dancing), Ron O'Neal (Superfly), and Powers Boothe (Sudden Death).
This is one of the most remarkable casts ever assembled, showcasing a who's who of '80s icons. As a kid, I absolutely loved this movie-it pulls you in and makes it easy to imagine yourself experiencing the characters' challenges. The young protagonists are easy to root for, and the props, sets, and action sequences all feel authentic, adding weight to the desperate circumstances they're fighting to overcome. The gun battles, RPG action, and helicopter and tank confrontations are thrilling and well-executed. The film does an excellent job investing you in the characters, making each loss feel like the passing of a close friend. The emotional weight of the story builds to a fitting ending, giving it the feel of a true historical event.
In conclusion, Red Dawn boasts a fantastic cast and a well-executed storyline that feels authentic and emotionally impactful. I'd rate it an 8.5/10.
Killer Rack (2015)
Killer Rack is a quirky horror-comedy that's only worth watching if you're intentionally seeking out something campy and absurd.
I recently watched Killer Rack (2015), a horror-comedy currently available on Tubi. The storyline follows a woman stuck in a dead-end job, unable to advance due to her lack of "sexually appealing" attributes. She decides to take matters into her own hands and gets breast implants-unaware that the implants are man-eating.
The film is directed by Gregory Lamberson (Slime City) and stars Jessica Zwolak (Madhouse), Lloyd Kaufman (The Final Countdown), Debbie Rochon (Exhumed), and Brooke Lewis Bellas (Sinatra Club).
Killer Rack succeeds by fully embracing its ridiculous premise, leading to a humorous and over-the-top buildup. Lloyd Kaufman is always entertaining, and the absurd concept keeps your attention. The film features fun background music, plenty of blood splatter, and some creative practical effects. However, most of the kills are cutaways or involve flying appendages, which can feel underwhelming. Unfortunately, the ending takes a nosedive with bad CGI, wild "breast monsters," and a bizarre resolution.
In conclusion, Killer Rack is a quirky horror-comedy that's only worth watching if you're intentionally seeking out something campy and absurd. I'd give it a 3/10.
Suspiria (2018)
I wouldn't change anything about this film
I recently watched the modern Italian masterpiece Suspiria (2018) on Prime. The storyline follows a renowned international dance school that welcomes new, talented students annually. The school harbors a dark, mysterious past that profoundly affects its students in unimaginable ways. As their annual performance approaches, the school's sinister secrets come to light.
Directed by Luca Guadagnino (Challengers), the film stars Tilda Swinton (Asteroid City), Chloë Grace Moretz (Kick-Ass), Mia Goth (Pearl), Dakota Johnson (Fifty Shades of Grey), and Angela Winkler (We Are Fine).
Initially, I doubted this film could match the brilliance of Argento's classic, but I was mistaken. It might even surpass the original. Every aspect of this movie is captivating. A pervasive dark and mysterious atmosphere envelops the entire film, enhanced by the overpowering witch dynamics that are utterly fascinating.
The "pretzel" and "hook" scenes stand out as exceptional horror sequences, executed with magnificent precision. The acting is superb, with perfect chemistry in every scene. The ending is mesmerizing, and after a flawless buildup, the final dance and climax do not disappoint.
I wouldn't change anything about this film. It's a perfect 10/10.
The Dead Don't Hurt (2023)
The Dead Don't Hurt is a solid modern western.
The Dead Don't Hurt (2023) is a film I recently watched on Paramount+. The story follows an immigrant and an American woman who meet in San Francisco, fall in love, and move to the Midwest. Shortly after settling down, the Civil War breaks out, and the husband leaves to fight for the Union. While he's away, some troubling events unfold involving his wife. When he returns home, he must confront the truth of what happened and decide whether to seek revenge.
The film is written, directed by, and stars Viggo Mortensen (Falling). It also features Vicky Krieps (Old), Danny Huston (21 Grams), Ray McKinnon (Deadwood), and Solly McLeod (House of the Dragon).
This is one of those films that effortlessly immerses you in its world. The setting, costumes, hairstyles, and props all feel authentic to the time period. Viggo Mortensen delivers a strong lead performance, while Vicky Krieps offers a commendable supporting role. The acting overall is solid, and the opening shootout is especially gripping. However, some of the character development and narrative choices are uneven. That said, the conclusion is worthwhile.
In summary, The Dead Don't Hurt is a solid modern western. I'd rate it a 7/10 and recommend watching it at least once.
The Damned (2024)
The Damned has more than enough going on to keep your attention, but doesn't live up to its potential.
I watched the Icelandic film 🇮🇸 The Damned (2024) in theaters this evening. The storyline follows an Icelandic fishing team that is hunkered down in a shack together trying to survive winter. One day they see a crashed ship in the water with an abandoned crew with nothing they can do to rescue them. After a few days they head out to see if they can obtain supplies and set off a series of unfortunate events that sets a curse on their camp.
This picture is directed by Thordur Palsson, in his directorial debut, and stars Odessa Young (Assassination Nation), Joe Cole (One of these Days), Lewis Gribben (T2 Trainspotting), Rory McCann (Game of Thrones) and Mícheál Óg Lane (The Guard).
The Damned is one of those movies that feels like it's missing an ingredient from beginning to end. The atmosphere and desperation of the circumstances is perfectly established with the attire, settings and backdrops. There's good use of background music to establish the drama and intensity. The movie does start with a bang. I'll also say eels aren't used enough in horror movies. There's awesome use of an ax and a fantastic throat slash. There's a strong buildup to the final scene, but the conclusion was disappointing.
In conclusion, The Damned has more than enough going on to keep your attention, but doesn't live up to its potential. I would score this a 6.5/10.
A Verry Merry Hood Christmas (2022)
I found this movie to be better than anticipated
Recently watched A Verry Merry Hood Christmas (2022) on Tubi. The storyline follows the Perry family coming together for Christmas and discovering someone is going to inherit the family home. Some family members are more successful than others, and this house could significantly change their futures. As a result, positioning ensues, and drama unfolds.
This picture is directed by Thomas L. Harris (Serial Cheater) and stars Nia Miranda (McGraw Avenue), Tonja Brown (A Good Man), Ciera Angelia (Christmas Bae), Kyle Greenlaw (The Mistress) and DaCarla Strong (The Serial Cheater).
I found this movie to be better than anticipated. The plot is engaging, with various subplots that kept me glued to the screen. The humor is wild and unpredictable, with sarcastic moments and hijinks that add to the entertainment. The characters and circumstances feel authentic, and while the acting is inconsistent, it surpasses initial expectations. The film does a great job of not taking itself too seriously, allowing for creative freedom.
Overall, I was pleasantly surprised by how much I enjoyed this film and would rate it a 7/10.
Dark Circles (2013)
Dark Circles is an average entry in the horror genre with a few redeeming qualities
Dark Circles (2013) is currently available on Tubi. The storyline follows a couple who have recently welcomed their first baby. Struggling with the baby's erratic sleep schedule and the relentless noise from nearby construction during the day, the sleep-deprived parents begin to experience eerie visions and unsettling occurrences. Is it all in their heads, or is their house truly haunted?
Written and directed by Paul Soter (Watching the Detectives), the film stars Jenn Foreman (Out of Blue), Philippe Brenninkmeyer (Super Troopers), Rebecca Collins (22 Jump Street), and Andrea Frankle (Dopesick).
There are some aspects of this film that are well executed. The acting is excellent, and the gradual deterioration of the parents' mental states is convincingly portrayed. The horror elements, while inconsistent, have their moments. The creepy doll is a nice touch, and the garbage disposal scene is particularly unnerving. However, the kills are mostly cutaways, and the presentation of the haunting spirit feels uneven. That said, a few scenes featuring the spirit are effectively unsettling. The ending offers a couple of solid twists and some well-crafted moments of violence.
In conclusion, Dark Circles is an average entry in the horror genre with a few redeeming qualities. I would score it a 5.5-6/10 and recommend it only with the appropriate expectations.
Batman: Hush (2019)
Batman: Hush is an average entry in the DC animated universe that doesn't quite do justice to its iconic source material.
Batman: Hush (2019) is a film I recently rewatched on Tubi. The storyline follows a new Gotham villain, Hush, who orchestrates a deadly game against Batman, using various members of the Dark Knight's rogue gallery as pieces in his intricate plan. Can Batman overcome his nemeses, uncover Hush's identity, and bring him to justice?
Directed by Justin Copeland (Wonder Woman: Bloodlines), the movie features an impressive voice cast, including Jerry O'Connell (Stand by Me), Rebecca Romijn (X-Men), Jason O'Mara (Agents of S. H. I. E. L. D.), Jennifer Morrison (House), and Vanessa Williams (Eraser).
While the animation and depiction of the characters and their powers are excellent, this adaptation struggles to live up to the original comic. Fans of the source material may find the differences hard to overlook. The inclusion of a wide range of Batman universe characters is fun, but their usage often feels underwhelming compared to their roles in the original storyline. That said, the Scarecrow sequence is a standout moment, and the Batman/Catwoman relationship adds an engaging dynamic. Unfortunately, the film's ending is a letdown after a solid buildup.
In conclusion, Batman: Hush is an average entry in the DC animated universe that doesn't quite do justice to its iconic source material. I would score it a 6/10.
Sometimes They Come Back (1991)
Sometimes They Come Back is a moderately enjoyable but average entry in the horror genre.
Sometimes They Come Back (1991) is a Stephen King adaptation that I recently rewatched on Tubi. The storyline follows a financially struggling man who returns to his hometown-where his brother was killed during his childhood-to start a job as a substitute teacher. Shortly after his arrival, students at his school begin dying, and he starts encountering ghosts from his past. Could the teens who killed his brother have returned from the dead seeking revenge?
This film is directed by Tom McLoughlin (Friday the 13th VI: Jason Lives) and stars Tim Matheson (Animal House), Brooke Adams (The Dead Zone), Robert Rusler (Weird Science), William Sanderson (Blade Runner), and Robert Hy Gorman (Don't Tell Mom the Babysitter's Dead).
While these were never my favorite Stephen King adaptations, I've always enjoyed revisiting this trilogy. The storyline is engaging, with its depiction of a small town and effective flashbacks. However, the acting and dialogue are inconsistent, often feeling inauthentic. The kills are fairly average and lack originality, but the classroom banter adds charm, and the makeup, masks, and overall concept are entertaining. Tasia Valenza (My Demon Lover), who plays Kate, stands out and is absolutely stunning. Unfortunately, the conclusion falls flat after a solid buildup.
In summary, Sometimes They Come Back is a moderately enjoyable but average entry in the horror genre. I'd score it a 5.5-6/10.
The First Power (1990)
The First Power isn't perfect, but it's an entertaining watch.
The First Power (1990) is a movie I recently rewatched on Tubi. The storyline follows a detective who unwittingly causes a serial killer to return from the dead after having him brought to justice via the death penalty. Now in demonic form, the killer is more dangerous than ever. Can the detective stop him again, this time with supernatural powers in play?
This film is written and directed by Robert Resnikoff, in his only major directorial project, and stars Lou Diamond Phillips (Courage Under Fire), Tracy Griffith (Sleepaway Camp III), Mykelti Williamson (Forrest Gump), Bill Moseley (The Devil's Rejects), and Elizabeth Arlen (National Lampoon's European Vacation).
I loved this movie as a kid, though on rewatch, it didn't quite live up to my memories. The concept is very similar to Shocker. The religious elements are interesting, and the acting is decent. The horror elements are enjoyable, featuring fun transformation scenes, some intense stabbings, a memorable ax sequence, and creative use of other weapons. The transformations and resolution at the end are well-executed and make the journey worthwhile.
In conclusion, The First Power isn't perfect, but it's an entertaining watch. I'd score it a 7/10.
The Man Who Killed Hitler and Then the Bigfoot (2018)
The Man Who Killed Hitler and Then The Bigfoot is a unique and entertaining film with elements that action genre fans will enjoy.
The Man Who Killed Hitler and Then The Bigfoot (2018) is a film I watched on Hulu last month. The storyline follows a mysterious U. S. soldier who is recruited to track and kill a beast spotted in a nearby mountain range. As the story unfolds, we delve into the soldier's past and learn why he may be the only man capable of taking down Bigfoot based on his extraordinary resume.
This film is written and directed by Robert D. Krzykowski in his lone directorial project. It stars Sam Elliott (Road House), Aidan Turner (The Hobbit), Larry Miller (The Nutty Professor), and Caitlin FitzGerald (The Trial of the Chicago 7).
The movie is a bit of a slow burn, but the conclusion makes the journey worthwhile. The storytelling is solid, with a well-developed and engaging backstory for the protagonist. Sam Elliott gives an excellent performance, bringing authenticity to the role. The cinematography, particularly the shots of the wilderness, is impressive and adds to the tension of the final hunt. The showdown with Bigfoot exceeds expectations and is a definite highlight of the film.
In conclusion, The Man Who Killed Hitler and Then The Bigfoot is a unique and entertaining film with elements that action genre fans will enjoy. I'd score it a 7/10.
Nickel Boys (2024)
Nickel Boys is a perfect blend of creative cinematography and elite storytelling.
My wife and I watched the masterpiece Nickel Boys (2024) in theaters this evening. The storyline follows the true story of a young man who is wrongfully accused of stealing a car and sent to a reform school where young Black men are subjected to brutal discipline, tortured, and routinely murdered.
This film is directed by RaMell Ross (Hale County This Morning, This Evening) and stars Ethan Herisse (The American Society of Magical Negros), Brandon Wilson (The Way Back), and Aunjanue Ellis (Ray).
Nickel Boys feels like one of the most unique and creative documentaries I've ever seen. It's artistically shot, with smart and innovative visuals. The storyline is absolutely compelling, mind-boggling, and devastatingly sad. The acting is phenomenal, with characters perfectly portrayed and easy to root for. The circumstances are unpredictable, and the storyline and subplots are masterfully crafted. The ending is both amazing and profoundly heartbreaking.
In conclusion, Nickel Boys is a perfect blend of creative cinematography and elite storytelling. I would score this a 10/10 and strongly recommend it.
The Burrowers (2008)
The Burrowers looks the part and boasts a solid cast, but its lackluster horror elements and slow pacing make it a disappointment.
The Burrowers (2008) is a western/horror film currently available on Tubi. The storyline follows a group of cowboys hired to investigate the disappearance of a family from a remote town. Initially suspecting Native Americans, they soon uncover that something far more sinister may be responsible.
Written and directed by J. T. Petty (Hellbenders), the film features Clancy Brown (The Shawshank Redemption), Jocelin Donahue (Doctor Sleep), Doug Hutchison (The Green Mile), and Laura Leighton (Melrose Place).
The film succeeds in creating an authentic western atmosphere, with well-designed sets, costumes, and backdrops. Clancy Brown delivers a strong performance, perfectly suited to his role. Unfortunately, the pacing is sluggish, with much of the runtime spent on cowboys bickering rather than advancing the plot. The horror elements are minimal until the last 45 minutes, and even then, the monster design and special effects are underwhelming. While there are a few entertaining shootouts and some decent twists, they aren't enough to salvage the film.
In conclusion, The Burrowers looks the part and boasts a solid cast, but its lackluster horror elements and slow pacing make it a disappointment. I'd score it a 5/10.
Santa and Pete (1999)
Santa and Pete is an enjoyable family holiday film worth watching.
Santa and Pete (1999) is currently available on Tubi. The story follows a family visiting Grandpa's house for Christmas, their first holiday together since Grandma passed away. Despite the lingering sadness, Grandpa surprises his grandson with his festive spirit and shares his favorite Christmas tale-a story that never fails to brighten his holiday season.
Directed by Duwayne Dunham (Little Giants), the film stars Hume Cronyn (Cocoon), James Earl Jones (Conan the Barbarian), Flex Alexander (Snakes on a Plane), and Erica Gimpel (Fame).
The movie effectively weaves two narratives: the story being told and the storyteller's perspective. James Earl Jones shines as the grandfather, bringing warmth and charm to the role, while Hume Cronyn delivers an excellent performance as Saint Nick, making his journey captivating. The biblical-era storyline features engaging sets, props, and costumes that enhance the historical feel. While I wasn't entirely sold on Flex Alexander's portrayal of Pete, the clever writing kept me interested in seeing how the tale unfolded. The dual conclusions of both storylines were heartfelt and satisfying.
In conclusion, Santa and Pete is an enjoyable family holiday film worth watching. I'd rate it a 6/10.
The Vampire Lovers (1970)
The Vampire Lovers is primarily worth watching for its female visuals and little else.
The Vampire Lovers (1970) is a Hammer Films classic currently available on Tubi. The storyline follows Marcilla, who arrives in a remote village to care for a friend who has fallen ill. However, a mysterious outbreak begins claiming the lives of villagers shortly after her arrival. As Marcilla examines her friend, it becomes clear that the illness is part of a much darker and more sinister plot.
Directed by Roy Ward Baker (Asylum), the film stars Ingrid Pitt (Where Eagles Dare), Pippa Steel (Take A Girl Like You), Peter Cushing (Star Wars), and Kate O'Mara (The Horror of Frankenstein).
Hammer Films excels at immersing viewers in the era with stunning locations, authentic costumes, and atmospheric settings. The women in the film are gorgeous, and as expected for Hammer, there's a notable amount of nudity. Unfortunately, the storyline leans more on cat-and-mouse elements than genuine suspense. The kills lack impact, consisting of bites, a trickle of blood, and characters falling lifelessly. Peter Cushing's presence is disappointingly minimal.
In conclusion, The Vampire Lovers is primarily worth watching for its female visuals and little else. I would score it a 5/10 and only recommend it with the appropriate expectations.
CONtv Movie Night: Christmas Cartoons: Gumby's Christmas Capers (2015)
Gumby's Christmas Capers is a magical and nostalgic journey through a legendary claymation universe.
Gumby's Christmas Capers (1957) is currently available on Tubi. The storyline follows Santa unknowingly needing help when Scrooge sets off for the North Pole to stop Christmas. Only Gumby and Pokey can save the day!
This holiday classic was created, written, and voiced by Art Clokey (Davey and Goliath). The claymation is brilliant for its era, showcasing the creativity and charm that define the Gumby universe. The whimsical style is reminiscent of Pee-wee's Playhouse, with vibrant visuals that capture the imagination. The humor stands out, particularly through Pokey's witty commentary on Gumby's decisions and the show's writing. The ending is especially enjoyable, seamlessly tying Santa and Scrooge into the Gumby world for a delightful finish.
In conclusion, Gumby's Christmas Capers is a magical and nostalgic journey through a legendary claymation universe. I'd score this a 7.5/10.
Midnight Cabaret (1990)
Midnight Cabaret explores multiple themes with potential but fails to tie them together in a satisfying way.
Midnight Cabaret (1990) is a movie I watched on Tubi last month. The storyline follows a Broadway producer staging a dark play centered around the devil. When eerie events start mirroring the play's sinister plot, the cast and crew grow increasingly uneasy, setting the stage for a potentially dramatic grand opening.
This film is directed by Pece Dingo (Until We Meet Again) and stars Lisa Hart Carroll (Terms of Endearment), Michael Des Barres (To Sir, with Love), Paul Drake (Beverly Hills Cop), and Laura Harrington (Maximum Overdrive).
This is one of those movies where you keep waiting for something significant to happen, and when it finally does, it's underwhelming. The costumes, sets, and lighting effectively create a moody atmosphere with an '80s vibe, but that's where the positives end. The risqué subplot flirts with exploitation without fully committing, and while there's plenty of nudity, it feels disconnected from the main storyline. The conclusion attempts a twist but doesn't land as strongly as intended.
In conclusion, Midnight Cabaret explores multiple themes with potential but fails to tie them together in a satisfying way. I would score this a 3/10 and recommend skipping it.
The Madness (2024)
The Madness is an engaging thriller featuring dynamic characters and unpredictable twists.
My wife and I just finished watching The Madness (2024) on Netflix. The storyline follows a Black CNN reporter who is framed for the murder of a prominent white supremacist. With the help of old friends, his family, and key associates, he works to uncover who's behind the setup and clear his name.
Created by Stephen Belber (Match), the series stars Colman Domingo (Selma), Thaddeus J. Mixson (Creed III), Stephen McKinley Henderson (Civil War), and Marsha Stephanie Blake (Orange is the New Black).
This was a compelling and unique series. The storyline is creative and unpredictable, though some plot directions landed better than others. The family dynamics and backstory are well-developed and executed, adding depth to the narrative. There are smart twists and turns, though some of the main character's decisions felt frustrating at times. The buildup to the finale was outstanding, highlighted by a ruthless assassin and the victim's wife, whose actions are sudden, intense, and gripping. Colman Domingo delivers a fantastic performance as the lead, but the supporting cast is equally strong. The resolution is satisfying, with a rewarding wrap-up for all key characters.
In conclusion, The Madness is an engaging thriller featuring dynamic characters and unpredictable twists. I'd score it a 7/10 and strongly recommend it.
The Devil-Doll (1936)
The Devil-Doll may not be a standout classic, but it's an entertaining addition to Tod Browning's body of work.
I recently watched The Devil-Doll (1936) on Tubi. The storyline follows a convict seeking revenge on society who develops a shrink ray capable of miniaturizing animals and people. He uses his tiny creations as tools in his quest for vengeance.
Directed by Tod Browning (Dracula), the film stars Lionel Barrymore (It's a Wonderful Life), Maureen O'Sullivan (The Thin Man), Frank Lawton (A Night to Remember), and Grace Ford (Bog City).
The concept is delightfully quirky, offering one of the wild, science-fiction premises that were popular during this era. The film has a unique charm, almost feeling like a horror version of Mrs. Doubtfire with its use of disguises and elaborate schemes. The special effects for the miniature creatures are dated but still fascinating for their time. While the storyline isn't particularly strong, it's unpredictable enough to hold your interest, and the conclusion provides a satisfying payoff.
In conclusion, The Devil-Doll may not be a standout classic, but it's an entertaining addition to Tod Browning's body of work. I would score it a 6/10.
A Christmas in Vermont (2016)
A Christmas in Vermont is an average holiday movie but still enjoyable for fans of the genre.
A Christmas in Vermont (2016) is a movie I recently watched on Tubi. The storyline follows a woman tasked with shutting down a company in Vermont that her organization has recently acquired. However, after experiencing the charm of the town, its locals, and the original owner, she begins to question her assignment and struggles with moving forward.
This film is directed by Fred Olen Ray (Deadly Vows) and stars Chevy Chase (National Lampoon's Vacation), Abigail Hawk (Blue Bloods), Howard Hesseman (WKRP in Cincinnati), Morgan Fairchild (The Seduction), and Zack Ward (A Christmas Story).
While the movie follows a very straightforward and predictable formula, it does have its share of charming moments within the love story and holiday themes. Chevy Chase's performance feels awkward, with his character and dialogue coming across as forced and unnatural. Though his involvement may have been a notable addition, the role didn't make the most of his talent. On the other hand, Abigail Hawk delivers a solid performance as the lead, making the film engaging enough to follow through to its conclusion. While the storyline, subplots, and ending are all predictable, they still provide a pleasant, feel-good holiday experience.
In conclusion, A Christmas in Vermont is an average holiday movie but still enjoyable for fans of the genre. I would score it a 5/10.
Legend (2015)
Gnome Alone is undeniably a bad movie, but it does offer a few entertaining moments for horror enthusiasts.
Gnome Alone (2015) is a movie currently streaming on Tubi. The storyline follows a young woman who is bullied and often finds herself isolated. She is gifted a gnome that is sworn to protect her, but she soon discovers it also seeks revenge on anyone who has mistreated her. As people start dying around her, she must figure out how to stop the gnome's deadly rampage.
This film is co-directed by Timothy Woodward Jr. (Til Death Do Us Part) and John Michael Elfers (Finale), and stars Verne Troyer (Austin Powers), Kerry Knuppe (The Old Way), Kinley Farrow (Born Guilty), and Bill Oberst Jr. (3 From Hell).
The movie feels like an attempt to ride the wave of Leprechaun's cult success. The narration is weak, and the acting varies in quality. That said, there are some fun kills and amusing one-liners from Verne Troyer, who is undeniably entertaining in his role. The film also features a memorable mud wrestling sequence, some nudity, and perhaps the most bizarre sex education class ever depicted on screen. Surprisingly, I found myself enjoying it more than I expected going in.
In conclusion, Gnome Alone is undeniably a bad movie, but it does offer a few entertaining moments for horror enthusiasts. I would score it a 5/10.
The Fire Inside (2024)
The Fire Inside is an inspiring and impactful film about a remarkable individual overcoming impossible odds.
The Fire Inside (2024) is a movie my wife and I saw in theaters this evening. The storyline follows Claressa "T-Rex" Shields as she navigates a challenging upbringing in Flint, Michigan. When she discovers boxing and begins chasing her Olympic dreams, we witness the struggles of balancing discipline with the demands of family, romantic interests, and a coach who both loves her and pushes her to greatness. The question remains: can she live up to her extraordinary potential?
This film is directed by Rachel Morrison in her major motion picture debut and stars Ryan Destiny (Star), Brian Tyree Henry (Bullet Train), De'Adre Aziza (She's Gotta Have It), and Olunike Adeliyi (Saw 3D).
The storyline, subplots, and characters are gripping and larger than life. Claressa's tragic upbringing, combined with the harsh realities of Flint, Michigan, makes her an easy character to root for. Ryan Destiny and Brian Tyree Henry deliver standout performances, with authentic dialogue and strong chemistry. The writing is better than expected, offering compelling storytelling about family dynamics, the challenges faced by women in sports, and the importance of self-worth.
In conclusion, The Fire Inside is an inspiring and impactful film about a remarkable individual overcoming impossible odds. I would score this a 7.5/10 and strongly recommend it.