From the course: Photography Foundations: Night and Low Light
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Exposing to the right
From the course: Photography Foundations: Night and Low Light
Exposing to the right
There's a certain amount of light in this room right now that's illuminating me this much. If we double the amount of light, if we bring them twice as many of the exact same kind of lights and turn them all on, our eyes will not actually register a doubling of illumination. Our senses don't work that way. All of our senses are that way. If I hand you a bowling ball and then hand you another bowling ball, you don't actually perceive a doubling in weight. Our senses are nonlinear; they actually look on a logarithmic scale. Film is the same way. If you double the amount of light in a scene, you don't get a doubling of illumination when you're shooting film. Your digital camera, though, is different; it employs a linear capture system. What that means, practically, is that when you're working in low light there is an exposure strategy that you can employ that may help you keep noise down. Here is how it works. There are a certain number of levels of brightness that your camera can…
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Working with exposure parameters in low light1m 13s
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(Locked)
Working with image sensors in low light4m 35s
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Working with shutter speed in low light3m 3s
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Considering motion blur1m 14s
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Working with ISO in low light2m 29s
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Assessing your camera's high ISO capability4m 52s
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Working with in-camera noise reduction2m 4s
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Working with aperture in low light2m 10s
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Understanding dynamic range2m 2s
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Working with color temperature and white balance1m 11s
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Exposing to the right4m 1s
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