​ "Holly+" unsettles narratives of voice ownership and offers a vision of communal music making

In July 2021, Berlin-based electronic musician Holly Herndon launched a new project called Holly+. Holly+ is an artificial intelligence voice model that, when fed any song or recording, outputs a version “sung” in Herndon’s voice–like an audio deepfake. The model has been trained on Herndon’s vocal recordings, creating a “vocal puppetry” effect that bears resemblance to Herndon’s real voice but retains a unique “machine learning, scratchy kind of neural net sound.” In essence, Holly+ turns Herndon’s voice into an instrument from which to build new pieces of music.

​Germany’s Apex Federal Court voids parts of Facebook’s Term of Services

On July 29, 2021, the Bundesgerichtshof, Germany’s Federal Supreme Court, invalidated parts of Facebook’s Terms of Service (ToS) relating to community guidelines and ruled that Online Service Providers (OSPs) would be required to inform their users about the removal of posts ex-post at the least and about blocking of user accounts ex-ante. In both cases, the Court noted that the user must be given an opportunity to be heard before a new decision is made on that individual case.

​The Weaponization of Copyright by Police Officers and the Need to Automate Fair Use

In July 2021, an on-duty police officer in Alameda County being videoed by activists took out his phone and played ‘Blank Space’ by Taylor Swift, in hopes of hindering social media circulation of the video by attracting the attention of automated copyright enforcement algorithms. This was merely one of the more recent examples of a larger unsettling trend in law enforcement where police officers are weaponizing copyrighted music to thwart bystander recordings of police from going viral.

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