Fashion victim

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Kyoichi Tsuzuki: ‘Happy Victims’ (1999-2004) Tsuzuki captured portraits of individuals in their bedrooms, surrounded by piles and piles of clothes and accessories. Each of the above fashion victims shot by Kyoichi Tsuzuki has their own individual obsession. From Anna Sui to Vivienne Westwood, the cramped spaces filled with big brands are a testimony to the paradox of consumer culture. Consumer Culture, Fashion Victim, Anna Sui, Clothes And Accessories, Japanese Fashion, Vivienne Westwood, Cool Photos, Ford, Bedroom

Kyoichi Tsuzuki: ‘Happy Victims’ (1999-2004) Tsuzuki captured portraits of individuals in their bedrooms, surrounded by piles and piles of clothes and accessories. Each of the above fashion victims shot by Kyoichi Tsuzuki has their own individual obsession. From Anna Sui to Vivienne Westwood, the cramped spaces filled with big brands are a testimony to the paradox of consumer culture.

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Kyoichi Tsuzuki: ‘Happy Victims’ (1999-2004) Tsuzuki captured portraits of individuals in their bedrooms, surrounded by piles and piles of clothes and accessories. Each of the above fashion victims shot by Kyoichi Tsuzuki has their own individual obsession. From Anna Sui to Vivienne Westwood, the cramped spaces filled with big brands are a testimony to the paradox of consumer culture. Consumer Culture, Silly Girls, Fashion Victim, Anna Sui, Clothes And Accessories, Vivienne Westwood, Mini Albums, Cool Photos, That Look

Kyoichi Tsuzuki: ‘Happy Victims’ (1999-2004) Tsuzuki captured portraits of individuals in their bedrooms, surrounded by piles and piles of clothes and accessories. Each of the above fashion victims shot by Kyoichi Tsuzuki has their own individual obsession. From Anna Sui to Vivienne Westwood, the cramped spaces filled with big brands are a testimony to the paradox of consumer culture.

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