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Cinque Gallery

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The Cinque Gallery
PredecessorThe Spiral group
Formation1969; 55 years ago (1969)
FounderRomare Bearden, Ernest Crichlow, and Norman Lewis
Dissolved2004; 20 years ago (2004)
TypeArt gallery
PurposeTo provide a place where the works of unknown, and neglected artists of talent … — primarily Black artists — would not only be shown but nurtured and developed.
HeadquartersDowntown, New York City (various locales)
Location
  • New York City
ServicesSolo, group and traveling exhibitions. Lectures, talks, interviews and artists-in-residence.
Executive Director
Ruth M. Jett
Administrative Director
Karen Hatcher
VolunteersArtist-run volunteers
Websitewww.aaa.si.edu/exhibitions/expanding-the-legacy-new-collections-on-african-american-art/cinque-gallery-records

The Cinque Gallery (1969–2004) was co-founded by artists Romare Bearden, Ernest Crichlow, and Norman Lewis as an outgrowth of the Black power movement to "provide a place where the works of unknown, and neglected artists of talent …" — primarily Black artists — "would not only be shown but nurtured and developed".[1][2] "Relying on a series of volunteers, Cinque hosted solo, group, and touring exhibitions," and sponsored an artist-in-residence program, which was inaugurated with collagist Nanette Carter.[2][3][4]

Over its 35-year history, the gallery showcased both figurative and abstract art by some 450 artists of color, and was praised for its range.[5] Many of the artists who exhibited there are among the most celebrated and significant Black artists in the United States. They include figurative painter Jacob Lawrence,painter Michael S Kendall, abstract painter Frank Bowling OBE RA, Caldecott-winning illustrator Tom Feelings, animator Edward H. Love, sculptor Valerie Maynard, muralist Hale Woodruff, National Medal of Arts winner Jack Whitten, and master printmaker Robert Blackburn, among others.[1][6]

An artist-run space, the Cinque played a significant role in the Black Arts Movement, but was also known for exhibiting marginalized artists of all kinds, including Asian and Hispanic artists.[7]

History

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Exhibition Card, NYC, 1978

The gallery's foundation was propelled by New York City's Metropolitan Museum of Art's "infamous 1969 show Harlem on My Mind, which consisted of 'documentary photographs,'" but failed to include any Black fine artists.[8][9][10] Its name was inspired by Sengbe Pieh, aka Joseph Cinqué, the leader of the 1839 rebellion on the Spanish slave ship La Amistad.[1]

But the gallery was also an "outgrowth of the Spiral group, which met regularly from 1963 to 1965 to explore the question, "What is Black art?"[5] That group, which mounted a single exhibition and then disbanded, included two of Cinque's co-founders (Bearden and Lewis), as well as artists Hale Woodruff, Charles Alston, Felrath Hines, and Richard Mayhew.[3] The late '60s were characterized by a push for cultural and economic autonomy throughout New York City's arts in that era, several "New York institutions and collectives, such as the Brooklyn Museum Community Gallery and the Studio Museum in Harlem ... and the Black Emergency Cultural Coalition" emerged within a few years of each other.[5] By the 1980s, however, Administrative Director Karen Hatcher and co-founder Ernest Crichlow emphasized the practicality of their mission: "[T]he unsung purpose of the gallery [was] to provide administrative, political, and social knowledge to young Blacks who wished to work in the arts."[4] The gallery closed in 2004.

In 2019, the gallery's 50th anniversary was organized by the Romare Beardon Foundation, and celebrated at the Harlem School of the Arts.[2][7][8] In 2021, the Art Students League of New York celebrated the gallery's legacy at the League, with the exhibition Creating Community: Cinque Gallery Artists, featuring dozens of artists with exhibition histories at the Cinque.[2][6] Susan Stedman, the exhibition's guest curator, has been working on an oral history of the gallery since 2017, building on the records held by the Smithsonian's Archives of American Art.[2]

Artists

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(Key figures are listed below, but the list is not comprehensive.)

See also

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References

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  1. ^ a b c Yau, John (2021-06-05). "Another Chapter of Black Art History". Hyperallergic. Retrieved 2024-02-13.
  2. ^ a b c d e Cascone, Sarah (2021-05-04). "50 Years Ago, Romare Bearden and His Colleagues Founded a New York Gallery for Artists of Color. A New Show Celebrates Its Legacy". Artnet News. Retrieved 2024-02-13.
  3. ^ a b "Romare Bearden and the Formation of An African American Artistic Identity Downtown - Village Preservation". villagepreservation.org. 2021-09-02. Retrieved 2024-02-13.
  4. ^ a b Sims, Lowery (2020-09-07). "Art: Cinque Gallery: How To Succeed | 1980-4 | ROUTES". routes-mag.com. Retrieved 2024-02-13.
  5. ^ a b c Packard, Cassie (2021-10-01). "Creating Community: Cinque Gallery Artists". Artforum. Retrieved 2024-02-13.
  6. ^ a b https://theartstudentsleague.org/event/cinque-gallery-2021/
  7. ^ a b "Cinque Gallery records". aaa.si.edu. Retrieved 2022-04-13.
  8. ^ a b "Special Exhibition: "Creating Community. Cinque Gallery Artists"". The Art Students League. Retrieved 2022-04-13.
  9. ^ Tomkins, Calvin (2024-02-05). "The Art World Before and After Thelma Golden". The New Yorker. ISSN 0028-792X. Retrieved 2024-02-13.
  10. ^ "Cassie Packard on "Creating Community: Cinque Gallery Artists"". Artforum. October 2021. Retrieved 2022-04-13.
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