Welcome to my userpage. I'm User:ChamithN and I started editing Wikipedia in 2014. I mainly edit articles related to computer science and entertainment; however, I'd be glad to help if someone needs my assistance for articles outside of my comfort zone. I tend to make a lot of typos over the course of editing. So, if you come across any (even in my talk page comments), feel free to revert/fix them, and/or ask me for clarification. I believe in WP:BRD cycle; ergo, I'm always up for civil and meaningful discussions. If you have any questions regarding editing Wikipedia, feel free to ask at the Teahouse or my talk page.
The Apocalypse of Peter is an apocryphal text of the 2nd century. It is the earliest-written extant work depicting a Christian account of heaven and of hell in detail. The work describes a divine vision experienced by Peter through Jesus Christ. It delves into a vision of the afterlife (katabasis), and details both heavenly bliss for the righteous and infernal punishments for the damned. The punishments are graphically described and loosely correspond to "an eye for an eye": blasphemers are hung by their tongues; liars have their lips cut off; callous rich people are pierced by stones and are dressed in filthy rags; and so on. While the Apocalypse of Peter influenced other early Christian works, it eventually came to be considered inauthentic and was not included in the standard canon of the New Testament. It influenced later works in which the protagonist takes a tour of the realms of the afterlife, including the Apocalypse of Paul, and the Divine Comedy of Dante. (Full article...)
Caroline Hill (1845 – c. 1926) was an English actress. She began acting as a child in the company of Samuel Phelps and soon joined the company of J. B. Buckstone at the Haymarket Theatre. There she created roles in several new plays, including some by W. S. Gilbert, in whose plays she continued to act later in her career. She played at various London and provincial theatres in the 1870s. In 1883, Hill married the actor Herbert Kelcey, with whom she had begun to appear on stage. The couple played mostly in New York City in the 1880s, and Hill continued to act through the 1890s, mostly in England. This 1870 photograph shows Hill as Mirza in a production of Gilbert's The Palace of Truth.Photograph credit: London Stereoscopic and Photographic Company; restored by Adam Cuerden
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