User:minorax

Hello everyone, I'm Minorax. I've been editing the English Wikipedia for slightly over 5 years now and usually patrol Special:NewPages and find files that can be moved to Commons.

As a global sysop, I patrol small wikis and help out with administrative stuff there, typically finding x-wiki socks and reverting vandalism. For a list of other user rights, see m:User:Minorax/matrix.

If you have any queries or require assistance on wikis that have the GS-toolset enabled, do not hesitate to contact me.

Caroline Hill (1845 – c. 1926) was an English actress. She began acting as a child in the company of Samuel Phelps and soon joined the company of J. B. Buckstone at the Haymarket Theatre. There she created roles in several new plays, including some by W. S. Gilbert, in whose plays she continued to act later in her career. She played at various London and provincial theatres in the 1870s. In 1883, Hill married the actor Herbert Kelcey, with whom she had begun to appear on stage. The couple played mostly in New York City in the 1880s, and Hill continued to act through the 1890s, mostly in England. This 1870 photograph shows Hill as Mirza in a production of Gilbert's The Palace of Truth.

Greek fragment of the Apocalypse of Peter

The Apocalypse of Peter is an apocryphal text of the 2nd century. It is the earliest-written extant work depicting a Christian account of heaven and of hell in detail. The work describes a divine vision experienced by Peter through Jesus Christ. It delves into a vision of the afterlife (katabasis), and details both heavenly bliss for the righteous and infernal punishments for the damned. The punishments are graphically described and loosely correspond to "an eye for an eye": blasphemers are hung by their tongues; liars have their lips cut off; callous rich people are pierced by stones and are dressed in filthy rags; and so on. While the Apocalypse of Peter influenced other early Christian works, it eventually came to be considered inauthentic and was not included in the standard canon of the New Testament. It influenced later works in which the protagonist takes a tour of the realms of the afterlife, including the Apocalypse of Paul, and the Divine Comedy of Dante. (Full article...)