Journal tags: brighton

I went to FFConf on Friday. It did me the world of good.

To be honest, I haven’t much felt like venturing out over the past few days since my optimism took a big hit. But then when I do go and interact with people, I’m grateful for it.

Like, when I went out to my usual Wednesday evening traditional Irish music session I was prepared the inevitable discussion of Trump’s election. I was ready to quite clearly let people know that I didn’t want to talk about it. But I didn’t have to. Maybe because everyone else was feeling much the same, we just played and played. It was good.

The session on Thursday was good too. When we chatted, it was about music.

Still, I was ready for the weekend and I wasn’t really feeling psyched up for FFConf on Friday. But once I got there, I was immediately uplifted.

It was so nice to see so many people I hadn’t seen in quite a while. I had the chance to reconnect with people that I had only been hearing from through my RSS reader:

“Terence, I’m really enjoying your sci-fi short stories!”

“Kirsty, I was on tenterhooks when you were getting Mabel!”

(Mabel is an adorable kitty-cat. In hindsight I probably should’ve also congratulated her on getting married. To a human.)

The talks were really good this year. They covered a wide variety of topics.

There was only one talk about “AI” (unlike most conferences these days, where it dominates the agenda). Léonie gave a superb run-down of the different kinds of machine learning and how they can help or hinder accessibility.

Crucially, Léonie began her talk by directly referencing the exploitation and energy consumption inherent in today’s large language models. It took all of two minutes, but it was two minutes more than the whole day of talks at UX Brighton. Thank you, Léonie!

Some of the other talks covered big topics. Life. Death. Meaning. Purpose.

I enjoyed them all, though I often find something missing from discussions about meaning and purpose. Just about everyone agrees that having a life enfused with purpose is what provides meaning. So there’s an understandable quest to seek out what it is that gives you purpose.

But we’re also constantly reminded that every life has intrinsic meaning. “You are enough”, not “you are enough, as long as there’s some purpose to your life.”

I found myself thinking about Winne Lim’s great post on leading a purposeless life. I think about it a lot. It gives me comfort. Instead of assuming that your purpose is out there somewhere and you’ve got to find it, you can entertain the possibility that your life might not have a purpose …and that’s okay.

I know this all sounds like very heavy stuff, but it felt good to be in a room full of good people grappling with these kind of topics. I needed it.

Dare I say it, perhaps my optimism is returning.

I went to the UX Brighton conference yesterday.

The quality of the presentations was really good this year, probably the best yet. Usually there are one or two stand-out speakers (like Tom Kerwin last year), but this year, the standard felt very high to me.

But…

The theme of the conference was UX and “AI”, and I’ve never been more disappointed by what wasn’t said at a conference.

Not a single speaker addressed where the training data for current large language models comes from (it comes from scraping other people’s copyrighted creative works).

Not a single speaker addressed the energy requirements for current large language models (the requirements are absolutely mahoosive—not just for the training, but for each and every query).

My charitable reading of the situation yesterday was that every speaker assumed that someone else would cover those issues.

The less charitable reading is that this was a deliberate decision.

Whenever the issue of ethics came up, it was only ever in relation to how we might use these tools: considering user needs, being transparent, all that good stuff. But never once did the question arise of whether it’s ethical to even use these tools.

In fact, the message was often the opposite: words like “responsibility” and “duty” came up, but only in the admonition that UX designers have a responsibility and duty to use these tools! And if that carrot didn’t work, there’s always the stick of scaring you into using these tools for fear of being left behind and having a machine replace you.

I was left feeling somewhat depressed about the deliberately narrow focus. Maggie’s talk was the only one that dealt with any externalities, looking at how the firehose of slop is blasting away at society. But again, the focus was only ever on how these tools are used or abused; nobody addressed the possibility of deliberately choosing not to use them.

If audience members weren’t yet using generative tools in their daily work, the assumption was that they were lagging behind and it was only a matter of time before they’d get on board the hype train. There was no room for the idea that someone might examine the roots of these tools and make a conscious choice not to fund their development.

There’s a quote by Finnish architect Eliel Saarinen that UX designers like repeating:

Always design a thing by considering it in its next larger context. A chair in a room, a room in a house, a house in an environment, an environment in a city plan.

But none of the speakers at UX Brighton chose to examine the larger context of the tools they were encouraging us to use.

One speaker told us “Be curious!”, but clearly that curiosity should not extend to the foundations of the tools themselves. Ignore what’s behind the curtain. Instead look at all the cool stuff we can do now. Don’t worry about the fact that everything you do with these tools is built on a bedrock of exploitation and environmental harm. We should instead blithely build a new generation of user interfaces on the burial ground of human culture.

Whenever I get into a discussion about these issues, it always seems to come back ’round to whether these tools are actually any good or not. People point to the genuinely useful tasks they can accomplish. But that’s not my issue. There are absolutely smart and efficient ways to use large language models—in some situations, it’s like suddenly having a superpower. But as Molly White puts it:

The benefits, though extant, seem to pale in comparison to the costs.

There are no ethical uses of current large language models.

And if you believe that the ethical issues will somehow be ironed out in future iterations, then that’s all the more reason to stop using the current crop of exploitative large language models.

Anyway, like I said, all the talks at UX Brighton were very good. But I just wish just one of them had addressed the underlying questions that any good UX designer should ask: “Where did this data come from? What are the second-order effects of deploying this technology?”

Having a talk on those topics would’ve been nice, but I would’ve settled for having five minutes of one talk, or even one minute. But there was nothing.

There’s one possible explanation for this glaring absence that’s quite depressing to consider. It may be that these topics weren’t covered because there’s an assumption that everybody already knows about them, and frankly, doesn’t care.

To use an outdated movie reference, imagine a raving Charlton Heston shouting that “Soylent Green is people!”, only to be met with indifference. “Everyone knows Soylent Green is people. So what?”

I’ve been on a sabbatical from work for the past six weeks.

At Clearleft, you’re eligible for a sabbatical after five years. For some reason I haven’t taken one until now, 19 years into my tenure at the agency. I am an idiot.

My six-week sabbatical has been lovely, alternating between travel and homebodying.

Belfast

The first week was spent in Belfast at the excellent Belfast Trad Fest. There were workshops in the morning, sessions in the afternoon, and concerts in the evening. Non-stop music!

This year’s event was a little bit special for me. The festival runs an excellent bursary sponsorship programme for young people who otherwise wouldn’t be able to attend:

The bursary secures a place for a young musician to attend and experience a week-long intensive and immersive summertime learning course of traditional music, song and dance and can be transformative.

Back in April, I did a month-long funding drive on The Session:

Starting from today, and for the whole month of April, any donations made to The Session, which normally go towards covering the costs of running the site, will instead go towards sponsoring bursary places for this year’s Belfast Summer school.

I was really hoping to hit £1000, which would cover bursary sponsorship for eight students. In the end though, the members of The Session contributed a whopping £3000!

Needless to say, I was thrilled! The Trad Fest team were very happy too—they very kindly gave me a media pass for the duration of the event, which meant I could go to any of the concerts for free. I made full use of this.

That said, one of the absolute highlights of the week wasn’t a concert, but a session. Piper Mick O’Connor and fiddler Sean Smyth led a session out at the American Bar one evening that was absolutely sublime. There was a deep respect for the music combined with a lovely laidback vibe.

Brighton

There were no shortage of sessions once Jessica returned from Belfast to Brighton. In fact, when we got the train back from Gatwick we hopped in a cab straight to a session instead of going home first. Can’t stop, won’t stop.

The weather hadn’t been great in Belfast, which was fine because we were mostly indoors. But once we got back to Brighton we were treated to a week of glorious sunshine.

Needless to say, Jessica did plenty of swimming. I even went in the ocean myself on one of the hottest days.

I also went into the air. Andy took me up in a light aircraft for a jolly jaunt over the south of England. We flew from Goodwood over the New Forest, and around the Isle of Wight where we landed for lunch. Literally a flying visit.

I can attest that Andy is an excellent pilot. No bumpy landings.

Cork

Our next sojourn took us back to the island of Ireland, but this time we were visiting the Republic. We spent a week in the mightiest of all the Irish counties, Cork.

Our friends Dan and Sue came over from the States and a whole bunch of us went on a road trip down to west Cork, a beautiful part of the country that I shamefully hadn’t visited before. Sue did a magnificent job navigating the sometimes tiny roads in a rental car, despite Dan being a nervous Nellie in the passenger seat.

We had a lovely couple of days in Glengarriff, even though the weather wasn’t great. On the way back to Cork city, we just had to stop off in Baltimore—Dan and Sue live in the other Baltimore. I wasn’t prepared for the magnificent and rugged coastline (quite different to its Maryland counterpart).

Boston

We were back in Brighton for just one day before it was time for us to head to our next destination. We flew to Boston and spent a few days hanging around in Cambridge with our dear friends Ethan and Liz. It was a real treat to just pass the time with good people. It had been far too long.

I did manage to squeeze in an Irish music session in the legendary Druid pub. ’Twas a good night.

Pittsburgh

From Boston we went on to Pittsburgh for Frostapalooza. I’ve already told you all about how great that was:

It was joyous!

Saint Augustine

After all the excitement of Frostapalooza, Jessica and I went on to spend a week decompressing in Saint Augustine, Florida.

We went down to the beach every day. We went in the water most days. Sometimes the water was a bit too choppy for a proper swim, but it was still lovely and warm. And there was one day when the water was just perfectly calm.

When we weren’t on the beach, we were probably eating shrimp.

It was all very relaxing.

Brighton

I’ve spent the sixth and final week of my sabbatical back in Brighton. The weather has remained good so there’s been plenty of outdoor activities, including a kayaking trip down the river Medway in Kent. I may have done some involuntary wild swimming at one point.

I have very much enjoyed these past six weeks. Music. Travel. Friends. It’s all been quite lovely.

I went to codebar Brighton yesterday evening. I hadn’t been in quite a while, but this was a special occasion: a celebration of codebar Brighton’s tenth anniversary!

The Brighton chapter of codebar was the second one ever, founded six months after the initial London chapter. There are now 33 chapters all around the world.

Clearleft played host to that first ever codebar in Brighton. We had already been hosting local meetups like Async in our downstairs event space, so we were up for it when Rosa, Dot, and Ryan asked about having codebar happen there.

In fact, the first three Brighton codebars were all at 68 Middle Street. Then other places agreed to play host and it moved to a rota system, with the Clearleft HQ as just one of the many Brighton venues.

With ten years of perspective, it’s quite amazing to see how many people went from learning to code in the evenings, to getting jobs in web development, and becoming codebar coaches themselves. It’s a really wonderful community.

Over the years the baton of organising codebar has been passed on to a succession of fantastic people. These people are my heroes.

It worked out well for Clearleft too. Thanks to codebar, we hired Charlotte. Later we hired Cassie. And it was thanks to codebar that I first met Amber.

Codebar Brighton has been very, very good to me. Here’s to the next ten years!

I love libraries. I think they’re one of humanity’s greatest inventions.

My local library here in Brighton is terrific. It’s well-stocked, it’s got a welcoming atmosphere, and it’s in a great location.

But it has an information architecture problem.

Like most libraries, it’s using the Dewey Decimal system. It’s not a great system, but every classification system is going to have flaws—wherever you draw boundaries, there will be disagreement.

The Dewey Decimal class of 900 is for history and geography. Within that class, those 100 numbers (900 to 999) are further subdivded in groups of 10. For example, everything from 940 to 949 is for the history of Europe.

Dewey Decimal number 941 is for the history of the British Isles. The term “British Isles” is a geographical designation. It’s not a good geographical designation, but technically it’s not a political term. So it’s actually pretty smart to use a geographical rather than a political term for categorisation: geology moves a lot slower than politics.

But the Brighton Library is using the wrong label for their shelves. Everything under 941 is labelled “British History.”

The island of Ireland is part of the British Isles.

The Republic of Ireland is most definitely not part of Britain.

Seeing books about the history of Ireland, including post-colonial history, on a shelf labelled “British History” is …not good. Frankly, it’s offensive.

(I mentioned this situation to an English friend of mine, who said “Well, Ireland was once part of the British Empire”, to which I responded that all the books in the library about India should also be filed under “British History” by that logic.)

Just to be clear, I’m not saying there’s a problem with the library using the Dewey Decimal system. I’m saying they’re technically not using the system. They’ve deviated from the system’s labels by treating “History of the British Isles” and “British History” as synonymous.

I spoke to the library manager. They told me to write an email. I’ve written an email. We’ll see what happens.

You might think I’m being overly pedantic. That’s fair. But the fact this is happening in a library in England adds to the problem. It’s not just technically incorrect, it’s culturally clueless.

Mind you, I have noticed that quite a few English people have a somewhat fuzzy idea about the Republic of Ireland. Like, they understand it’s a different country, but they think it’s a different country in the way that Scotland is a different country, or Wales is a different country. They don’t seem to grasp that Ireland is a different country like France is a different country or Germany is a different country.

It would be charming if not for, y’know, those centuries of subjugation, exploitation, and forced starvation.

British history.

Update: They fixed it!

The past weekend’s Indie Web Camp Brighton was wonderful! Many thanks to Mark and Paul for all their work putting it together.

There was a great turn-out. It felt like the perfect time for an Indie Web Camp. There’s a real appetite for getting away from ever more extractive silos and staking claim to our own corners of the web. Most of the attendees were at their first ever Indie Web Camp.

Paul asked me to oversee the schedule planning on day one, which I was happy to do. We made sure that first-timers got first dibs on proposing sessions. In the end, every single session was proposed by new attendees.

Day two was all about putting ideas into practice: coding, designing, and writing on our own website. I’m always blown away by how much gets done in just one short day. Best of all is when there’s someone who starts the weekend without their own website but finishes with a live site. That happened again this time.

I spent the second day tinkering with something I started at Indie Web Camp Nuremberg in October. Back then, I got related posts working here on my journal; a list of suggested follow-up posts to read based on the tags of the current post.

I wanted to do the same for my links; show links related to the one I’m currently linking to. It didn’t take too long to get that up and running.

But then I thought about it some more and realised it would be good to also show blog posts related to the link. So I did that. Then I realised it would be really good to show related links under blog posts too.

So now, if everything’s working correctly, then at the end of this post you will not only see related blog posts I’ve previously written, but also links related to the content of this post.

It was a very inspiring weekend. There’s something about being in a room with other people working on their websites that makes me super productive.

While we were hacking away on day two, somebody mentioned that they still find hard to explain the indie web to people.

“It’s having your own website”, I said.

But surely there’s more to it than that, they wondered.

Nope. If someone has their own website, then they’re part of the indie web. It doesn’t matter if that website is made with a complicated home-rolled tech stack or if it’s a Squarespace site.

What you do with your own website is entirely up to you. The technologies are just plumbing wether it’s webmentions, RSS, or anything else. None of it is a requirement. Heck, even HTML is optional. If you want to put plain text files on your website, go for it. It’s your website.

I’m at day two of Indie Web Camp Brighton.

Day one was excellent. It was really hard to choose which sessions to go to because they all sounded interesting. That’s a good problem to have.

I ended up participating in:

• a session on POSSE,
• a session on NFC tags,
• a session on writing, and
• a session on testing your website that was hosted by Ros

In that testing session I shared some of the bookmarklets I use regularly.

Bookmarklets? They’re bookmarks that sit in the toolbar of your desktop browser. Just like any other bookmark, they’re links. The difference is that these links begin with javascript: rather than http. That means you can put programmatic instructions inside the link. Click the bookmark and the JavaScript gets executed.

In my mind, there are two different approaches to making a bookmarklet. One kind of bookmarklet contains lots of clever JavaScript—that’s where the smart stuff happens. The other kind of bookmarklet is deliberately dumb. All they do is take the URL of the current page and pass it to another service—that’s where the smart stuff happens.

I like that second kind of bookmarklet.

Here are some bookmarklets I’ve made. You can drag any of them up to the toolbar of your browser. Or you could create a folder called, say, “bookmarklets”, and drag these links up there.

Validation: This bookmarklet will validate the HTML of whatever page you’re on.

Validate HTML

Carbon: This bookmarklet will run the domain through the website carbon calculator.

Calculate carbon

Accessibility: This bookmarklet will run the current page through the Website Accessibility Evaluation Tools.

WAVE

Performance: This bookmarklet will take the current page and it run it through PageSpeed Insights, which includes a Lighthouse test.

PageSpeed

HTTPS: This bookmarklet will run your site through the SSL checker from SSL Labs.

SSL Report

Headers: This bookmarklet will test the security headers on your website.

Security Headers

Drag any of those links to your browser’s toolbar to “install” them. If you don’t like one, you can delete it the same way you can delete any other bookmark.

The third Patterns Day happened yesterday. It was lovely!

The last time we had a Patterns Day was in 2019. After five years it felt very, very good to be back in the beautiful Duke Of York’s for another full day of design systems nerdery.

I wasn’t the only one who felt that way. A lot of people told me how much they enjoyed the event, which swelled my heart with happiness. I’m genuinely grateful to everyone who came—thank you so much!

The talks were, of course, excellent. I feel pretty good about the flow of the day. I tried to mix and match between big-picture talks with broad themes and nitty-gritty talks diving into details. The contrast worked really well.

In the pub afterwards it was fascinating to hear how much the different talks resonated with people. So many people felt seen, in the best possible way. It’s quite gratifying to hear that you’re not alone, that other people are struggling with the same kinds of issues with design systems as you are.

At the very first Patterns Day when it was still early days for design systems, there was still a certain amount of cheerleading, bigging up all the benefits of design systems. In 2024 there’s a lot more real talk about how much hard work there is. The design systems struggle is real.

There was another overarching theme at this year’s Patterns Day. Even though there was plenty of coverage of technical details like design tokens, typography and components, the big takeaway was all about people. Collaboration. Agreement. Community. These are the real foundations of a design system that works.

I’m so grateful to all the wonderful speakers yesterday for reminding us of what really matters.

It is now exactly five weeks until Patterns Day—just another 35 sleeps!

Everthing is in place for a perfect day of deep dives into design systems. There’ll be eight snappy 30 minute talks—bam, bam, bam!

Here’s the schedule I’ve got planned for the day:

9:00	Registration.
9:45	Jeremy introduces the day.
10:00	Jina delivers the opening keynote.
10:30	Débora talks about the outcomes, lessons and challenges from using design tokens.
11:00	Break.
11:30	Yolijn talks about the relay method for design system governance.
12:00	Geri talks about her journey navigating accessibility in design systems.
12:30	Lunch.
14:00	Richard talks about responsive typography in design systems.
14:30	Samantha talks about getting buy-in for a design system.
15:00	Break.
15:30	Mary talks about transitioning from a single to a multi-brand design system.
16:00	Vitaly delivers the closing keynote.
16:30	Jeremy wraps up the day.
16:45	Have a drink and a geek pub quiz at the Hare And Hounds pub.

I assume you’ve got your ticket already, but if not use the discount code JOINJEREMY to get 10% off the ticket price.

See you there!

It’s been another busy week of evening activities that ended up covering a range of musical styles.

Monday

On Monday night I went to the session at The Fiddler’s Elbow. It’s on every fortnight. The musicians are always great but the crowd can be more variable. Sometimes it’s too rowdy for comfort. But this week was perfect, probably because not many people are going out in late (dry) January.

The session, led by fiddler Ben Paley was exceptionally enjoyable. Nice and laid back, with a good groove.

Tuesday

On Tuesday night I stayed in and watched a film. Killers Of The Flower Moon. Two thumbs up from me.

Wednesday

On Wednesday evening it was the regular session at The Jolly Brewer. Jolly good it was too.

Thursday

On Thursday night I was back in The Jolly Brewer. My friend Rob roped me into doing a Burns Night thing. “It’s not a session, but it’s not a gig” was how he described it. I wasn’t sure what to expect.

We had been brushing up on our Scottish tunes, but we were mostly faking it. In the end it didn’t matter. I don’t think there was a single Scottish person there. But there was a good crowd enjoying their tatties and neeps with suitably-addressed haggis while we played our tunes in the background.

Some more musicians showed up: a fiddler and two banjo players. “Isn’t there old-time music here tonight?” they asked. We told them that no, it was Burns Night, but why not play some old-time tunes anyway?

So I passed the night jamming along to lots of tunes I didn’t know. I hope I wasn’t too offputting for them. It was good fun.

Friday

Finally on Friday evening it was my turn to leave my mandolin at home and listen to some music instead. The brilliant DakhaBrakha were playing out at Sussex Uni in the Attenborough Centre.

Imagine if Tom Waits and Cocteau Twins came from Eastern Europe and joined forces. Well, DakhaBrakha are even better than that.

I think I first heard them years ago on YouTube when I came across a video of them playing at KEXP. The first song caught my attention, then proceeded to mercilessly hold my attention captive until I was completely at their mercy—the way it builds and builds is just astonishing! I’ve been a fan ever since.

The gig was brilliant. I was absolutely blown away. I highly recommend seeing them if you can. Not only will you hear some brilliant music, you’ll be supporting Ukraine.

Слава Україні!

Patterns Day is exactly six weeks away—squee!

If you haven’t got your ticket yet, get one now. (And just between you and me, use the discount code JOINJEREMY to get a 10% discount.)

I’ve been talking to the speakers and getting very excited about what they’re going to be covering. It’s shaping up to be the perfect mix of practical case studies and big-picture thinking. You can expect talks on design system governance, accessibility, design tokens, typography, and more.

I’m hoping to have a schedule for the day ready by next week. It’s fun trying to craft the flow of the day. It’s like putting together a set list for a concert. Or maybe I’m just overthinking it and it really doesn’t matter because all the talks are going to be great anyway.

There are sponsors for Patterns Day now too. Thanks to Supernova and Etch you’re going to have bountiful supplies of coffee, tea and pastries throughout the day. Then, when the conference talks are done, we’ll head across the road to the Hare And Hounds for one of Luke Murphy’s famous geek pub quizes, with a bar tab generously provided by Zero Height.

Now, the venue for Patterns Day is beautiful but it doesn’t have enough space to provide everyone with lunch, so you’re going to have an hour and a half to explore some of Brighton’s trendy lunchtime spots. I’ve put together a list of lunch options for you, ordered by proximity to the Duke of York’s. These are all places I can personally vouch for.

Then, after the conference day, and after the pub quiz, there’s Vitaly’s workshop the next day. I will most definitely be there feeding on Vitaly’s knowledge. Get a ticket if you want to join me.

But wait! That’s not all! Even after the conference, and the pub quiz, and the workshop, the nerdy fun continues on the weekend. There’s going to be an Indie Web Camp here in Brighton on the Saturday and Sunday after Patterns Day.

If you’ve been to an Indie Web Camp before, you know how inspiring and fun it is. If you haven’t been to one yet, you should definitely come along. It’s free! If you’ve got your own website, or if you’re even just thinking about having your own website, it’s a great opportunity to meet with like-minded people.

So that’s going to be four days of non-stop good stuff here in Brighton. I’m looking forward to seeing you then!

Socialising in England usually follows a set pattern. You work during the week. You go out on the weekend.

This week I’ve been doing the exact opposite. I’ve been out every weeknight and I plan to stay in all weekend.

Monday

On Monday Jessica and I took a trip up to London. Dinner in Chinatown followed by a film in the Curzon cinema in Soho.

Usually dinner and a movie would be a fun outing, but this was a more sombre affair. The film we saw was The Zone Of Interest followed by an interview with the director, Jonathan Glazer.

The film is officially released in February. This was an advance screening organised by The Wiener Holocaust Library. Jessica is a member, which is how we got our invitations.

I was unsure whether the framing device of The Zone Of Interest would work. The hidden camera set-up could’ve come across as gimicky. But it worked all too well. The experience was disturbingly immersive, thanks in no small part to the naturalistic performances. Not showing the other side of the wall was the right decision—hearing the other side of the wall was incredibly effective. The depth of research that went into this project was palpable. It not only succeeded in its core task of showing the banality of evil, it also worked on a meta level, displaying the banality of the remembrance of evil.

See this film. And see it projected if you can.

Tuesday

With the heaviness of Monday evening still rightly staying with me, I was glad to have an opportunity to lose myself in music for a while. There was an impromptu Irish music session at the lovely Hand In Hand brewpub in Kemptown. It’s usually more of a jazz venue, but my friend Robb who works there convinced them to try a more folky evening.

The session was nice and intimate—just five of us playing. The pub was busy and everyone seemed to really appreciate the music. Me, I just really got into playing jigs and reels with my talented friends.

Wednesday

Whereas the session in the Hand in Hand was an impromptu affair, the session in the Jolly Brewer is regular as clockwork. Every Wednesday evening at 8 o’clock, rain, hail, or shine.

It was particularly good this week. Sometimes you just lock into a groove and everything clicks.

Thursday

Enough with the culture—time for some good hard science!

I hadn’t been to a Brighton Astro meetup in ages. Their monthly lectures are usually on the first Thursday of the month, which clashes with the session in the Ancient Mariner in Hove. But this month’s gathering was an exception, which meant I could finally make it.

Professor Malcolm Longair from the University of Cambridge was ostensibly speaking about the James Webb Space Telescope, but the talk ended up being larger in scope. The over-riding message was that we get the full picture of the universe by looking at all the frequencies of the electromagnetic spectrum—not just visible light, but not just infrared either.

It was so great to see how Brighton Astro has grown. It started life years ago as a meetup in the Clearleft building. Now it gets over a hundred people attending every month.

Friday

The weekend starts now. Apart from Salter Cane band practice tomorrow morning, I plan to stay in and stay cosy.

Brighton has a thriving Irish music scene. Some sessions are weekly—every Sunday afternoon in The Bugle and every Wednesday evening in The Jolly Brewer. Some are every two weeks, like the session in The Fiddler’s Elbow. Others are monthly, like the session in The Dover Castle and the session in The Lord Nelson.

So it sometimes happens that if the calendar aligns just right, there are many sessions in one week. This was one of those weeks. I managed a streak of five sessions in a row.

The first was the regular Sunday afternoon session in The Bugle.

Then on Monday, it was The Fiddler’s Elbow.

The night after that there was a one-off session in the Hand in Hand, which will hopefully become a regular monthly occurrence.

On Wednesday it was the regular session at The Jolly Brewer.

Finally on Thursday it was the monthly session at The Lord Nelson.

I’m very lucky to have so many opportunities to play the music I love with my fellow musicians. I don’t take it for granted.

The line-up for Patterns Day is complete! You’ll be hearing from eight fantastic speakers on March 7th 2024 here in Brighton.

I really like the mix of speakers we’ve got…

Half of the speakers will be sharing what they’ve learned from design systems in their organisations: Débora from LEGO, Mary from the Financial Times, Yolijn from the Dutch government, and Samantha from University College London. That’s a good spread of deep dives.

The other half of the speakers can go broad across design systems in general: Vitaly on design patterns, Rich on typography, Geri on accessibility, and Jina on …well, absolutely everything to do with design systems!

I’m so happy that I could get the line-up to have this mix. If you have any interest in design systems at all—whether it’s as a designer, a developer, a product manager, or anything else—you won’t want to miss this. Early bird tickets are £225.

But wait! That’s not all. If you really want to dive deep into interface design patterns, then stick around. The day after Patterns Day, Vitaly is running a one-day workshop:

In this in-person workshop with Vitaly Friedman, UX consultant and creative lead behind Smashing Magazine, we’ll dive deep into dissecting how to solve complex design problems. Whether you’re working on a complex nested multi-level navigation or creating enterprise grade tables, this workshop will give you the tools you need to excel at your work.

Places are limited. There isn’t room for everyone who’s going to be at Patterns Day, so if you—and your team—want to learn design pattern kung-fu from the master, get your workshop ticket now! Workshop tickets are £445.

It’s like a little mini conference season here in Brighton. Tomorrow is ffconf, which I’m really looking forward to. Last week was UX Brighton, which was thoroughly enjoyable.

Maybe it’s because the theme this year was all around creativity, but all of the UX Brighton speakers gave entertaining presentations. The topics of innovation and creativity were tackled from all kinds of different angles. I was having flashbacks to the Clearleft podcast episode on innovation—have a listen if you haven’t already.

As the day went on though, something was tickling at the back of my brain. Yes, it’s great to hear about ways to be more creative and unlock more innovation. But maybe there was something being left unsaid: finding novel ways of solving problems and meeting user needs should absolutely be done …once you’ve got your basics sorted out.

If your current offering is slow, hard to use, or inaccessible, that’s the place to prioritise time and investment. It doesn’t have to be at the expense of new initiatives: this can happen in parallel. But there’s no point spending all your efforts coming up with the most innovate lipstick for a pig.

On that note, I see that more and more companies are issuing breathless announcements about their new “innovative” “AI” offerings. All the veneer of creativity without any of the substance.

Mark your calendar: Thursday, March 7th, 2024. That’s when Patterns Day will return for its third edition.

Patterns Day is a one-day event focused on design systems. It’s for designers, developers, project managers, writers, and anyone else who’s working with design systems, pattern libraries, style guides, and components. Tickets are on sale now!

Once again, Patterns Day will be in the magnificent Duke of York’s cinema in Brighton, with its historic charm and dangerously comfortable seats.

The first Patterns Day was all the way back in 2017. Then we had the second Patterns Day in 2019. You can watch videos of the talks from both years.

We all know what happened after 2019. Nothing like a global pandemic to stop an event in its tracks.

Now, finally, Patterns Day is returning in 2024.

After all this time, is there still a need for an event focused on design systems?

In my opinion, the answer is “more than ever!”

When Clearleft first ran Patterns Day, we had been doing design systems work for a while, but other organisations were only at the start of their journey. Many of the attendees were from companies that were dabbling in design systems, or planned to put a design system together.

That situation has changed. Now most organisations either have at least some experience with design systems. Many companies have got design systems up and running.

But the challenges haven’t gone away. They’ve just changed. You might no longer need to convince anyone that a design system is a good idea, but you might well be struggling to convince people to use the design system you’ve got.

It can be lonely work. That’s why Patterns Day is so vital. It’s a chance to get together with other people going through the same struggles. You’ll have an opportunity to learn from their successes and failures. Most of all, you’ll have the reassurance that you are not alone.

I know that makes it sound more like therapy than a conference, but honestly, that’s where the true value lies.

We’ve already got some fantastic speakers lined up, but there are just as many still to come!

Can you tell that I’m very excited about this?

It would be lovely to see there. Tickets will cost £255, but you can secure your place now at the super early bird price of just £195. Dither ye not!

Can’t wait to see you in Brighton on March 7th—it’s going to be a day to remember!

When I was hosting the DIBI conference in Edinburgh back in May, I moderated an impromptu panel on AI:

On the whole, it stayed quite grounded and mercifully free of hyperbole. Both speakers were treating the current crop of technologies as tools. Everyone agreed we were on the hype cycle, probably the peak of inflated expectations, looking forward to reaching the plateau of productivity.

Something else that happened at that event was that I met Deborah Dawton from the Design Business Association. She must’ve liked the cut of my jib because she invited me to come and speak at their get-together in Brighton on the topic of “AI, Web3 and design.”

The representative from the DBA who contacted me knew what they were letting themselves in for. They wrote:

I’ve read a few of your posts on the subject and it would be great if you could join us to share your perspectives.

How could I say no?

I’ve published a transcript of the short talk I gave.

I spent Friday morning in band practice with Salter Cane. It was productive. We’ve got some new songs that are coming together nicely. We’re still short a drummer though, so if you know anyone in Brighton who might be interested, let me know.

As we were packing up, we could here the band next door. They were really good. Just the kind of alt-country rock that would go nicely with Salter Cane.

On the way out, Jessica asked at the front desk who that band was. They’re called The Roebucks.

When I got home I Ducked, Ducked and Went to find out more information. There’s a Bandcamp page with one song. Good stuff. I also found their Facebook page. That’s where I saw this little tidbit:

Hello, we are supporting @seapowerband at @chalk_venue on the 30th of October. Hope you can make it!

Wait, that’s this very weekend! And I love Sea Power (formerly British Sea Power—they changed their name, which was a move that only annoyed the very people who’s worldviews prompted the name change in the first place). How did I not know about this gig? And how are there tickets still available?

And that’s how I came to spend my Sunday evening rocking out to two great bands.

dConstruct 2022 was great fun. It was also the last ever dConstruct.

If you were there, and you’d like to re-live the magic, the audio from the talks is now available on the dConstruct Archive. Here they are:

• George Oates
• Lauren Beukes
• Daniel Burka
• Sarah Angliss
• Matt Webb
• Seb Lee-Delisle
• Anil Seth

Thanks to some service worker magic, you can select any of those talks for offline listening later.

The audio is also available on Huffduffer on the dConstruct Huffduffer account. Here’s the RSS feed that you can pop into your podcast software of choice.

If you’re more of a visual person, you can watch videos of the slides synced with the audio. They’ve all got captions too (good ones, not just automatically generated).

So have a listen in whichever way you prefer.

Now that I’ve added the audio from the last dConstruct to the dConstruct archive, it feels like the closing scene of Raiders Of The Lost Ark. Roll credits.

dConstruct 2022 happened last Friday, September 9th.

And what an event it was! All eight talks were superb. To have eight speakers and not a single dud is pretty great. To have eight speakers and each one be absolutely brilliant is more than I could’ve hoped for.

Hidde has written a summary of the talks. I loved each and every one. I got to sit there in the front row of the beautiful Duke of York’s cinema and watch these supersmart people blow my mind.

With six of the eight speakers having spoken at previous dConstructs, there was a lot of nostalgia in the air on Friday.

It was the last dConstruct.

A lot of people seemed surprised by this even though I kept saying it was a one-off event. Really, the last dConstruct happened in 2015. This year’s event was a one-time-only anniversary event.

Obviously because the day was so great, people expressed sadness and disappointment that there wouldn’t be another. But like I said, if a band like The Velvet Underground reforms to do one last gig, that’s pretty cool; but if a band like The Velvet Underground reforms to go on endless tours, that’s kind of sad. It’s time to move on. Have one last blow-out and go out in style.

And who knows? Maybe there’ll be some other kind of dConstructy gathering in a different format. Perhaps an evening salon event is more suited to this kind of interdisciplinary mish-mash. But as a one-day conference, dConstruct is now officially over.

To be honest, there was never any doubt that dConstruct 2022 would be an excellent day of talks. I knew that each of the speakers would deliver the goods. I played it somewhat safe with the line-up. Because this was a kind of “best of” event, I could draw upon speakers from previous years who were guaranteed to be mesmerising.

In a weird way, that also highlights the biggest problem with this year’s dConstruct. Even though every individual talk was terrific, when you pull back and look at the line-up in aggregate, you can’t help but notice its lack of diversity.

That’s on me.

I could show you the list of people I tried to get. I could talk you through the spots that fell through. But all I’d be doing is giving you excuses. I could show that my intentions were good, but intentions don’t matter as much as actions. The proof of the pudding is in the eating, and what we ate last Friday was wonderful but also sadly representative of dConstruct’s homogenous history. For that reason alone, it’s time to draw a line under dConstruct.

It was a bittersweet send-off. On the one hand, I got to enjoy a day of brilliant talks. On the other hand, I’m pretty disappointed in myself that the line-up wasn’t more diverse. I can make all the claims I want about valuing diversity, but they’re hollow without meaningful results.

So that’s enough looking to the past. I’m bidding farewell to dConstruct and setting my sights on the future, a future that features more and different voices.

If you came along to dConstruct 2022, thank you! If you enjoyed attending dConstruct just half as much as I enjoyed hosting it …well, then I enjoyed it twice as much as you.