I miss A Book Apart, and I really miss An Event Apart—I made so many friends and memories through that conference. I admire Jeffrey’s honest account of how much it sucks when something so good comes to an end.
In 2024, A Book Apart closed its doors after publishing a much-loved collection of more than 50 brief books for people who make websites. The rights to each book have reverted to the authors — hi, that’s us — and we’ve put together this semi-official directory to help you find our books in their new homes.
…now including Going Offline.
The slides from Hidde’s presentation at Beyond Tellerrand.
This project, based on OpenStreetMap, looks great:
OpenFreeMap lets you display custom maps on your website and apps for free.
You can either self-host or use our public instance.
I’m going to try it out on The Session once there’s documentation for using this with Leaflet.
I hope to make something that could only exist because I made it. Something that is the one thing that it is. Not an average sentence. Not a visual approximation of other people’s work. Not a stolen concept that boils lakes and uses more electricity than anything in my household.
Using ChatGPT to complete assignments is like bringing a forklift into the weight room; you will never improve your cognitive fitness that way.
Another great piece by Ted Chiang!
The companies promoting generative-A.I. programs claim that they will unleash creativity. In essence, they are saying that art can be all inspiration and no perspiration—but these things cannot be easily separated. I’m not saying that art has to involve tedium. What I’m saying is that art requires making choices at every scale; the countless small-scale choices made during implementation are just as important to the final product as the few large-scale choices made during the conception.
This bit reminded me of Simon’s rule:
Let me offer another generalization: any writing that deserves your attention as a reader is the result of effort expended by the person who wrote it. Effort during the writing process doesn’t guarantee the end product is worth reading, but worthwhile work cannot be made without it. The type of attention you pay when reading a personal e-mail is different from the type you pay when reading a business report, but in both cases it is only warranted when the writer put some thought into it.
Simon also makes an appearance here:
The programmer Simon Willison has described the training for large language models as “money laundering for copyrighted data,” which I find a useful way to think about the appeal of generative-A.I. programs: they let you engage in something like plagiarism, but there’s no guilt associated with it because it’s not clear even to you that you’re copying.
I could quote the whole thing, but I’ll stop with this one:
The task that generative A.I. has been most successful at is lowering our expectations, both of the things we read and of ourselves when we write anything for others to read. It is a fundamentally dehumanizing technology because it treats us as less than what we are: creators and apprehenders of meaning. It reduces the amount of intention in the world.
Benjamín Labatut draws a line from the Vedas to George Boole and Claude Shannon onward to Geoffrey Hinton and Frank Herbert’s Butlerian Jihad.
In the coming years, as people armed with AI continue making the world faster, stranger, and more chaotic, we should do all we can to prevent these systems from giving more and more power to the few who can build them.
David is on board. Who else?
This is kind of about art direction and kind of about design systems.
There is beauty in trying to express something specific; there is beauty too in finding compromises to create something epic and collective.
My only concern is whether we are considering the question at all.
Now we have this collision of those who, with the specific intent of creative expression, make things that are wholly the product of their unique experience and skills and offer them in the marketplace. Then there are those who use machines to produce derivatives of other’s creative work to offer as products in the marketplace. Both are seeking an audience and financial benefit for their offering.
Those who wholly manufacture creative works are asking the same value be put on their imitation of creative expression as the value inherent with sentient creation. They are saying they deserve the same recognition—be that in respect, attention, acknowledgement or compensation—that works created by a person might receive. But they haven’t earned it.
Using generative AI is to ask What If but then hand off not only the responsibility and effort of answering the question but also accountability for the answer. When the machine creates something pleasing or marketable, it’s “look at what I did”. When the machine creates something terrible or wrong, it’s “not my fault, the machine did it”. The claim of ownership is conditional and only maintained if the output can generate value.
There’s so much to love here, like this:
My art is the story of how I have spent the time in my life.
And this:
The value of an idea comes from the execution of the idea.
This thing that we’ve been doing collectively with our relentless blog posts and pokes and tweets and uploads and news story shares, all 30-odd years of fuck-all pointless human chatterboo, it’s their tuning fork. Like when a guitarist plays a chord on a guitar and compares the sound to a tuner, adjusts the pegs, plays the chord again; that’s what has happened here, that’s what all my words are, what all our words are, a thing to mimic, a mockingbird’s feast.
Every time you ask AI to create words, to generate an answer, it analyzes the words you input and compare those words to the trillions of relations and concepts it has already categorized and then respond with words that match the most likely response. The chatbot is not thinking, but that doesn’t matter: in the moment, it feels like it’s responding to you. It feels like you’re not alone. But you are.
There’s a big difference between the interface to a thing being one line of code, and the cost of a thing being one line of code.
A more acute rendering of this sales pitch is probaly: “It’s just one line of code to add many more lines of code.”
And as Chris puts it:
Every dependency is a potential vulnerability
Kelly has made a beautiful book:
Experience the lives of the first Japanese Americans in the Pacific Northwest through the cartoons and illustrations by Sam Goto
Maciej rips NASA’s Artemis programme a new one:
Advocates for Artemis insist that the program is more than Apollo 2.0. But as we’ll see, Artemis can’t even measure up to Apollo 1.0. It costs more, does less, flies less frequently, and exposes crews to risks that the steely-eyed missile men of the Apollo era found unacceptable. It’s as if Ford in 2024 released a new model car that was slower, more accident-prone, and ten times more expensive than the Model T.
When a next-generation lunar program can’t meet the cost, performance, or safety standards set three generations earlier, something has gone seriously awry.
Erika’s chickens (featuring a bonus Kristina, who is not a chicken).
Even the smallest of business websites now seems to have cookie popups simultaneously telling us they ‘value your privacy’ while harvesting data about who we are, where we are, what we’re looking for and what we were doing online before we landed there.
Tracking scripts have become so pervasive that they have effectively become an industry standard, and most businesses deploy them not only without question, but without consideration of what it means for customer privacy.
I think it’s always worth revisiting accomplishments like this—it’s absolutely astounding that we don’t even think about polio (or smallpox!) in our day-to-day lives, when just two generations ago it was something that directly affected everybody.
The annual number of people paralyzed by polio was reduced by over 99% in the last four decades.
Continuous partial ick …or perhaps continuous partial cringe.
Anyways, maybe we’ll eventually get to the point where AI has that human “spark”, who knows. Maybe it’ll happen next month and I’ll eat my words. Until then, as most of the content we experience online becomes more grey and sludgy, the personal will become far more valuable.
There’s no AI substitute for a human-produced drawing of someone on the subway, even if a similar-or-even-better result could be produced in seconds by AI. The artifact is often less important than the process — the human process — that made it. That’s why I suspect videos of creative processes are so attractive; we are captivated by seeing humans doing human things.
I missed this article when it was first published, but I have to say this is some truly web-native art direction: bravo!