A Haunting in Venice

In 1947, Hercule Poirot has retired to Venice, having lost his faith in God and humanity, with ex-police officer Vitale Portfoglio as his bodyguard. Mystery writer Ariadne Oliver persuades Poirot to attend a Halloween party and séance at the palazzo of famed opera singer Rowena Drake, wishing to expose Joyce Reynolds—a World War I army nurse turned medium—as a fraud. The palazzo, a former orphanage, is believed to be haunted by the spirits of orphaned children who were locked up and abandoned to die there during a city-wide plague; rumors claim that the spirits torment any nurses and doctors who dare enter.

Rowena has hired Joyce to commune with her daughter Alicia, who committed suicide after Alicia's fiancé, chef Maxime Gerard, ended their engagement. Among the guests are Rowena's housekeeper Olga Seminoff, Drake family doctor Leslie Ferrier and his son Leopold, and Joyce's Romani assistant Desdemona Holland; they are joined by Maxime right before the séance, and during it Poirot reveals Desdemona's half-brother Nicholas—and Joyce's second assistant—hiding in the chimney. Joyce suddenly speaks in Alicia's voice, saying that one of the guests murdered her. Poirot confronts Joyce, who insists he lighten up, gives him her mask and robe, and cryptically says they will not meet again. Seconds later, an unknown assailant nearly drowns Poirot when he is apple bobbing, while Joyce falls from an upper story and is impaled on a courtyard statue.

With a storm cutting off the palazzo, Poirot interviews the guests, during which he witnesses manifestations of Alicia's ghost and hears a young girl humming a tune. The investigation yields perplexing results:

• Leslie, severely traumatized by his experiences at the Bergen-Belsen concentration camp, is in love with Rowena.
• Maxime, who was not initially invited, ended his and Alicia's engagement because Rowena disapproved of him, and Alicia was obsessed with keeping her mother happy.
• Nicholas and Desdemona have been stealing from Joyce, intending to travel to St. Louis, Missouri, which they became enamoured with after partly seeing Meet Me in St. Louis at a displaced persons camp.
• Leopold claims to hear the same voice(s) Poirot has been hearing, a claim later also made by Leslie.

When the guests discover an underground chamber containing children's skeletal remains and bees, Leslie suffers a panic attack and nearly kills Maxime. He is locked inside the music room to recover, Rowena giving Poirot the only key. After examining Maxime's invitation, Poirot deduces Ariadne sent it and is conspiring with Vitale: Vitale, who investigated Alicia's death and resigned from the police as a result of the case, gave Joyce private details, while Ariadne had hoped to use Poirot's inability to explain the supernatural as a plot for her next book. Leslie is then found dead with a knife in his back.

Gathering the remaining guests, Poirot reveals Rowena caused the deaths of Alicia, Joyce and Leslie, hoping to pass them off as part of the children's curse. Obsessed with keeping Alicia for herself, Rowena poisoned her with small doses of the honey of Rhododendron ponticum (see Mad honey), weakening and then caring for a hallucinating Alicia (the same honey seemingly caused Poirot's visions) to isolate her from Maxime when they planned to reconcile; the night of Alicia's suicide, Olga unknowingly gave Alicia tea containing a fatal dose and Rowena, fearful of exposure, staged everything. When blackmail threats arrived, Rowena suspected either Joyce or Leslie. She attempted to drown Poirot, realized that she had mistaken him for Joyce, and then pushed Joyce to her death. Later, over the palazzo's internal phone line, she forced Leslie to stab himself by threatening to kill Leopold. When Poirot confronts Rowena on the roof, Alicia's ghost seems to appear to them both, pulling Rowena down off the building and into the canal where she drowns.

As dawn breaks, Poirot parts ways with Ariadne and Vitale, but chooses not to report the latter's fraud. Later, Poirot privately confronts young Leopold, the true blackmailer who needed to support himself and his father: Leopold had identified the poisoning signs that his physician father missed and realized Rowena's first starring role was in Mitridate, re di Ponto, an opera whose lead character, Mithridates VI Eupator, is the "king of poisons". Poirot suggests Leopold and Olga clear their consciences by financially helping the Hollands begin anew in St. Louis. His faith mostly restored, Poirot returns home to accept new cases.

• Kyle Allen as Maxime Gerard, Alicia Drake's ex-fiancé
• Kenneth Branagh as Hercule Poirot, a retired world-renowned Belgian detective
• Camille Cottin as Olga Seminoff, Rowena's housekeeper
• Jamie Dornan as Dr. Leslie Ferrier, a doctor suffering from psychological trauma
• Tina Fey as Ariadne Oliver, Poirot's friend and a crime novelist
• Jude Hill as Leopold Ferrier, Dr. Ferrier's precocious son
• Ali Khan as Nicholas Holland, Reynolds' assistant and Desdemona's half-brother
• Emma Laird as Desdemona Holland, Reynolds' assistant and Nicholas' half-sister
• Kelly Reilly as Rowena Drake, a retired opera singer and Alicia's mother
• Riccardo Scamarcio as Vitale Portfoglio, Poirot's bodyguard and a former police officer
• Michelle Yeoh as Joyce Reynolds, a supposed psychic medium

Additionally, Rowan Robinson stars as Alicia Drake, Rowena's deceased daughter, while Amir El-Masry portrays Alessandro Longo, a young man seeking Poirot's help, and Vanessa Ifediora plays Sister Maria Felicitas, a nun.

The president of 20th Century Studios, Steve Asbell, revealed in March 2022 that a script for a third Hercule Poirot film had been written by Michael Green, with Kenneth Branagh set to return as director and star.^[6][7] The film was loosely based on Hallowe'en Party, a lesser-known Poirot novel, for the plot.^[7][8] The film was confirmed in October 2022, with Jamie Dornan, Tina Fey, Jude Hill, Kelly Reilly and Michelle Yeoh among the cast.^[9] Branagh described the film as a "supernatural thriller" rather than a full-fledged horror film.^[10]

Filming began on October 31, 2022,^[9] with production occurring between Pinewood Studios, on D Stage and Q Stage, and Venice.^[11][12]

For the haunted palazzo, a film set was built in Pinewood Studios, of the immediate surroundings of the palazzo, as well as all the interiors. For inspiration a number of real palaces were used, like the Doge's Palace, the Ca' Sagredo Hotel and the Palazzo Pisani Gritti, also a hotel.^[13][14] The piano nobile (or bel étage) of the building has a fresco inspired by "The Wedding of Psyche", a painting by the Pre-Raphaelite artist Edward Burne-Jones.^[15] The set of the exterior of the palace was based on the Venetian square Campo San Boldo. Some nighttime scenes were actually shot at that location.^[16]

Another set of the palazzo was built in the English town of Reading. This was a one third scale model, to be used for scenes of water splashing against the palace.^[17]

The home of Poirot consisted of several locations. The roof terrace, which can be seen at the beginning and the end of the film, is part of the Venice Conservatory. The garden belongs to the Palazzo Malipiero.^[13] The Palazzo Malipiero is in the Campo San Samuele. Apart from the garden of the palace other exteriors can be seen in the film, for instance in the scene where Poirot tries to escape the crowd of potential clients waiting at his front door.^[12]

San Giorgio Maggiore Island was used for a market scene.^[13] The Campiello dei Miracoli and Campo Santa Maria Nova were used for the scene where Ariadne Oliver tries to entice Poirot to participate in a séance.^[18][19] The Piazza San Marco can be seen early in the film, just like the top bell and the figures of St Mark's Clocktower, also on the square.^[12]

The Grand Canal was used in the film as well as some of the smaller canals, like Rio dei Mendicanti and Rio del Pestrin. Poirot crosses the iron bridge, Ponte dei Conzafelzi, on this latter canal.^[19]

Hildur Guðnadóttir composed the score for the film in April 2023, marking the first in the series not to be composed by Branagh's frequent collaborator Patrick Doyle.^[20] The film's soundtrack album was released by Hollywood Records on September 15, 2023.^[21]

A Haunting in Venice was released in the United States on September 15, 2023, by 20th Century Studios.^[22] The film had its red carpet premiere at the Odeon Luxe Leicester Square at the West End London on September 11 with none of the cast members in attendance due to the 2023 SAG-AFTRA strike.^[23]

The film was released on digital platforms on October 31, followed by a Blu-ray and DVD release on November 28.^[24]

A Haunting in Venice grossed $42.5 million in the United States and Canada, and $79.8 million in other territories, for a worldwide total of $122.3 million.^[4][3]

In the United States and Canada, A Haunting in Venice was projected to gross around $12 million from 3,305 theaters in its opening weekend.^[2] The film made $5.5 million on its first day, including $1.2 million from Thursday night previews (up from Nile's $1.1 million). It went on to debut to $14.3 million, an improvement from Nile's $12.9 million opening, and finished second behind holdover The Nun II.^[25] The film made $6.3 million in its second weekend, finishing in third.^[26]

In the United Kingdom, it became the second highest-grossing horror film of 2023, grossing approximately $12.5 million.^[27]

On the review aggregator website Rotten Tomatoes, 75% of 293 critics' reviews are positive, with an average rating of 6.5/10. The website's consensus reads: "A darker and spookier spin on Branagh's Poirot, A Haunting in Venice is a decent Halloween snack whose undemanding mystery gets a lift from nifty visuals and an all-star cast."^[28] Metacritic, which uses a weighted average, assigned the film a score of 63 out of 100, based on 52 critics, indicating "generally favorable" reviews.^[29] Audiences surveyed by CinemaScore gave the film an average grade of "B" on an A+ to F scale, same as the first two installments, while those polled at PostTrak gave it a 73% overall positive score, with 48% saying they would definitely recommend the film.^[25]

Jason Zinoman, writing for The New York Times, called the film a "whodunit with a splash of horror" and wrote: "In straddling genres, Haunting can get stuck in the middle. But there's fun to be had there. What's consistent is the elegant visuals – striking cinematography by Haris Zambarloukos – which mark this movie's real genre as lavish old-fashioned Hollywood entertainment."^[30] Justin Chang of the Los Angeles Times said: "What lingers from this movie isn't the usual assemblage of clues and red herrings [..] but a free-floating air of grief, much of it rooted in the characters' turbulent memories of the war just a few years earlier".^[31] Similar sentiment was echoed by Ann Hornaday of The Washington Post who described the film as "moody", they both praised the cast's performances.^[32][31] Saibal Chatterjee wrote for NDTV: "A Haunting In Venice, a couple of jump scares notwithstanding, may not chill you to the bones but as a story focused on the emotional and psychological fallout of a devastating war, it works brilliantly".^[33]

Matt Zoller Seitz acclaimed the screenplay, direction and production values and said: "Movies are rarely directed in this style anymore".^[34] He added that it was an "empathetic portrayal of the death-haunted mentality of people from Branagh's parents' generation". Seitz and critic Michael Phillips (the Chicago Tribune) named it best of Branagh's Hercule Poirot films.^[35] The latter found the cast's acting "pretty crafty". About the performances, Mark Kermode said: " [...] everyone is given a 110 percent but not in a completely scenery chewing fashion, in a way that mixes old-fashioned and newfangled".^[36]

Some critics pointed out that the film struggled in its character development. Kristen Lopez, writing for TheWrap, felt that almost all the characters were underdeveloped due to the attention given to the production values, but praised the performances, singling out Reilly, Dornan and Yeoh.^[37] The Guardian's chief film critic Peter Bradshaw also thought the film wasted its cast, awarding it two out of five stars.^[38]

In a negative review, critic Caryn James found the film "uninvolving" and said: "The new film is much pokier in its pacing, with duller characters".^[39] She commended Branagh, Fey and Cottin's performances, while stating that so many actors in the cast were "sleepwalking". In an equally negative review, David Fear of Rolling Stone called the film "anemic and sluggish" and said audiences would be "bored to death."^[40]

In October 2024, executive producer James Prichard hinted at possible future installments, stating that much like A Haunting in Venice, future films could potentially break from the norm and add other elements besides the supernatural. "If Ken [Branagh] wants to do more, and Michael [Green] wants to write more, we'll certainly do another. There's a lot of material still to go, so we're not going to run out of inspiration."^[48]

That same month, 20th Century Studios boss Steve Asbell confirmed that other Agatha Christie stories will be adapted including And Then There Were None, The Witness for the Prosecution, and a Miss Marple film.^[49]

• Official website
• A Haunting in Venice at IMDb  
• ‹The template AllMovie title is being considered for deletion.› A Haunting in Venice at AllMovie
• A Haunting in Venice at Rotten Tomatoes