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Paul Tournon (b. 19 February 1881 – 22 December 1964) was a French architect. He was born in Marseille and died in Paris.[1]
Paul Tournon | |
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| Born | Paul Antoine Alphonse Alexandre Tournon 19 February 1881 |
| Died | 22 December 1964 (aged 83) 5th arrondissement of Paris, France |
| Nationality | French |
| Education | Beaux-Arts de Paris |
| Occupation | Architect |
| Spouse | Élisabeth Branly-Tournon |
| Children | Florence Tournon-Branly and Marion Tournon-Branly |
| Awards | Second Prix de Rome (1911), Member of the Académie des Beaux-Arts (1942), Commander of the Legion of Honour |
| Projects | Casablanca Cathedral, Église du Saint-Esprit in Paris, Notre-Dame-des-Missions in Épinay-sur-Seine, Banque de France throughout France |
He was an architect in chief of many French civil buildings and national palaces, and a member of the Académie des Beaux-Arts.[1]
Biography
editHe entered the Beaux-Arts de Paris in 1902 under the tutelage of Louis Henri Georges Scellier de Gisors in his studio, graduating with the second Grand Prix de Rome in 1911. He completed his architect's diploma in 1912. He founded his own firm in 1914 and took part in competitions in designing several war memorials after the war [which?]. As a young architect, he was commissioned to rebuild the town of Compiègne. He continued to take part in several exhibitions in the 1920s and 1930s.
Tournon became famous for the design and construction of many religious buildings in France and Morocco using reinforced concrete, including the Église Sainte-Thérèse-de-l'Enfant-Jésus in Élisabethville (Yvelines), the Église du Saint-Esprit in Paris, and the Cathédrale du Sacré-Cœur in Casablanca. He often collaborated with sculptor Carlo Sarrabezolles, featuring his extensive sculptural work in his buildings. He also collabored with various artists involved in the revival of religious art: glassmakers Marguerite Huré, Louis Barillet, Jacques Le Chevallier, ironworker Raymond Subes, painters Marcel Imbs and Maurice Denis.
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He took on a considerable number of public commissions during his career. He was appointed architect for the Banque de France in 1940, and architect of civil buildings and national palaces for several monuments. He began teaching at the École nationale supérieure des beaux-arts in 1925, becoming its director in 1942, as well as the director of École nationale supérieure des arts décoratifs. He was elected President of the Société Centrale des Architectes from 1945 to 1948.
In 1942, he was elected to the Académie des Beaux-Arts in Gustave Umbdenstock's place.
As an experienced architect, he had several students including Georges-Henri Pingusson and André Remondet.
Key Achievements
edit| Years | Building |
|---|---|
| 1919–1922 | War memorials, Tournon-sur-Rhône and Rambouillet |
| 1923–1926 | Bell tower of Saint-Louis church in Villemomble (now Seine-Saint-Denis) |
| 1925 | Architects' pavilion and Provence pavilion at the International Exhibition of Modern Decorative and Industrial Arts |
| 1926–1928 | Église du Saint-Esprit, Paris |
| 1928 | Sainte-Thérèse-de-l'Enfant-Jésus church, Élisabethville (Yvelines) |
| 1930 | Notre-Dame-de-l'Océan church in Rabat, Morocco |
| 1930 | Student residence on Rue Lhomond in Paris |
| 1931 | Missions pavilion at the 1931 Paris Colonial Exposition, rebuilt in Épinay-sur-Seine as the Église Notre-Dame-des-Missions |
| 1931 | Saint-Pierre-Apôtre church, Alfortville (Val-de-Marne) |
| 1931–1932 | Édouard Branly laboratory, Institut Catholique de Paris, in the 6th arrondissement of Paris |
| 1932–1959 | Sacré-Coeur Cathedral, Casablanca, Morocco |
| 1933 | Saint-Joseph-de-l'Océan church, Rabat, Morocco |
| 1934–1935 | Saint-M'Hervon parish church, Ille-et-Vilaine |
| 1935 | Bodiffé sanatorium in Plemet (now Côtes-d'Armor) |
| 1937 | Pontifical pavilion at the 1937 Exposition Internationale des arts et techniques de la vie moderne in Paris |
| 1939 | Notre-Dame des Cèdres church in Ifrane, Morocco |
| 1947 | Le Colisée cinema, 8th arrondissement of Paris |
| 1948 | Banque de France buildings in Caen, Niort, Boulogne-Billancourt and Saint-Nazaire |
| 1952 | Banque de France buildings in Brest, Lens and Saint-Lô |
| 1954 | Banque de France building in Lorient |
| 1955–1958 | Maison de la Radio in Strasbourg |
| 1958–1961 | Saint-Honoré church in Amiens, Somme |
| 1958–1965 | Extension of Fleury Abbey in Saint-Benoît-sur-Loire |
| 1958–1968 | Cité Internationale des Arts, 4th arrondissement of Paris, with architects Olivier-Clément Cacoub and Ngo Viet Thu. |
| 1959 | Restoration and expansion of the Hôtel d'Aumont |
Personal life
edit
Tournon was the son-in-law of Édouard Branly (1889–1972), a painter, the husband of Élisabeth Branly-Tournon, painter. He and Élisabeth had two daughters: Florence Tournon-Branly (1923–1981), a stained glass designer, and Marion Tournon-Branly (1924–2016), architect and professor at the École Nationale Supérieure des Beaux-Arts and the Fontainebleau Schools.
Death and Legacy
editHe was interred and is buried at Père Lachaise Cemetery in Paris, France. His archives and his daughter Marion's archives are kept at the Archives Nationales under the reference 377 AP3.
References
edit- ^ a b "Paul Tournon · Divisare". Divisare. Archived from the original on 2024-04-08. Retrieved 2024-04-08.
Bibliography
edit- Giorgio Pigafetta et Antonella Mastrorilli, Paul Tournon architecte: Le moderniste sage, Sprimont, Mardaga, 2004, 197 p. ISBN 2-87009-842-1, lire en ligne [archive])
- Gérard Monnier (dir), L'architecture moderne en France, t. 1 1889-1940, Picard, 1997, p. 192 et 255-256
- Archives nationales, Le Don de l'architecture. Paul Tournon, Marion Tournon-Branly, Fontainebleau, 2013 (livret d'exposition)
