The Once and Future King is a collection of fantasy novels by T. H. White about the legend of King Arthur. It is loosely based upon the 1485 work Le Morte d'Arthur by Sir Thomas Malory. It was first published in 1958 as a collection of shorter novels that were published from 1938 to 1940, with some new or amended material. The title refers to a legend that Arthur will one day return as king.[2]
 First edition cover | |
| Author | T. H. White |
|---|---|
| Language | English |
| Genre | Fantasy |
| Set in | England, c. 1200–1485[1] |
| Publisher | Collins |
Publication date | 1958 |
| Publication place | United Kingdom |
| Media type | Print (hardback and paperback) |
| OCLC | 35661057 |
| 823/.912 21 | |
| LC Class | PR6045.H2 O5 1996 |
Plot
editMost of the book takes place in Gramarye, the name that White gives to Britain, and chronicles the youth and education of King Arthur, his rule as a king, and the romance between Sir Lancelot and Queen Guinevere. The story starts in the final years of the rule of King Uther Pendragon.
The first part, "The Sword in the Stone" (first published 1938), chronicles Arthur's upbringing by his foster father Sir Ector, his rivalry and friendship with his foster brother Kay, and his initial training by Merlyn, a wizard who lives through time backwards. Merlyn, knowing the boy's destiny, teaches Arthur (known as "Wart") what it means to be a good king by turning him into various kinds of animals: fish, hawk, ant, goose, and badger. Each of the transformations is meant to teach Wart a lesson, which will prepare him for his future life. Merlyn instills in Arthur the concept that the only justifiable reason for war is to prevent another from going to war and that contemporary human governments and powerful people exemplify the worst aspects of the rule of Might.
White sets the stage for Arthur's demise by introducing the Orkney clan and detailing Arthur's seduction by their mother, his half-sister Queen Morgause. While the young king suppresses initial rebellions, Merlyn leads him to envision a means of harnessing potentially destructive Might for the cause of Right: the chivalric order of the Round Table.
The focus shifts from King Arthur to the story of Sir Lancelot and Queen Guinevere's forbidden love, the means they adopt to hide their affair from the King (although he already knows of it from Merlyn), and its effect on Elaine, Lancelot's sometime lover and the mother of his son Galahad.
Mordred's hatred of his father and Sir Agravaine's hatred of Lancelot cause the eventual downfall of Arthur, Guinevere, Lancelot, and the entire ideal kingdom of Camelot. The "Candle in the Wind" is an allegory to the hope of progress. Arthur sends little Tom (Sir Thomas Mallory) to be a vessel and carry on his ideas from his famous round table.
Published separately following White's death, this book chronicles Arthur's final lessons from Merlyn.
Reception
editFloyd C. Gale praised The Sword in the Stone as "blithely comic and entirely delightful", stating that it was "in utter contrast to the mounting tragedy" of the other three volumes of the series.[3] Fantasy historian Lin Carter called it "the single finest fantasy novel written in our time, or for that matter, ever written."[4] Constance Grady of Vox also praised the novel, stating: "White was writing for a post–World War II audience, but his book has a vigor and clarity that makes it an urgent and important read today."[5]
Adaptations
editAlthough Walt Disney initially purchased the film rights to The Ill-Made Knight in 1944,[6] he produced an adaptation of The Sword in the Stone, released in 1963.
Alan Jay Lerner and Frederick Loewe's 1960 musical Camelot (which was made into a movie in 1967) is based mostly on the last two books of The Once and Future King and features White's idea of having Thomas Malory make a cameo appearance at the end, again as "Tom of Warwick".
BBC Radio produced a dramatised version of "The Sword in the Stone" for Children's Hour shortly after its publication in 1938. Incidental music for the serial was specially composed by Benjamin Britten.
A two-hour version of The Sword in the Stone, dramatised by Neville Teller, was first broadcast as a Saturday Night Theatre on Boxing Day, 1981. Michael Hordern played Merlyn and Toby Robertson was the Wart. The cast included Pauline Letts, David Davis, Jeffrey Segal and Lewis Stringer. Benjamin Britten's incidental music, played by the English Sinfonia, was used in the production, which was by Graham Gauld.
BBC Radio 4 serialised the book in six one-hour episodes dramatised by Brian Sibley, beginning on Sunday 9 November 2014 with Paul Ready as Arthur and David Warner as Merlyn.[7]
References
edit- ^ "The Once and Future King, by T. H. White". www2.netdoor.com.
- ^ "What does the Once and Future King mean?".
- ^ Gale, Floyd C. (August 1959). "Galaxy's 5 Star Star Shelf". Galaxy. pp. 138–142. Retrieved 14 June 2014.
- ^ Carter, Lin (1973). Imaginary Worlds. Ballantine Books. p. 125. ISBN 0-345-03309-4.
- ^ "Why The Once and Future King is still the best King Arthur story out there". Vox. 18 May 2017. Archived from the original on 11 November 2020. Retrieved 5 February 2021.
- ^ "FUTURIAN WAR DIGEST No. 37 (Oct. 1944)". efanzines.com. Archived from the original on 14 September 2009. Retrieved 19 March 2009.
- ^ Brian Sibley (7 November 2014). "BBC Blogs – The Radio 4 Blog – The Once and Future King – New Drama". The Radio 4 Blog. Archived from the original on 26 May 2022. Retrieved 25 December 2019.
External links
edit- The Once and Future King at Faded Page (Canada)
- The Book of Merlyn title listing at the Internet Speculative Fiction Database
- "NLS/BPH: Minibibliographies, The Once and Future King" by T. H. White
- Essay: "The Importance of the Second World War to T.H. White's Once and Future King".
- 1958 review by Ken Slater