Alexandre Danilevski

This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these messages) This article includes a list of general references, but it lacks sufficient corresponding inline citations. Please help to improve this article by introducing more precise citations. (January 2010) (Learn how and when to remove this message) This biography of a living person needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately from the article and its talk page, especially if potentially libelous. Find sources: "Alexandre Danilevski" – news · newspapers · books · scholar · JSTOR (January 2010) (Learn how and when to remove this message) (Learn how and when to remove this message)

Alexandre Danilevski (Russian: Александр Данилевский; born in 1957 in Saint Petersburg) is a Russian-born French composer, lutenist, vielle player, active in Metz, France. He is the artistic director of Syntagma, an early music ensemble noted in particular for interpretations of music by the trouvères, Italian composers from Trecento, and Russian and Ukrainian baroque composers.

In 2012 Danilevski was profiled in an hour-long program on the Dutch radio station Concertzender.^[1]

• Sonata N° 2 (1987) Sonata-Reminiscenza: In Memoriam Nikolai Medtner
• Sonata "1985. In Memoriam Charles Ives"
• Le Retour
• Piano Suite in g
• Raining on Kopenhagen;
• Sonates I and II;
• Night Music;
• Concerto for two pianos

• Sonata I for violin and piano;
• "Revelation" for cello solo, ed. by HH-Musikverlag: AD001
• Three Inventions for three melodic instruments
• Ricercars (7 pieces for recorder or flute solo – in print now: Edition Tre Fontane);
• "Tombeau de Messiaen" for organ, commissioned for the festival "La Route des Orgues";
• Dolce Suono for two recorders – ed. by Tre Fontane: ETF 2038
• "Antiphones – I" (1997 – in print Tre Fontane) and II
• Senza Titolo
• Organum for string orchestra;
• String Quartets I to X

• Koanes, 2013
• Lauda 'Se mai per maraveglia'
• Oda an die Traurigkeit
• "Seven Words of Christ"
• Pietа for soprano and string quartet, recorder and organ ad libitum;

• A. Danilevski. Koanes. Fragments of Consciousness. Centaur Records, 2016 – ensemble Syntagma and ensemble SurPlus
• A. Danilevski. The Uncertainty Principle, Carpe Diem, 2012 ("Lauda", "Oda an die Traurigkeit" – Syntagma, "Antiphones" – Flanders Recorder Quartet, "Révélation" – Larissa Groeneveld, cello)
• "Journey to the Cedar Forest" from the ballet Enkidu and Gilgamesh

Early Music

• "Johannes Ciconia and his time" Melodia 1998
• "Russian Baroque Music" Pierre Vérany, 2002
• "Touz esforciez /Trouvères en Lorraine", Pierre Vérany, 2004
• "Gautier d'Epinal/Remembrance", Challenge,2008
• "Stylems" (music from Trecento) Challenge, 2008
• "Rosa e Orticha" (music from Trecento) Carpe Diem, 2011
• "Songé .i. songe" (mediabook; songs and a Dit enté by Jehan de Lescurel, early 14th century) FacSimile, 2015
• "Gesta Romanorum (mediabook; 13th – 14th centuries) FacSimile, 2018

Contemporary Music:

• A. Danilevski "The Uncertainty Principle', Carpe Diem, 2012
• A. Danilevski "Koans. Fragments of Consciousness'. Centaur, 2016

• Alexandre Danilevski, composer's webpage
• Tokafi: 15 questions to Alexandre Danilevski

"Journey to the Cedar Forest" from the ballet Enkidu and Gilgamesh on YouTube