User:BudjarnLambeth
Not to be confused with lambeth chords nor 1573/1568, the lambeth comma. Those are unrelated to me.
Personal information
- Location: New South Wales, Australia
- Born: 1999
- Pronouns: he/him/his or she/her/hers
- Contactable at: https://www.facebook.com/budjarnlambeth/
Music
My favourite tracks I have made:)
- 33edo track Feb 2024 (bright, lush, mellow and colourful synthwave)
- Recording in my "Rocket temperament" (melancholic, wistful dungeon synth; loosely inspired by Greystar)
- 60afdo track Dec 2024 (bright, spacious, slightly hypnotic dungeon synth; loosely inspired by Greystar)
- 43edo track Nov 2024 (dark dungeon synth; loosely inspired by Indonesian gamelan music)
- 29edo track Jan 2024 (somber, slow, minimalist chiptune)
YouTube discography:
https://youtube.com/playlist?list=PLVHnByvMeRTohfmDPkc0EfOByWaX4xXAF
Bandcamp discography:
https://budjarnlambeth.bandcamp.com/
Most tracks on Bandcamp have not yet been uploaded to YouTube and vice versa.
My favourite microtonal composers
Wiki contributions
Discoveries
Invented approaches to constructing tunings
These are the same category of thing as “equal temperaments”.
- Basal subgroups
- Equalizer subgroups
- Substitute harmonics
- Tritavesque intervals
- The sooty fox scales
- Equal divisions of 255/128
- Equal divisions of 257/128
- The APS#farab scales
- The APS#gene scales
- The APS#hekt scales
- The APS#jot scales
- The APS#méride scales
- The APS#tina scales
Invented approaches to classifying tunings
These are the same category of thing as “pentatonic scales”.
Invented tunings (scales)
These are the same category of thing as “the chromatic scale”.
- The anisopteran scale
- The antipental blues scale
- The apex scale
- The apple mint scale
- APS148.5¢
- APS237.8¢
- APS3.21farab
- APS7hekt
- APS715jot
- APS720jot
- APS4/5méride
- APS70tina
- The Argentina scale
- The bathypelagic scale
- The blackened skies scale
- The bubblegum scale
- The candycorn scale
- The carousel scale
- The cola scale
- The cosmic scale
- The dalmatian scale
- The Dante, Da Vinci, Dawkins, Deepak, Deja Vu, Delgado, Dolly, Dylan, Fergus & Hansel scales
- The dewdrops scale
- The direct sunlight scale
- The firedance scale
- The fossa tetratonic scale
- The fossa pentatonic scale
- The goldfish scale
- The hypersakura scale
- The lemonade scale
- The liquorice scale
- The lost spirit scale
- The magnetosphere scale
- The mechanical scale
- The monsoon scale
- The moonbeam scale
- The nightdrive scale
- The Over the Hedge scale
- The H.ammy, H.eather, O.zzie, R.J, S.tella, T.iger & V.erne scales
- The palace scale
- The pelagic scale
- The rockpool scale
- The sourgummy scale
- The spearmint scale
- The spectral blues scale
- The trailmix scale
- The UFO scale
- The volcanic scale
- The whitechocolate scale
Invented tunings (regular temperaments)
These are the same category of thing as “quarter-comma meantone temperament”.
- Attic temperament
- Basement temperament
- Blacktetra temperament
- Canine temperament
- Daggerminished temperament
- Dotcom temperament
- Doubloon temperaments
- Dreamtone temperament
- Ectophotia temperament
- Fifigeist temperament
- Floor temperament
- Fomalhaut temperament
- Fourwar temperament
- Glycome temperament
- Hypnotone temperament
- Incisor temperament
- Income temperament
- Intercom temperament
- Kaboom temperament
- Lieerie temperament
- Lightyear temperament
- Lilac temperament
- Lilly pilly temperament
- Lily temperament
- Lipsett temperament
- Lylla temperament
- Minicom temperament
- Molar temperament
- Newcome temperament
- Nimona temperament
- Outcome temperament
- Oxidizer temperament
- Pajaraxe temperament
- Phantadecimal temperament
- Phantasrutal temperament
- Poltercompton temperament
- Rocket temperament
- Romcom temperament
- Sahara temperament
- Satcom temperament
- Semiamulet temperament
- Shadecimal temperament
- Shrutarnatural temperament
- Sitcom temperament
- Sixscared temperament
- Spectrephore temperament
- Tailwind temperament
- Teefs temperament
- Telecom temperament
- Tetramagic temperament
- Vacuum temperament
- Void temperament
- Vortex temperament
- Werecatler temperament
Improvements
Significant page creations
- Authored dozens of wanted pages about composers
- Authored several extensive lists of scales
- Authored the survey of efficient temperaments by subgroup to help people navigate quickly to their favourite temperament pages
- Authored the Gallery of arithmetic pitch sequences & Gallery of combination product sets pages to help people find musical scales
- Created the Xenharmonic Wiki:Cross-platform dialogue page
- Authored the page answering the FAQ question: “What are this wiki's strengths and weaknesses? (How does it compare to other resources?)”
- Authored the page answering the FAQ question: “I'm a new editor, what is everything I can do to help?”
- Authored the page answering the FAQ question: “How do I decode those strange looking comma names?”
Bulk page improvements
- Constructed the 5-, 6-, 7-, 8-, 9-, 10-, 11- and 12-period tables on the map of rank-2 temperaments
- Heavily added to the 2-, 3- and 4-period tables on the map of rank-2 temperaments
- Added dozens of sources and inline citations to the historical temperaments page
- Added infobox, intro, intervals, modes, subheadings & todo categories to dozens of previously close-to-empty MOS scale pages
- Merged “useful tools” & “software” into one unified page
- Added intro, intervals table and harmonics table to several hundred equal-step tuning pages (which used to just be blank pages with a single infobox)
Structural wiki improvements
- Added categories & formatting tags to several hundred pages with Scala files
- Created Template:Lumatone mapping navigation with very extensive help from User:ArrowHead294
- With ArrowHead294’s extensive help, incorporated the template into over 50 pages for Category:Lumatone mappings
- Added links around the wiki to over 150 previously orphaned pages, bringing the number down from above 250 to below 70 (as of 4 Dec 2024)
• Category creations
Todo categories
- Created Category:Todo:add rank 2 temperaments table
- Created Category:Todo:add lumatone mapping
- Created Category:Todo:annotate
- Created Category:Todo:answer questions
- Created Category:Todo:move to userspace
- Created Category:Pages with unattributed statements
- Created Category:Todo:research
- Created Category:Todo:resolve temperament name conflict
Template categories
- Created Category:Interval list templates
- Created Category:Navigation templates
• List and table creations
- Constructed User:BudjarnLambeth/List of taxicab-2 intervals
- Constructed User:BudjarnLambeth/Table of n-comma meantone generators
- Constructed Table of zeta-stretched edos
• Comma documentation and organisation
- Added all missing commas from “Category:Large commas” to the table on the page “Large commas”
- Added all missing commas from “Category:Medium commas” to the table on the page “Medium commas”
- Added all missing commas from “Category:Small commas” to the table on the page “Small comma”
- Added all missing commas from “Category:Unnoticeable commas” to the table on the page “Unnoticeable commas”
- Constructed “Category:Commas by name” and its many subcategories
- Categorised all 5, 7, 11, 13, 17, 19, 23 and >23 limit large commas into ’Commas by name’ subcategories
- Categorised all 5, 7, 11, 13, 17, 19, 23 and >23 limit medium commas into ’Commas by name’ subcategories
- Categorised all 5, 7, 11, 13, 17, 19, 23 and >23 limit small commas into ’Commas by name’ subcategories
- Categorised all 5, 7, 11, 13, 17, 19, 23 and >23 limit unnoticeable commas into ’Commas by name’ subcategories
- Conducted the User:BudjarnLambeth/Survey of named and unnamed commas
Name changes I was involved in
- There was an old temperament that pre-dated my participation in the wiki. Its old, original name was “septimal temperament”. When I discovered the name, I disliked it because of its potential for confusion with other uses of the term “septimal”. I decided I wanted to change it. Many people on Discord, the Wiki Workgroup on XA Facebook, and the wiki talk page agreed. I coined the new name “austinpowers temperament” which has now replaced it.
- There was an old temperament that pre-dated my participation in the wiki. Its old, original name was “catcall temperament”. When I discovered the name, I disliked it because it was creepy. I decided I wanted to change it. Many people on Discord and on the wiki talk page agreed. I coined the new name “catnip temperament” which has now replaced it.
- There was an old comma that pre-dated my participation in the wiki. Its old, original name was “the erogluisma”. Its original namer posted on Discord that he no longer liked it, and would like someone to please rename it. I coined the new name “the shaftesburisma” which has now replaced it.
- Someone else described a new comma and named it “the shikanokonokonokokoshitantanma”. This name was kept, but it was too long for some use cases, so I invented an alternate short version - “the nokotan” - for use cases where a shorter name is needed.
- The comma “68630377364883 / 68630356164608” was too long to be referred to by its number alone, it needed a name instead. So I named it “the zudilisma”.
Full list of contributions
(To-do)
Things I plan to do on the wiki in the near future. Feel free to go ahead and do these any of these things first if you’re interested in doing so. I feel overwhelmed by the sheer amount of things I want to do and am very happy for any help I receive getting through it all :)
Structural wiki improvements
- Make “Undertone scales” page that exists in mutually supportive conversation with “IFDO” in a similar way how “Overtone scale” does with “AFDO”
- Add “Category:Temperaments” to all temperament redirects
Construct diagrams or lists
- Construct a table of how relatively well each odd harmonic up to 23 is approximated in each EDO up to 100edo
- Construct a version of an “odd limit” but for each “equalizer subgroup” and document them on the equalizer subgroup page
- Construct a tonality diamond or something like one for each “equalizer subgroup” and document them on the equalizer subgroup page
- For every temperament on the page Survey of efficient temperaments by subgroup, generate a Scala file of whichever of its MOS scales is closest to (2 x its graham complexity). List all the Scala files in a wiki page along the lines of “Scala files for efficient subgroup temperaments” or something like that and link it from the Survey page
- Make all the wanted mappings listed in Category:Todo:add lumatone mapping
- Make all the wanted tables listed in Category:Todo:add rank 2 temperaments table
Repair mistakes
- On my page 5- to 10-tone scales in 60edo, change the scales to be in the more compact format that is used on edo pages instead of a ‘Scala-like’ format
- On my page 5- to 10-tone scales in 72edo, change the scales to be in the more compact format that is used on edo pages instead of a ‘Scala-like’ format
- On my page 5- to 10-tone scales in 84edo, change the scales to be in the more compact format that is used on edo pages instead of a ‘Scala-like’ format
- On my page 5- to 10-tone scales in 91edo, change the scales to be in the more compact format that is used on edo pages instead of a ‘Scala-like’ format
- On my page 5- to 10-tone scales in 96edo, change the scales to be in the more compact format that is used on edo pages instead of a ‘Scala-like’ format
Explore, discover, document
- Create a 15 to 25 tone complexity 2.3.7.13 temperament and document it on No-fives subgroup temperaments
- Create a 15 to 25 tone complexity 2.5.11 & 2.5.11.13 temperament and document it on No-threes subgroup temperaments
- Find nice 5 to 7 tone subsets of Shaka10, Starling12, Thrush12 and document them under a “subsets” heading on those scales’ pages
- Find more unique scales in Catnip[36] in 60edo that can’t be replicated in Compton[36] and document them on 5- to 10-tone scales in 60edo
- Add subsets to all 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19 tone scales pages
- Test the following arithmetic pitch sequences and add any especially useful or interesting ones to the Gallery of arithmetic pitch sequences:
- APS1/2méride
- APS1/3méride
- APS2/3méride
- APS1/4méride
- APS3/4méride
- APS1/5méride
- APS2/5méride
- APS3/5méride
- APS1/6méride
- APS5/6méride
- APS1/7méride
- APS2/7méride
- APS3/7méride
- APS4/7méride
- APS5/7méride
- APS6/7méride
- APS1/8méride
- APS3/8méride
- APS5/8méride
- APS7/8méride
- APS1/9méride
- APS2/9méride
- APS4/9méride
- APS5/9méride
- APS7/9méride
- APS8/9méride
- APS1/10méride
- APS3/10méride
- APS7/10méride
- APS1/11méride
- APS2/11méride
- APS3/11méride
- APS4/11méride
- APS5/11méride
- APS6/11méride
- APS7/11méride
- APS8/11méride
- APS9/11méride
- APS10/11méride
- APS1/12méride
- APS5/12méride
- APS7/12méride
- APS11/12méride
- APS1/13méride
- APS2/13méride
- APS3/13méride
- APS4/13méride
- APS5/13méride
- APS6/13méride
- APS7/13méride
- APS8/13méride
- APS9/13méride
- APS10/13méride
- APS11/13méride
- APS12/13méride
- APS1/14méride
- APS3/14méride
- APS5/14méride
- APS9/14méride
- APS11/14méride
- APS13/14méride
- APS1/15méride
- APS2/15méride
- APS4/15méride
- APS7/15méride
- APS8/15méride
- APS11/15méride
- APS13/15méride
- APS14/15méride
- APS1/16méride
- APS3/16méride
- APS5/16méride
- APS7/16méride
- APS9/16méride
- APS11/16méride
- APS13/16méride
- APS15/16méride
- APS1/17méride
- APS2/17méride
- APS3/17méride
- APS4/17méride
- APS5/17méride
- APS6/17méride
- APS7/17méride
- APS8/17méride
- APS9/17méride
- APS10/17méride
- APS11/17méride
- APS12/17méride
- APS13/17méride
- APS14/17méride
- APS15/17méride
- APS16/17méride
- APS1/18méride
- APS5/18méride
- APS7/18méride
- APS11/18méride
- APS13/18méride
- APS17/18méride
- APS1/19méride
- APS2/19méride
- APS3/19méride
- APS4/19méride
- APS5/19méride
- APS6/19méride
- APS7/19méride
- APS8/19méride
- APS9/19méride
- APS10/19méride
- APS11/19méride
- APS12/19méride
- APS13/19méride
- APS14/19méride
- APS15/19méride
- APS16/19méride
- APS17/19méride
- APS18/19méride
- APS1/20méride
- APS3/20méride
- APS7/20méride
- APS9/20méride
- APS11/20méride
- APS13/20méride
- APS17/20méride
- APS19/20méride
Approximate x in y
- Approximate the following scales in modes 34 to 101 of the harmonic series and document the results in “5- to 10-tone scales from the modes of the harmonic series”:
Tobago6 101.53846 350.76923 600. 701.53846 950.76923 1200. Zeus1 157.57576 387.87879 545.45455 703.03030 1042.42424 2/1 Oceanfront5 227.82 486.09 713.91 972.18 1200. Oceanfront Ionian Pent. 455.64 486.09 713.91 1169.55 1200. Oceanfront Minor Harmonic Pent. 258.27 486.09 713.91 1169.55 1200. Oceanfront Mixolydian Pent. 455.64 486.09 713.91 972.18 1200. Oceanfront Adrift Pent. 197.37 258.27 683.46 713.91 1200.
- Approximate the following scales in modes 102 to 200 of the harmonic series and document the results in “5- to 10-tone scales from the modes of the harmonic series”:
5edo 1\5 2\5 3\5 4\5 5\5 6edo 1\6 2\6 3\6 4\6 5\6 6\6 7edo 1\7 2\7 3\7 4\7 5\7 6\7 Slendric6 233.68421 467.36842 701.05263 934.73684 966.31579 1200. Tobago6 101.53846 350.76923 600. 701.53846 950.76923 1200. Zeus1 157.57576 387.87879 545.45455 703.03030 1042.42424 1200. Oceanfront5 227.82 486.09 713.91 972.18 1200. Oceanfront Ionian Pent. 455.64 486.09 713.91 1169.55 1200. Oceanfront Minor Harmonic Pent. 258.27 486.09 713.91 1169.55 1200. Oceanfront Mixolydian Pent. 455.64 486.09 713.91 972.18 1200. Oceanfront Adrift Pent. 197.37 258.27 683.46 713.91 1200.
- Approximate the following scales in BOTH prime modes 75-100 of the harmonic series AND sqfr semiprm modes 75-100 and document the results in “5- to 10-tone scales from the modes of the harmonic series”:
Antipental Blues 7/6 4/3 11/8 3/2 7/4 2/1 Evened Minor Hexatonic 187.500 312.500 500.000 700.000 987.500 1200.000 Evened Phrygian Dominant Hexatonic 112.500 387.500 500.000 712.500 987.500 1200.000 Flattened Blues Aeolian Pentatonic 287.500 487.500 687.500 787.500 1200.000 Flattened Blues Minor Maj7 287.500 500.000 600.000 700.000 1100.000 1200.000 Roughened Blues Dorian Pentatonic 300.000 700.000 912.500 987.500 1200.000 Sharpened Blues Aeolian Pentatonic 312.500 712.500 800.000 1000.000 1200.000 Sharpened Blues Dorian Hexatonic 312.500 512.500 712.500 900.000 1012.500 1200.000 Sharpened Blues Harmonic Septatonic 312.500 512.500 612.500 712.500 812.500 1112.500 1200.000 Sharpened Dorian Harmonic 212.500 312.500 612.500 712.500 912.500 1012.500 1200.000 Sharpened Hirajoshi 200.000 312.500 700.000 812.500 1200.000 Sharpened Kokin-Joshi 200.000 312.500 700.000 900.000 1200.000 Sharpened Minor Pentatonic 312.500 500.000 700.000 1012.500 1200.000
Xenharmonify 12edo scales
Approximate 12edo subsets with these tunings, test them by noodling, and list all good-sounding ones in a big page:
- August in EDOs: ................. 21, 33, 45, 58, 69
- Augene in EDOs: ................. 15, 27, 39, 66
- Bidia in EDOs: ................. 56, 68, 80
- Diaschismic in EDOs: ................. 46, 58, 104
- Dimcomp in EDOs: ................. 44, 48, 56, 60, 68, 72
- Diminished in EDOs: ................. 20, 28, 32, 44
- Grackle in EDOs: ................. 53, 65, 77, 89
- Helenus/Photia in EDOs: ................. 41, 53, 65, 118
- Hexe in EDOs: ................. 30, 42
- Injera in EDOs: ................. 14, 26, 38, 40, 90, 102
- Misty in EDOs: ................. 39, 51, 63, 75, 87, 99
- Nickel in EDOs: ................. 16, 21, 28
- Pajara in EDOs: ................. 22, 34, 56
- Pajarous in EDOs: ................. 22, 32, 54, 76, 120
- Passion in EDOs: ................. 25, 37, 49, 61, 73, 110
- Ripple in EDOs: ................. 71, 83, 95, 107, 119
- Semimeantone in EDOs: ................. 38, 50, 62
- Srutal/Srutal archagall in EDOs: ................. 22, 34, 46, 80, 114, 126
- Wronecki in EDOs: ................. 66, 78, 90, 102, 114, 126
Hot takes
- We should take ourselves less seriously: we should have more fun, we should be more silly 🎉
- It’s fine to explore the 2.3.5.101 subgroup if you want to. It doesn’t matter that it’s less concordant than 2.3.5.7. Explore it anyway and see what happens. Do some stuff with arbitrary numbers that don’t make logical sense and just see what comes of it. That’s where the fun is! (Though do keep a “2.3” or “3.5” in there just to smooth over the gnarliest edges, heehee.)
- I would prefer to use a temperament named something fun like “waterslide” or “jinglebells” even if it has lots of error, over one named something dry and bland like “countertrihexakleismatic” even if it’s super accurate and technically better - a bland name can kill a temperament’s appeal, a fun name can create appeal out of nothing.
- A cheeky little opinion piece I wrote criticising the negative and celebrating the positive ways Western tuning theory has borrowed from the world’s traditions: User:BudjarnLambeth/Cultural appropriation-o-meter
- A futile attempt I made to try to begin resolving one of the big behind the scenes debates among wiki editors: User:BudjarnLambeth/Brainstorming mostly bad ideas to solve the comma naming debate
Ratios as planets
The ratios of the octave as celestial bodies of the solar system:
- 2/1, the sun, defining the overall structure of the entire octave.
- 3/2, Jupiter, the biggest pull aside from the sun itself. Marks out a rough middle of the solar system.
- 4/3, Saturn, a kind of echo of Jupiter. Vast and mighty in its own right, similar to Jupiter, but colder and subtler.
- 5/3, Uranus, has a strong enough pull to be one of the big guys, but markedly smaller than Jupiter and Saturn. Has a gentle appearance.
- 5/4, Neptune, the last of the giant planets, with their huge gravitational pull. Has an energetic, lively surface with the fastest winds in the solar system. Defines the boundary of the Kuiper Belt (like the boundary of major and minor tonality).
- 6/5, Earth, a small planet that punches above its weight. It manages to hold an unreasonably large moon, given the small gravitational influence it has. It even developed life and sent probes to explore the other planets. It has far more influence than it seems like it should.
- 7/4, Venus, a kind of parallel version of Earth. Its diameter and gravitational pull are almost identical to Earth, but its character is completely different. Home to a completely different temperature, chemical composition and volcanic system.
- 7/5, Mars, appears barren and frozen upon first glance, but looking closer reveals a rich and storied history, and potential wonders and microcosms hidden in its underground caves.
- 8/5, Mercury. Caught in a region of the solar system so wild that much of its mass has been stripped away by the solar wind while it was still forming. Still, it holds firm, a foothold in difficult territory.
- 7/6, the moon. Caught in Earth’s orbit, it’s difficult to view separately from the Earth’s influence. If the Earth wasn’t there, it’d be a whole planet in its own right.
- 9/5, Ceres. It doesn’t pull much weight on its own, but in the context of the wider solar system, it demarcates an important in-between point for the other planets. If you want to travel between the different planets, Ceres makes the journey much more pleasant.
- 11/8, Pluto, often dismissed outright due to having such a tiny gravitational pull. But it is a whole other type of ‘planet’, the first of a whole new family. When approached on its own terms, it opens up a larger, more diverse solar system than we ever knew existed.
Interpreting 12edo as a 2.3.5.17.19 system
• Intervals
0c
1:1
100c
20:19, 19:18, 18:17, 17:16, 16:15
200c
10:9, 19:17, 9:8, 17:15
300c
20:17, 32:27, 19:16, 6:5
400c
5:4, 34:27, 24:19, 19:15
500c
4:3, 27:20
600c
24:17, 17:12, 27:19
700c
3:2
800c
30:19, 19:12, 27:17, 8:5
900c
5:3, 32:19, 27:16, 17:10
1000c
30:17, 16:9, 9:5
1100c
15:8, 32:17, 17:9, 36:19, 19:10
• Chords
These chords work particularly well if you drop the root note down an octave, better mimicking the shape of the harmonic series.
(e.g you can play "chord 0-15-19-20-21-22-23" instead of "chord 0-3-7-8-9-10-11")
Chord 0-3-8-10
5:6:8:9
Chord 0-5-7-9
6:8:9:10
Chord 0-2-4-7-11
8:9:10:12:15
Chord 0-2-5-10-11
9:10:12:16:17
Chord 0-3-7-8-9-10-11
10:12:15:16:17:18:19
Chord 0-4-5-6-7-8-9
12:15:16:17:18:19:20
Chord 0-1-2-3-4-5-8-10
15:16:17:18:19:20:24:27
Chord 0-1-2-3-4-7-11
16:17:18:19:20:24:30
Chord 0-1-2-3-6-8-10-11
17:18:19:20:24:27:30:32
Chord 0-1-2-5-7-9-10-11
18:19:20:24:27:30:32:34
Chord 0-1-4-6-8-9-11
19:20:24:27:30:32:36
Chord 0-3-4-5-7-8-9-10-11
20:24:25:27:30:32:34:36:38
Integer commas
All commas with numerator less than 5 digits, and prime limit 97 or lower, which are within 0.01 cents of a round-number cents value from 1 to 210:
UNNOTICEABLE
- 2888/2883 = 31lim 3c
SMALL
- 1040/1037 = 61lim 5c
- 289/288 = 17lim 6c
- 248/247 = 31lim 7c
- 217/216 = 31lim 8c
- 1350/1343 = 79lim 9c
- 1275/1264 = 79lim 15c
- 290/287 = 41lim 18c
- 396/391 = 23lim 22c
- 279/275 = 31lim 25c
- 323/318 = 53lim 27c
- 187/184 = 23lim 28c
- 301/296 = 43lim 29c
MEDIUM
- 169/166 = 83lim 31c
- 1296/1273 = 67lim 31c
- 273/268 = 67lim 32c
- 1430/1403 = 61lim 33c
- 1449/1420 = 71lim 35c
- 243/238 = 17lim 36c
- 1007/948 = 53lim 40c
- 470/459 = 47lim 41c
- 292/285 = 73lim 42c
- 6300/6149 = 43lim 42c
- 693/676 = 13lim 43c
- 6889/6720 = 83lim 43c
- 279/272 = 31lim 44c
- 267/260 = 89lim 46c
- 20213/19683 = 41lim 46c
- 256/249 = 83lim 48c
- 215/209 = 43lim 49c
- 6358/6177 = 71lim 50c
- 310/301 = 43lim 51c
- 999/970 = 97lim 51c
- 169/164 = 41lim 52c
- 377/365 = 73lim 56c
- 2482/2403 = 89lim 56c
- 14110/13653 = 83lim 57c
- 388/375 = 97lim 59c
- 675/649 = 59lim 68c
- 224/215 = 43lim 71c
- 2862/2747 = 67lim 71c
- 270/259 = 37lim 72c
- 1769/1694 = 61lim 75c
- 155/148 = 37lim 80c
- 1247/1190 = 43lim 81c
- 235/224 = 47lim 83c
- 815/775 = 37lim 85c
- 533/506 = 41lim 90c
- 1520/1443 = 37lim 90c
- 332/315 = 83lim 91c
- 1140/1081 = 47lim 92c
- 8723/8262 = 61lim 94c
- 2135/2021 = 61lim 95c
- 312/295 = 59lim 97c
- 2231/2107 = 97lim 99c
- 196/185 = 37lim 100c
LARGE
- 847/799 = 47lim 101c
- 343/323 = 19lim 104c
- 666/625 = 37lim 110c
- 364/341 = 31lim 113c
- 1435/1342 = 61lim 116c
- 658/615 = 47lim 117c
- 3071/2867 = 83lim 119c
- 224/209 = 19lim 120c
- 237/221 = 79lim 121c
- 338/315 = 13lim 122c
- 1984/1849 = 43lim 122c
- 1079/1005 = 83lim 123c
- 2610/2431 = 29lim 123c
- 5125/4757 = 71lim 129c
- 9317/8643 = 67lim 130c
- 1825/1692 = 73lim 131c
- 725/671 = 61lim 134c
- 225/208 = 13lim 136c
- 1681/1554 = 41lim 136c
- 92/85 = 23lim 137c
- 605/558 = 31lim 140c
- 800/737 = 67lim 142c
- 391/360 = 23lim 143c
- 555/511 = 73lim 143c
- 946/871 = 67lim 143c
- 213/196 = 71lim 144c
- 915/841 = 61lim 146c
- 476/437 = 23lim 148c
- 2626/2409 = 73lim 148c
- 1736/1591 = 43lim 151c
- 345/316 = 79lim 152c
- 441/403 = 31lim 156c
- 259/236 = 59lim 161c
- 12826/11687 = 53lim 161c
- 343/312 = 13lim 164c
- 11/10 = 11lim 165c
- 175/159 = 53lim 166c
- 1739/1580 = 79lim 166c
- 87/79 = 79lim 167c
- 1157/1050 = 89lim 168c
- 645/584 = 73lim 172c
- 1020/923 = 71lim 173c
- 7000/6327 = 37lim 175c
- 1769/1598 = 61lim 176c
- 50344/45425 = 79lim 178c
- 621/590 = 23lim 179c
- 319/287 = 41lim 183c
- 648/583 = 53lim 183c
- 148/133 = 37lim 185c
- 481/432 = 37lim 186c
- 589/529 = 31lim 186c
- 826/741 = 59lim 188c
- 279/250 = 31lim 190c
- 455/407 = 37lim 193c
- 2613/2336 = 73lim 194c
- 291/260 = 97lim 195c
- 3692/3293 = 89lim 198c
- 7215/6413 = 53lim 204c
- 517/459 = 47lim 206c
- 5491/4875 = 19lim 206c
- 630/559 = 43lim 207c
- 53/47 = 53lim 208c
- 534/473 = 89lim 210c