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Features
Which British titles will juries nominate at this year’s Bafta Film Awards?
Juries now take over to determine nominations for outstanding British film, documentary and casting.
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Features
‘Flow’ director on the toughest challenges making the Golden Globe-winning animation and his next project
Gints Zilbalodis tells Screen how his dialogue-free animation Flow proved to be a learning experience in more ways than one.
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Features
Will moves by Canal+ and Disney prompt a seismic shift to France’s windows chronology?
A dramatic overhaul of the system in favour of the global platforms is likely to meet pushback from France’s powerful theatrical distribution sector.
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Features
75 films to tempt festival directors in 2025
Expect films from Chloe Zhao, Carla Simon, Julia Ducournau, Annemarie Jacir, Kathryn Bigelow, Lynne Ramsay and (possibly) Lucrecia Martel.
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Features
Which films are in contention for Bafta’s new children’s and family film award?
‘Paddington In Peru’, ’Ghostbusters: Frozen Empire’, ‘White Bird’ all in the running.
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Features
‘Paddington In Peru’ producer Rosie Alison on her 20-year journey with the ursine franchise
Alison has been on the Paddington train from the very beginning and is lead producer on the third film.
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Features
How simplifying the new emotions unlocked ‘Inside Out 2’
Initial emotional concepts for the film included Schadenfreude, Surprise and Shame.
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Features
What are the animation contenders at this year’s Oscars and Baftas?
Studio sequels such as ‘Inside Out 2’, ‘Moana 2’ go up against indies like ’Memoir Of A Snail’ and ‘Flow’.
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Features
How Adrien Brody almost wasn’t cast in ‘The Brutalist’
Adrien Brody won the Oscar for his intense role in The Pianist. Can he repeat the trick with Brady Corbet’s ambitious US epic The Brutalist?
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Features
The BFI’s 10 biggest distribution awards of 2024
Titles include ‘Io Capitano’, ‘Copa 71’ and ‘Kneecap’.
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Features
How the ‘We Live In Time’ team got an original British romance into cinemas
Directed by John Crowley, We Live In Time presents a love story where time is in short supply
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Features
“I was covered head to toe in bruises”: Mikey Madison on digging deep for Sean Baker’s ‘Anora’
Sean Baker wrote the role of the gutsy exotic dancer at the heart of his Palme d’Or winner for the actress.
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Features
Russian star Yura Borisov on becoming the ‘Anora’ henchman and stepping into Hollywood
In Sean Baker’s Anora, henchman Igor steals up quietly on the film, revealing his hidden layers. Actor Yura Borisov talks about exploring the character’s soul.
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Features
Into the shadows: creating the deep, dark look of ‘Nosferatu’
Reuniting with filmmaker Robert Eggers, director of photography Jarin Blaschke puts a distinctive visual stamp on Nosferatu.
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Features
What are the tentpole film releases of 2025 in the UK?
Screen spotlights a selection of releases that aim to drive UK cinemagoing in 2025.
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Features
‘The Thing With Feathers’, ‘Pillion’ among key 2024 BFI production awards
Harris Dickinson’s directorial debut and ‘Retreat’, a thriller with a predominantly deaf cast, are also on the list.
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Features
Screen critics’ top documentaries of 2024
Five of Screen’s expert critics select their favourite documentaries from 2024.
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Features
Screen’s guide to the 2024 documentary Oscar shortlist
10 of the 15 shortlisted films launched at Sundance.
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Features
“It has caught people in the heart”: Cynthia Erivo on flying high as Elphaba in ‘Wicked’
The London-born actress follows her rules of attraction when picking out roles – like Elphaba, who captivated her in the ’Wicked’ stage production more than a decade ago: “I saw myself.”
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Features
How Weta Workshop turned Robbie Williams into an ape for pop-star biopic ‘Better Man’
Source: Ben King / Paramount Pictures ‘Better Man’: Jonno Davies in full performance-capture suit with markers on the body and face Weta Workshop, the New Zealand-based visual-effects company founded by Peter Jackson, was initially tasked with helping pre-vis 10 dance numbers for Robbie Williams biopic Better Man. ...